2024-08-01
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arc of the natural world’s evolution from the primeval environment to the Anthropocene and back again premiered in program Death is Green at the Whitney Museum of American Art part of Dreamlands: Immersive Cinema and Art 1905-2016 organized by Chrissie Iles
A load of Halloween monsters freak each other out in a strobing cacophany.
A group of partygoers consider what awaits them after death.
A mad clock takes the viewer on a trip to a random planet. Which happens to work in a different conception of time than we know. Made in relay process, the results are unexpected and mind tripping.
A surrealist animation of the Sarah Lawrence College art building.
Needles are used to repair the damage. Stay is a 5-minute animated film made using hand embroidery on tracing paper, depicting the relationship between a daughter and her absent father. Don’t forget to spend more time with the people you love even though you are busy.
Threnody emphasises some of the madness and instability of a year filled with fires, infections and general disarray.
Amanda's stoner slumber party is put to a halt when one of her guests is nowhere to be found.
My Body Is Not My Home is a 3D animated short film following the journey of an uncanny simulacrum who undergoes the process of becoming the ‘Other’.
A feminine machine, stuffed with modern nano-technology and useless operations is depicted in this mixed-media 2D animation short, highlighting the consequences of consumerism and the downfall of civilized society. The machine reminiscent of a two-dimensional video game, leads to a destructive chain reaction after a strange malfunction, with people turning into clones and robots.
Seraphim Cloud and his life size doppelgänger enter the netherworld of Calico Ghost Town deep within the Mojave Desert.
A corridor of an apartment is transformed into a claustrophobic and vertiginous vortex that swallows and imprisons you in an infinite fall through a mise en abyme: it’s a pure enclosure inside the image world, it’s the Descent into the Maelstrom.
In a gargantuan city lurking in the sky, powerful immortals who have become jaded with eternal life. Most of their time is spent monotonously constructing bizarre and unusual objects while waiting for the ultimate gift to arrive.
The leaders, the wise men, the leopard, the deer, the owl and the rat all look up in the sky in fear as a strange object flies through the sky.
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
In an indeterminate future, forbidden memories challenge a database containing all human memories. An experimental cinematic search between past and future, fiction and fact, Prishtina and Tirana. The future, a glitch.
Emerging from the sea onto land an axolotl swims through complex terrain parallel to a man searching for an encounter with God.
A synthesis of sound and movement; colourful characters dance and move in repetitive patterns to percussive and melodic elements. A combination of motion and music that is hypnotic and beautiful. At first it feels structured and orderly but as more elements are added becomes quixotically expressive.
In this abstract analogy between life and an apple, one will have to face problems and suffer wounds to push boundaries. Maybe something new will grow out of it.