An Imperial Message is a 1975 Hungarian experimental film directed by László Najmányi. The 'story' was based on Franz Kafka's short story Eine kaiserliche Botschaft.
Rexona Herb
Ion Bronx
Ayer Vapona
Dezent Nagelharten
Alper Belan
Polor Blendax
Sören Pevdi
Parancsnok
Hamilton Pevdi
Khelim
A young peasant is forced to flee for killing involuntarily an abusive guard. After an entire year hiding in a remote fishing island, he decides to return to his countryside and reunite with his wife and daughters.
Josef K wakes up in the morning and finds the police in his room. They tell him that he is on trial but nobody tells him what he is accused of. In order to find out about the reason for this accusation and to protest his innocence, he tries to look behind the façade of the judicial system. But since this remains fruitless, there seems to be no chance for him to escape from this nightmare.
A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
Previously lost exploitation film which chronicles the sexual journey of a teenager who introduces her own family to the liberated ways of the free love rebellion.
A teenage skateboarder becomes suspected of being connected with a security guard who suffered a brutal death in a skate park called "Paranoid Park".
From Executive Producer Sheila Houlahan, 'Night, Mother' is a hybrid Twitch film that interweaves pre-filmed segments with live-streamed performance. Reset amidst the COVID-19 pandemic, this new adaptation of the Pulitzer Prize-winning play explores the concentric circles of isolation, grief, and suicide. During a Zoom call, Jessie (Sheila Houlahan) confesses to her mother Thelma (Ellen McLain) that she plans to commit suicide within the hour. 'Night, Mother' portrays a poignant and haunting picture of the current state of mental health care in America.
In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.
Bud Clay races motorcycles in the 250cc Formula II class of road racing. After a race in New Hampshire, he has five days to get to his next race in California. During his road trip, he is haunted by memories of the last time he saw Daisy, his true love.
Based on the myth of Icarus, in 1968, a boy attempts to pave a better future for himself by building rockets.
Danielle, a vibrant young woman is forced into servitude after the death of her father when she was a young girl. Danielle's stepmother Rodmilla is a heartless woman who forces Danielle to do the cooking and cleaning, while she tries to marry off the eldest of her two daughters to the prince. But Danielle's life takes a wonderful turn when, under the guise of a visiting royal, she meets the charming Prince Henry.
In Jean Rouch's cinematic reinterpretation of Julius-Amédée Laou's theatrical work, a freshly appointed nurse steps into the chaotic world of a psychiatric ward. Tasked with nurturing the minds within, she forms a profound connection with a patient from Martinique who has been confined within the institution's walls for half a century. As their relationship deepens, the lines between reality and delusion blur, weaving a complex narrative of human connection and psychological intrigue.
Social media corrupts the mind of a young University student--but can he escape the psychological torment of alienation?
American composer Jake Heggie’s compelling masterpiece, the most widely performed new opera of the last 20 years, arrives in cinemas in a haunting new production by Ivo van Hove. Based on Sister Helen Prejean’s memoir about her fight for the soul of a condemned murderer, Dead Man Walking matches the high drama of its subject with Heggie’s beautiful and poignant music and a brilliant libretto by Tony and Emmy Award–winner Terrence McNally. Met Music Director Yannick Nézet-Séguin takes the podium, with mezzo-soprano Joyce DiDonato starring as Sister Helen. The outstanding cast also features bass-baritone Ryan McKinny as the death-row inmate Joseph De Rocher, soprano Latonia Moore as Sister Rose, and legendary mezzo-soprano Susan Graham—who sang Helen Prejean in the opera’s 2000 premiere—as De Rocher’s mother.
Where's the girl? Can you hold her for me? I need her now.
A woman meets an enigmatic stranger on a European trip. Their instant attraction faces challenges from life, duty and secrets that change her life forever.
A lonely boy starts an online relationship with a girl during lockdown. One day she vanishes and as the days go by the line between the digital and the real starts to blur.
"Des-authorized" is the combination of three stories, three realities that coexist and feed. The journey begins in the imagination of Elia K, the principal, who imagines Elijah, a character who is a poor playwright facing the crossroads to be true to his art, or succumb to the pressures of the producers must decide his work between surrender or pay the price of his freedom. On another level, we have Nina and Frederick, the protagonists of the work that Elijah is writing. They only seek to love, they are forced to leave the paper and press the Elijah to them the end that his story deserves, this is the starting point of "Des-authorized" a film set in an imaginary city , colorful and delusional. In the line of "Amelie" and "Stranger Than Fiction", brings a reflection on art, creativity, love and heartbreak.
A queer stop-motion animation live-action hybrid film following four women in a surrealist parallel narrative unconstricted to heteronormative space and time.