Venezuelan adaptation of The Four Featehr by A.E.W. Mason. A story of courage and redemption set in the British Empire's colonial era. When Harry Feversham resigns from his military post before a Sudan campaign, he's branded a coward and given four white feathers by his fiancée and friends. To prove his bravery, Harry embarks on a dangerous mission to Sudan to aid his comrades in secret. Overcoming peril and doubt, he redeems himself, eventually returning the feathers.
Venezuelan adaptation of The Four Featehr by A.E.W. Mason. A story of courage and redemption set in the British Empire's colonial era. When Harry Feversham resigns from his military post before a Sudan campaign, he's branded a coward and given four white feathers by his fiancée and friends. To prove his bravery, Harry embarks on a dangerous mission to Sudan to aid his comrades in secret. Overcoming peril and doubt, he redeems himself, eventually returning the feathers.
1928-12-22
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A violent examination of male homosexuality in a time when it was considered taboo, where Ivano Staccioli and his lover engage in a self-destructive relationship against the background of Africa.
The octogenarian Angono Mba recalls the expedition in which he worked as porter for the Spanish filmmaker Manuel Hernández Sanjuán who, between 1944 and 1946, traveled through Spanish Guinea documenting life in the colony as he obsessively searched for a mysterious lake.
In 1885, Africa is a succulent cake destined to be wildly divided and everyone wants a piece. A disturbed European king, a Pygmy working in a luxury hotel, a successful but lonely businessman, an enslaved porter, a young army deserter, a ghostly clarinetist. Some benefit from colonialism and greed. Others suffer racism and violence.
The difficult relationship between a young gay South Asian man and his father, refracted through images of the late film star Sabu of Jungle Book and Elephant Boy.
The man called Obam struggles with the increasingly hostile forces facing each other in a colonial African country. The African natives want their land and lives back from the British colonists. Obam's motives are questioned by his own people, in particular his brother Kanda. With the help of his wife Renee and missionary Bruce Craig, will he be able to get things under control before the country self-destructs? Written by Greg Bruno
In 1923 British Colonial Nigeria, Mister Johnson is an oddity -- an educated black man who doesn't really fit in with the natives or the British. He works for the local British magistrate, and considers himself English, though he has never been to England. He is always scheming, trying to get ahead, which lands him in a lot of hot water.
The Warrior Queen of Jhansi tells the true story of Lakshmibai, the historic Queen of Jhansi who fiercely led her army against the British East India Company in the mutiny of 1857. From Queen Elizabeth to Queen Victoria, two-and- a half-centuries of East India Company rule will be reversed by its attempt to crush India’s Warrior Queen. Lakshmibai is known as one of the most prominent figures within the independence movement of India. The passion to free her province from colonial rule led this young woman to become one of the greatest generals of the Indian army, and to go down in history for her bravery, strategic acumen, and as a force to reckon with by the East India Company and the British Raj. The Warrior Queen of Jhansi is the story of the woman who lived and fought for the freedom of her people.
In 1948, a new British governor takes over a Far Eastern colony after his predecessor is murdered by terrorists.
On 2 January 1899, starting from the French Sudan, a French column under the command of the captains Voulet and Chanoine is sent against the black Sultan Rabah in what is now the Cameroon. Those captains and their African mercenary troops destroy and kill everything they find on their path. The French authorities try to stop them sending orders and a second troop but the captains kill the emissaries who reach them. Sarraounia, queen of the Aznas, have heard about the exactions. Clever in war tactics and in witchcraft, she decides to resist and stop those mad men.
The wife of a rubber plantation owner must put her marriage problems on hold when her family is forced to defend themselves during a native uprising.
"Yasmina" filmed in 1961 in the middle of the Algerian war tells the story of a little Algerian girl with her hen and her family whose father was killed in a bombing by the French colonial army of occupation. The family, after a long journey, heads towards the refugee camps on the Tunisian border. Produced by the Cinema Service of the Provisional Government of the Algerian Republic (GPRA) in the midst of the war of independence, these films were intended to re-inform the population and international public opinion on the abuses committed by the French colonial army: torture, arrests and arbitrary executions, napalm bombings, fires in douars, entire villages wiped off the map, etc. which the French media described as a "pacification" campaign. The latter censoring or reorienting any images that could harm the colonial narrative.
The fortunes of two expeditions a century and a half apart become mysteriously linked in the same desolate stretch of Kalahari Desert. In 1848 the Broon family are sent by the London Missionary Society to look for and convert a legendary race of strangely deformed savages. In 1983, a team of three people go off in search of what really happened.
Mary Ingles is pregnant when she and her two sons are captured from their homestead in Virginia's Blue Ridge Mountains by Shawnee Indians. Her husband, Will, narrowly escapes death during the attack. Impressed by her grace under the pressure of captivity, Wildcat, the Shawnee chief, confers special privileges on Mary and her children, eventually proposing that Mary become his mate. Surprised by her attraction to the handsome brave, Mary nonetheless opts to remain faithful to Will and engineers a plan for her escape. Separated from her children, Mary joins another female settler, and together they embark on a harrowing homeward trek. Her odyssey comes full circle more than a decade later when she is finally reunited with her long-lost children.
The humanitarian aid expedition "Angeles Azules" (Blue Angels), comprising twelve Europeans and six trucks loaded with provisions to alleviate hunger in Sub-Saharan Africa, advances across the continent. As a result of the difficulties the team encounters, disorganization gradually takes over the convoy. Each of the members of the group, little by little, yield to their petty, selfish impulses: violence, power, nostalgia - The breakdown of one of the trucks forces Michele and Nadia to wait at an oasis for the arrival of spare parts. But a starving local tribe settles threateningly near them. The chief of the tribe makes a speech they don't understand, which is followed by a macabre purification ceremony.
In a town called Hope on the edge of Britain's empire, desperations clash: the beautiful Dorothea Brook is desperate to free her pregnant sister Rose from the clutches of Fraser, a fortune hunter. A local politician, William Poyner, is desperate for cash and thinks marriage to Dorothea will save him. Dorothea hires Lawrence Hayes, a rough but handsome Argonaut, to bribe Fraser with jewels and to marry Rose; Hayes desperately loves Dorothea and may marry Rose to stay close to her. But Dorothea has a lover, the ravishing Anne Cooper, who encourages the match with Poyser to give the lovers cover. Are these remedies, each desperate in its turn, going to make anyone happy?
Fort Mysang, southern Philippine Islands, under US rule, 1906. A small group of army officers and native troops resist the fierce and treacherous attacks of the ruthless Alisang and his fanatical followers.
For 'Et les chiens se taisaient' Maldoror adapted a piece of theatre by the poet and politician Aimé Césaire (1913–2008), about a rebel who becomes profoundly aware of his otherness when condemned to death. His existential dialogue with his mother reverberates around the African sculptures on display at the Musée de l'Homme, a Parisian museum full of colonial plunder whose director was the Surrealist anthropologist Michel Leiris.
In Southern Rhodesia in the 1940s, city-dweller Mary marries farmer Dick Turner and is plucked from the comforts of her cosmopolitan life and forced to live on his unsuccessful farm. Mary slowly goes insane and has a sexual affair with her black servant, Moses. When the affair is discovered, Mary asks Moses to leave the farm, but he returns and murders her.
When Jarah loses her husband, her child, her land and her innocence she embarks on a brutal journey of of retribution and revenge that transforms into redemption and reconciliation.
Sir Robert Beaumont is behind schedule on a railroad in Africa. Enlisting noted engineer John Henry Patterson to right the ship, Beaumont expects results. Everything seems great until the crew discovers the mutilated corpse of the project's foreman, seemingly killed by a lion. After several more attacks, Patterson calls in famed hunter Charles Remington, who has finally met his match in the bloodthirsty lions.