


Amalia Lemus "Shenny"
Alex García
Lupita García
Jennifer Pacheco
Carlos Cáceres
Ruth Pacheco
Johny Rodriguez

2024-09-05
0
0.0The Perechú family is afraid that the ancestral costume of their ancestors will disappear, but they see soccer as an opportunity to keep their culture and legacy alive.
Denese Joy Becker, a manicurist living in Iowa, discovers she is indeed Dominga Sic Ruiz, a survivor from a 1982 Guatemalan massacre, when more than 200 people were killed in the small village of Rio Negro, after opposing the construction of a dam, sponsored by World Bank. She then tries to unveil the truth.
5.4From Sierra de las Minas to Esquipulas, explore Guatemala's cultural and geological wealth, including ancient Mayan cities and other natural wonders.
8.0Claudia Paz y Paz is the head of the Guatemalan Public Prosecutor’s Office. We follow her during her four-year mandate as the Attorney General of one of the world’s most dangerous countries. This documentary closely observes her attempts to break the downward spiral of a society where drug cartels, corruption and violence have become part of daily life. She manages to improve the country’s safety and justice issues but is met with much resistance. Her commitment to the rule of law is her strength as well as her destiny. At what price do four years of service as the Attorney General of Guatemala’s murder paradise come?
10.0A joyous Guatemalan film about the magic and charm of puppetry. This documentary follows the charismatic artists as they make their puppets and perform. Both humorous and socially aware, their themes are drawn from classic stories, local legends and history.
10.0From the shadows of a Guatemalan neighbourhood scared into silence, two sisters lead a luminous rebellion—unleashing joy, art, and radical truth in a fight for survival.
5.7A powerful three-part documentary studying the US involvement in Guatemala, El Salvador and Nicaragua. The differing factions - Sandinista leaders, Guatemalan campesinos, CIA operatives, Contras and US government apologists - are interviewed and, in the absence of a controlling narration, the audience is encouraged to draw its own conclusions.
0.0Through dances and games, migrant boys and girls who live in a shelter in Reynosa, on the US-Mexico border, shared their dreams and stories of hope with us.
A dutch film maker, married to a Nicaraguan, sets himself a goal of finding out what kind of people is risking life trying to emigrate over the borders to USA, and if some of the reach the American dream.
0.0In a world drifting further away from participatory food production, relying instead on large corporations to feed us, this film asks “What do we lose by giving up our responsibility to produce food?”
A Guatemalan woman, Ana Lucía Cuevas, returns home from exile to face the brutal history of Guatemala's armed conflict. In 1984, her brother Carlos was kidnapped by the state as one of thousands who were abducted and disappeared. Recounting the stories of brutal genocide, terror, state repression and violence, this film documents the memories of those victimised by the Guatemalan state.
0.0Since 1999, more than 2,000 women have been murdered in Guatemala, with numbers escalating every year, yet lawmakers and government officials turn a blind eye. Powerful and uncompromising, Killer's Paradise uncovers an emotionally wrenching human rights tragedy, while exposing an inept judicial system that allows it to happen. After almost four decades of civil war, Guatemala is a troubled society, but it can also be seen as a microcosm of the pervasive violence and injustice against women worldwide.
4.5A story of destinies joined by Guatemala's past, and how a documentary film intertwined with a nation's turbulent history emerges as an active player in the present.
"Mother Tongue" chronicles the first time a documentary film about Guatemalan genocide in Guatemala was translated and dubbed into Maya-Ixil—5.5% of whom were killed during the armed conflict in the 1980s. Told from the perspective of Matilde Terraza, an emerging Ixil leader and the translation project’s coordinator, "Mother Tongue" illuminates the Ixil community’s ongoing work to preserve collective memory.
7.0Five Years North is the coming-of-age story of Luis, an undocumented Guatemalan boy who just arrived alone in New York City. He struggles to work, study, and evade Judy - the Cuban-American ICE officer patrolling his neighborhood.
0.0In this Traveltalk series short, we visit a region in Guatemala where the native Indian tribes live like their ancestors, without using most of the benefits of modern man. They not only grow their own vegetables and catch animals to eat, they also cultivate the plants they need to weave fabrics and make natural dyes from various berries and seeds.
9.5A documentary on the war between the Guatemalan military and the Mayan population, with first hand accounts by Nobel Peace Prize winner Rigoberta Menchú.
7.0This FitzPatrick Traveltalk short visits Guatemala City, touching upon its sights, customs, and history.
0.0Told almost entirely without spoken words, this film unfolds in the language of its subjects: Guatemalan Sign Language. In a country where more than 850,000 Deaf people receive little institutional support, silence becomes both a barrier and a form of connection. Through classrooms, homes, and everyday life, the film observes a community building its own means of understanding and belonging. Among those leading the way are Melkin, Dairy, and Jonathan, the teachers, students, and leaders within Guatemalan Deaf Ministries, where the language of hands has become the language of hope.
10.0MAXIMÓN - Devil or Saint is a documentary about the controversial Maya deity, also known as San Simon or the drinking and smoking saint of Guatemala. He is a mixture of ancient Maya beliefs and Christianity. The movie concentrates on the people who surround Maximón with their strong personalities, opinions and faith. The documentary gives us a rare view into the rituals and fiestas honoring Maximón. The cult of Maximón is flourishing because he performs miracles. He is also feared and despised because he is used to cast curses that can result in death. Ultimately, Maximón transcends the duality of good and evil, reflecting the Maya cosmovision in which everything in the universe co-exists.