At Odds(1968)

Fourth floor, apartment 9(ar)

A play staring Ahmed Bdair and Ngah Elmogy

Intensive Care(ar)

Bernard Alba's Household(ar)

an adaptation of a play by Federico Garcia Lorca. After her husband's death, Bernarda Alba imposes eight years mourning period upon her household as the tradition runs in her family. In a household of 5 girls their mother and their grandma the tension and the deprivation arise as the mourning period isolate them from the rest of the village and deprive them of any male contact.

Sayedaty El Gameela(ar)

Without You(ar)

A Kuwait play about a family that is looking for a house maid to help them with house work and displays house maid problems and how badly they are treated.

A Family That Has Been Banned(ar)

It deals with the life of an Egyptian family across different generations in a comedic style of show. It presents the social and cultural changes between them, and the family tensions resulting from different customs and values, with a focus on humor and music to convey a message about adapting to time changes and maintaining family ties.

Extremely Happy Family(ar)

The story revolves around a family of several men and their wives who were living a happy happy life, until the doorbell rang one night to find a baby left behind behind the door and accompanied by a letter indicating that the child's father is from this family without identification, which raised the suspicions of the wives in their husbands.

Love situation(ar)

Rajab (Fouad Al Muhandis) The shy, hard-working young man in his work loves Sawsan (Shweikar) his cousin and his partner Mitwalli the polygon (Abdel Moneim Madbouly), but she does not feel it and loves her cousin Elham Cabbage (Adel Imam) who is good at dancing and singing and is encouraged by her mother Zahra (Zouzou Chakib) but Metwally The polygon loves

She, I, and His Highness(ar)

No Info Available

Atiya The Terrorist(ar)

Hello Shalaby(ar)

A comedic play about a struggling theater cast seeking funding to show one of its plays. They stay in a hotel waiting for the financier, but they don't have money to pay the hotel bill, thus getting them into troubles.

Samet Sons(ar)

A Kuwaiti play talks about the life of Kuwaitis in the years of poverty experienced by Kuwaitis before the economic boom in the seventies, and discusses work in a comic framework of economic and social problems, including poverty, education, and health, by dealing with the stories of work heroes.

Kol El Regala Keda(ar)

Abbas Al-Aflatouni (Ismail Yassin), the grocer, went to Alexandria to redeem an olive message, anchovy, and cheese. Fleming arrived at him from Greece, and he was late and went to Locanda to reside there, but he did not find an empty room. Abbas Al-Platoni, the lawyer thought it the famous star, and was welcomed by the Locanda workers everywhere he goes, and the guest Hilal Bey Moon (Abdul Nabi Muhammad) watched him seeking the accompaniment of celebrities and their pride.

The Flirtation of Girls(ar)

Replay a play for the movie Spinning Girls, the last of the works of the late genius Naguib Al-Rihani in 1949, which was shared by a championship of stars of that time, including Laila Murad, Anwar Wajdi, Youssef Wahbi and the musician Mohamed Abdel Wahab. His trip in her father's palace.

Have a Safe Journey 2000(ar)

The play revolves around a group of travelers to Sharm el-Sheikh inside a bus, wandering the road and becoming alone in the vast Sinai desert. The play reviews the negative aspects of each character, which appear in these difficult circumstances. When they are about to die, they begin to atone for their mistakes.

No Longer Kids(ar)

The play tells the story of four siblings trying to stop their father from leaving his family for another woman after one of them accidentally finds a love letter from an unknown woman to their father.

الدلوعة(ar)

الستات ميعرفوش يكدبوا(ar)

أنا وهو وهي(ar)

Bye Bye Arab(ar)

A dark Kuwaiti comedy that follows "Arab," an idealist who embarks on a fantastical journey with "Marjan the Genie" to unite the Arab world—only to confront a reality far from his hopes.