The Super-Sex is a 1922 American silent comedy film directed by Lambert Hillyer and starring Robert Gordon, Charlotte Pierce and Tully Marshall.
Irene Hayes
Cousin Roy
Mr. Hayes
Mrs. Hayes
The Super-Sex is a 1922 American silent comedy film directed by Lambert Hillyer and starring Robert Gordon, Charlotte Pierce and Tully Marshall.
1922-11-19
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A midsummer Phantasy. The man having been attacked by footpads, puts on a suit of medieval armor which has been magnetized at a dynamo by two boys. Every metallic article which he approaches flies to him, to the great consternation of many people.
A stop-motion film from Émile Cohl with tin soldiers, children's drawings and cannibals.
An urban husband and wife, walking in the countryside outside Paris, are so impressed with the delicious taste of a cow's milk that they buy the cow and try to bring it home to their Parisian apartment. (Library of Congress)
Charilaos Maraziotis owns a store and owes so much money both to his lenders and to the state, that he is in danger of going to jail. He decides to pretend to be a psychopath and is sent to an asylum. His lenders, upon hearing the news about his mental health, change their attitude towards him and release him from his debts.
This 20th-century retelling of the classic fairy tale keeps all the familiar elements — a selfish step-sister, a put-upon beauty, a Prince Charming, and, of course, a lost slipper — but shifts the action to a contemporary boarding house. Cinderella, played by Mary Fuller, befriends an elderly resident, who buys a party outfit for her favorite when Cinderella’s elder sister preens for a dance. The new clothes transform the unassuming maiden into the toast of the ball. Finding Cinderella’s missing shoe, a dashing young man follows the clue to his grandmother, Cinderella’s friend at the boarding house, who works her magic to reunite the couple.
The Professor will not allow his daughter to marry a non-musician, but Billy, her would-be suitor, cannot play a single note. When he is about to give up, Billy’s roommate suggests bluffing his way into the Professor’s favor with the aid of a suitably musical disguise and a well-hidden phonograph player.
Anna is a poor girl who loves Erik, the son of a rich farmer. His parents are however determined to make Erik marry the rich Britta.
Schoolteacher Edith breaks off her engagement after an argument with her fiancé. She writes him a note of reconciliation but throws it away. Without her knowledge, one of her students fishes it out of the trash and sends it to her fiancé. Later, Edith is alone grading papers when a man bursts in and threatens her.
Kri Kri can't have the girl he loves, so he fakes suicide.
Kelly's employer, Waters, is such a keen golfer that he asks Kelly to help him improve his game at an exclusive country club.
A wife, tired of her husband's non-stop carousing, sues him for divorce. The judge, however, comes up with a novel solution--he makes the husband take his wife's place in the household--including dressing like her--for 30 days to see what it's like to be his wife.
Moving Picture World categorized the film as “a nonsense number”, but Normand's Won in a Closet, her second as director, displays her burgeoning talent. Mabel’s father, the country constable, is smitten with the mother of the boy Mabel imagines “her ideal”. The young couple’s romance is disrupted first by two rival “cut-ups” and then by misapprehension that a tramp is hiding in a closet at the mother’s home. In reality, the mother herself takes refuge in the closet to escape the constable’s attentions.
A cocky, arrogant young playboy is expelled from his American polo team shortly before the big match with England.
A poor but ambitious young girl is determined to crash high society, but isn't prepared for the reception she receives.
A boy puppet falls in love with a girl puppet. In a cruel twist of fate,they are separated when they are purchased by different people. When they chance upon each other again, the boy puppet does everything in his power to return to her side.
Director Allan Dwan’s excellent use of New York locations enlivens a rags-to-riches tale that fully exploits star George O’Brien’s championship boxing prowess.
A man goes out on New Year's Day and is greeted by everyone with "Happy New Year", in the hope of getting a tip. The fellow is so annoyed that he runs into trouble with the law and almost loses his mind.
Robinet wants to try out to be a jockey, but has to go through a lot of exercise to reach the weight needed.