Selective Fire(NaN)

Solar Plexus(en)

Noah battles to overcome his grief at the death of his mother, a journey that takes him from his flat to beyond the stars. An animation in stop-motion and oil paint.

Mirror(ru)

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

Resonating Surfaces(fr)

Resonating Surfaces is triple portrait, of a city, a woman and an attitude to life. For the personal story of Suely Rolnik, who is a Brazilian psychoanalyst currently living in São Paulo, involves the Brazilian dictatorship of the sixties as well as the Parisian intellectual climate surrounding Deleuze and Guattari in the seventies. The film is woven through by different themes: the other and the relation to otherness, the connection between body and power, the voice and, ultimately, the micropolitics of desire and of resistance.

Pop(en)

Pop chronicles the journey of three generations of Meyerowitz men on a road trip from Florida to the Bronx, in exploration of their familial roots. Joel’s father, Hy, is battling Alzheimer’s disease and so they embark on a “quest to see if, along the way, the adventures and experiences we would have could stimulate his now rapidly failing memory.” The film directed and produced by our Joel Meyerowitz. It is touching, funny, poignant, and beautifully captures the strength of intimacy between fathers and sons.

Julieta(es)

The life and times of the mexican pianist Julieta García Rello, as told by her granddaughter.

Fascism in Colour(en)

After the World War I, Mussolini's perspective on life is severely altered; once a willful socialist reformer, now obsessed with the idea of power, he founds the National Fascist Party in 1921 and assumes political power in 1922, becoming the Duce, dictator of Italy. His success encourages Hitler to take power in Germany in 1933, opening the dark road to World War II. (Originally released as a two-part miniseries. Includes colorized archival footage.)

In the Time of the Butterflies(en)

Based on the book by Julia Alvarez. Three sisters become activists during the Dominican Republic's Trujillo regime when members of their family are killed by the government's troops.

Imbued Life(hr)

A young woman’s connection with the life force of nature. Using her taxidermy talents to “return” the animals to their natural habitat. But the true search for answers begins when she finds a roll of undeveloped film in each of the animals that she treats.

Inês(fr)

Inês Etienne Romeu was an opponent to the Brazilian's dictatorship. She was kidnapped, tortured and raped in jail, where she stayed for almost 100 days. She was later sentenced to life imprisonment. She stayed ten years in prison, from 1971 to 1979. Delphine Seyrig directed this film in 1974, when Inês was still in prison, protesting against this imprisonment and in support to Inês.

The Circus(fr)

In the vestibule of a hospital room, a young boy waits to see his dying mother. The clamor and spiralling movements of bodies around him intensify, forming a grotesque circus—a cacophonous circle that pushes the child back, depriving him of one final touch of his mother's hand. Using rotoscoped drawings suggestive of charcoal sketches, as well as 3D and object animation techniques, The Circus compels viewing with its unsettling realism. Colour is employed metaphorically to subtly express the promise and the memory of maternal affection. Nicolas Brault's highly personal film, suffused with poetic modesty, casts a poignantly sincere gaze on the heartbreak of a child facing the fearful, mysterious experience of his mother's death.

Belarus: An Ordinary Dictatorship(fr)

It’s the last dictatorship of Europe, caught in a Soviet time-warp, where the secret police is still called the KGB and the president rules by fear. Disappearances, political assassinations, waves of repression and mass arrests are all regular occurances. But while half of Belarus moves closer to Russia, the other half is trying to resist…

Goodbye Robin!(fr)

As he looks at a flower, Mika is reminded of his childhood, and feels a creature awaken inside his head: a giant stuck in apathy. Also coming awake is another creature, full of wonder: Kai. Trapped inside the giant, Kai discovers countless memory bubbles and starts collecting them. With their help, she guides the giant through releasing his emotions – and Mika through finally accepting the loss of his childhood friend.

Salvador(en)

In 1980, an American journalist covering the Salvadoran Civil War becomes entangled with both the leftist guerrilla groups and the right-wing military dictatorship while trying to rescue his girlfriend and her children.

Circus(et)

We all carry hell with us. The filmmaker’s hell exists on a canvas, which he studied carefully in childhood. The mystical picture has many names: Circus, Hell, Game at the Arena. Decades later he finds the painting again. The film unravels as loose ponderings about the plight of being an artist and touches upon the filmmaker’s personal demons. Can he see the painting in a new light?

Dissolve(en)

In this 3D animated short we follow the journey of a little Gecko, living inside an Alzheimer’s patient mind, resembling his earliest childhood memory. As the disease progresses, neurons start falling apart and his memories descend from above. The Gecko intuitively tries to catch them before they fade, but there are simply too many for him to save...

ZÜHUL(tr)

The Year of the Radio(es)

Mexico in the 90s. Alex, a 7 year-old boy and his little siblings are left in the care of senile Aunt Lola while their mother works as a host on a radio station. Alex misses his mother and along with his siblings, they listen to his mother’s show every night, building strange imaginary worlds through the stories they hear, the news, the radio soap operas and the religious influence of his great-aunt.

Muammar Gaddafi: Inside the Dictator's Mind(fr)

El Viaje(es)

Living memories(fr)

Living Memories is a documentary film that traces the history of the director’s neighborhood and native country, Haiti, through a personal and engaged perspective. Brick by brick, through encounters and wanderings throughout Port-au-Prince’s neighborhoods, archival photos, graffiti, and animations, the filmmaker introduces us to architect Léon Mathon and the residential architecture of the early 20th century. Over the ruins of her family home, Dominique, the director's mother, an architect like her father and grandfather before her, searches through her memories and significant places for traces of the past and the history of her country. Many of her landmarks are no longer there. From this tragedy arises a quest — a need to reconnect memory and history to understand the present better. The filmmaker follows her mother during her journey, capturing her reflections and conversations and documenting them to bring memories back to life.