Embracing a temporary visual impairment, a filmmaker immerses in her family’s 1990s home movies, composing a narrative that reimagines her father’s vision. They reconnect in the present, amid vulnerability, awkwardness and love: the story of a gardener and a one-eyed woman.
Through one woman's experience as an adopted person and also as a mother who relinquished her child in 1971, this documentary highlights the many complex issues associated with adoption.
Follow five fabulous international Penthouse Pets on their own video centerfold shoots. Go behind the scenes and see exactly what it takes to create a Penthouse centerfold...and then step back and watch it come to life! Along the way you'll be treated to a private look at Penthouse Pets Lola Anders, Thaina Mark, Linda Johansen, Mikki Brenner, and Soraya Valdez. This is truly an affair to remember!
The life and career of American rapper Vanilla Ice, showcasing his start as a breakdancer in South Dallas to his mainstream international success and the hardships that followed through archive personal, TV, news and concert footage.
An atypical portrait of singer, songwriter, poet Georges Brassens.
The voices of five gay men who cruised for sex at the World Trade Center in the 1980s and 1990s haunt the sanitized, commerce-driven landscape that is the newly rebuilt Freedom Tower campus.
A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.
Filmmaker Cam Archer examines and explores his ordinary, suburban neighborhood in search of hidden truths, new narratives and a better understanding of his fading, creative self. Combining heavily degraded video with personal photographs and real life neighbors, Archer re-imagines the concept of 'home video'. In an attempt to distance himself from his subjects, actress Jena Malone narrates the piece as Archer in the first person.
Chelsea Bledsoe and her husband Graig throw a surprise intervention for her old high school boyfriend, Henry, with a mismatched group of acquaintances from back in the day to fill out the guest list.
Chaos Switchstance Profiles: Chet Thomas, Laban Pheidias, Gershon Mosley, Andy Macdonald Wheels Of Fortune: Tyrone Olson, Satva Leung, Ryan Kenreich Tampa Am Contests Industry: ATM Southside Skatepark Spot Check Japan Switzerland France World Report Board Aid 3 Transitions
Liron (29) and Liel (27) are inseparable. When Liel's mental health lapses, Liron starts documenting her sister's struggle. A drunk night out and hospitalization in psychiatric wards put their relationship to the test and uncovers the depth of the pain they carry. In an intimate and intrusive documentation, we are allowed a glimpse into an invisible person dealing with trauma.
A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.
A documentary about aliens and UFOs with re-enactments of alien interviews and video of a supposedly real video of an alien being interviewed by government officials.
A making-of documentary of the analogue horror short film "Interchange" made by James Seed.
Brief scenes of death related material: mortuaries, accidents and police work are filmed by TV crews and home video cameras. Some of it is most likely fake, some not as much.
The third installment of the infamous "is it real or fake?" mondo series sets its sights primarily on serial killers, with lengthy reenactments of police investigations of bodies being found in dumpsters, and a staged courtroom sequence.
Follows the same pattern of the other Faces of Death movies. In this one we see many staged and not so staged looking deaths ranging from bungee jumping accidents and magic tricks gone bad.
A direct-to-video compilation of the highlights of the earlier films in the Faces of Death series.
A direct-to-video compilation of the highlights of the earlier films in the Faces of Death series.
A friendsbook was like Facebook during the Soviet times. Many had one. Russian kids called it a Form. Classmates were asked to write in it and say what they thought love is, what they wanted to be when they grow up, what their favourite food was. It was mostly girls who had friendsbooks, of course. Twenty-five years later, Alyona Surzhikova browses her 6th grade friendsbook and decides to go and find her then classmates to ask whether their dreams have come true. She travels to Russia and Germany and even Cambodia and puts together a thought-provoking aggregate portrait of the Russian generation that grew up during the restoration of Estonia’s independence. Many of them have left Estonia by now, with half of Surzhikova’s classmates living abroad. Why did they do that? What do they think about Estonia? And what would they write into the Form now?