Becho o la extraordinaria aparición de la Cumparsita(NaN)

La Vela Puerca - Uno Para Todos(es)

Candomberos: de dos orillas(es)

Documentary about the birth and development of candombe in Uruguay. It is built through testimonies, audiovisual files and animations. It also covers the actuality of the candombe on the shores of the Río de la Plata.

El Maracanazo del 50(es)

Simbiosis(es)

The Pope's Toilet(es)

In 1998, a small South American village is in a flurry over the Pope's upcoming visit for the business opportunities that it will provide. While most of the residents plan to sell food at the parade, a smuggler family man decides to build a pay toilet.

Conversations with Turiansky(es)

Biographical portrait of the labor movement and left wing movement in Uruguay, "Conversations with Turiansky" combines two stories. The first portrays the son of immigrants, the engineer passionate about the mystery of electricity, the man in love, the movie buff. The other places the protagonist in his time: union struggles, the advance of authoritarianism, prison and the challenges of the present. In both are present the lucidity, commitment, discreet tenderness and humor of Wladimir Turiansky.

Beyond Silence(es)

Tells the story of Gerardo Bleier after the pain caused by the loss of his father, Eduardo, detained and disappeared during the Uruguayan dictatorship (1973-1985). The documentary portrays the meaning of truth and the search for freedom since the discovery of Eduardo's remains in 2019.

Your Parents Will Come Back(es)

In 1983 a group of 154 children aged 3 and 17 years old traveled alone from Europe to Montevideo. They were children of political exiles from Uruguay, who were unable to come back to their own country; they sent their kids to know their relatives and home country. That human sign, charged with a political message, took part in children’s identity development. Nowadays, six of them still remember that day, when a crowd received them singing all together “your parents will come back”.

Ruidos(es)

Bruselas(es)

Cuscus(es)

Cuscus's grandfather has the virus, so she is the only one who can get supplies. She must face great challenges as she travels a world devastated by a technological holocaust.

The City of Your Final Destination(en)

28-year-old Kansas University doctoral student Omar Razaghi wins a grant to write a biography of Latin American writer Jules Gund. Omar must get through to three people who were close to Gund – his brother, widow, and younger mistress – so he can get authorization to write the biography.

Petricor(es)

In the near future where civil war is the order of the day and strange diseases are devastating, a boy lives alone in the house that his parents left him. Away from the surrounding chaos, he survives day by day from what the countryside gives him, until one day a strange girl interrupts her nighttime sleep, altering her daily life.

The Champion of the World(es)

Ten years after winning a world title in bodybuilding in Russia and becoming a star of said discipline in Mexico, Antonio Osta (43) leads a life of austerity in the Uruguayan rural town where he grew up. He resides there with his son Juanjo (17), a sensitive teenager who keeps him company and confronts him openly. Suffering from acute kidney disease which keeps him from competing professionally, Antonio is stuck in limbo, halfway between his glorious past and the impossibility of being who he once was. However, he is unwilling to give up his lifestyle, even if it kills him. In an attempt to reinvent himself, and seeking a better future for his son, Antonio plans a comeback to the Mexico bodybuilding scene, where he may relive his glory days.

Libertad para los uruguayos(es)

The Cuban Institute of Cinematographic Art and Industry produces this short film that tries to explain the causes of the coup, anchoring them in debt and US interference, denouncing the torture and imprisonment of opponents and showing solidarity with the Uruguayan people.

Mr. Kaplan(es)

Jacob Kaplan lives an ordinary life in Uruguay. Like many of his other Jewish friends, Jacob fled Europe for South America because of World War II. But now turning 76, he is grumpy and in need of adventure. An unexpected opportunity to achieve greatness comes in the form of a quiet, elderly German, who Mr Kaplan believes to be a runaway Nazi. Determined to capture this Nazi, as Eichmann was captured before him, Mr Kaplan surprises everyone when he takes up this challenge.

Dos palabras en la arena(es)

A story of a friendship that wants to be something more. A story of support and connection. A story that makes you fall in love because of its innocence, transforming into an adventure on the beach, mixed with smiles, looks and feelings, set in the beautiful landscapes of the Mansa Beach in Punta del Este, being the city of San Carlos the other location used.

April Nights(es)

Daniel & Florencia meet at a bus stop. After recreating their first date, they reminisce and wander the streets of Pando catching up with their lives. Through the night the memories and reproaches take over. Between beers, smokes and missing lighters, they will reveal the true intentions behind this not-so-random meeting.

One or Two Questions(es)

In 1986, the Uruguayan Parliament passed a law granting amnesty for all crimes and human rights violations committed by the military and police during the dictatorship (1973-85). This law of impunity prevented the clarification demanded by the relatives of those who had disappeared and been murdered by the former regime. A public initiative arose calling for a referendum in which the law be subject to the vote of the people. Unas preguntas uses U-matic footage, mostly of interviews recorded on the streets of Uruguay between 1987 and 1989, to present a time capsule of the period.

Bajo la arena. Memorias de Punta del Este(es)

Punta del Este was built upon a small, treasurable port town still alive in the memories of former residents and visitors. However, talk of progress has arised in present times. A kind of progress involving physical, historical, spiritual destruction. Bajo la Arena poses a crossroads between the passage of time and its ever-present traces in the landscape and in people's affections.