L'oro d'Italia(NaN)

I, Pastafari: A Flying Spaghetti Monster Story(en)

I, Pastafari is a documentary film about the world's fastest growing religion: The Church of The Flying Spaghetti Monster. R'Amen.

April, April!(de)

Businessman and shameless social climber, Julius Lampe, is subjected to a cruel April Fools’ Day prank when he is led to believe a noble prince intends to personally inspect his pasta factory.

Ciao Alberto(en)

With his best friend Luca away at school, Alberto is enjoying his new life in Portorosso working alongside Massimo—the imposing, tattooed, one-armed fisherman of few words—who's quite possibly the coolest human in the entire world as far as Alberto is concerned. He wants more than anything to impress his mentor, but it's easier said than done.

Luca(en)

Luca and his best friend Alberto experience an unforgettable summer on the Italian Riviera. But all the fun is threatened by a deeply-held secret: they are sea monsters from another world just below the water’s surface.

Strawberry Cake(tr)

Onur is a pastry owner who passionately loves making pastries. He makes a strawberry cake everyday but he never sells it. He reserves that cake for the woman whom he will fall in love with. One day, famous actress Burcu Burkan visits his pastry shop for shooting a scene. This meeting gives them an opportunity to cross their paths with each other but Burcu has a secret.

Pastacolypse(en)

A billionaire celebrity chef seeks revenge on all mankind when a global ban on gluten destroys his life. In the process, Alfredo Manicotti is disfigured into a hideous creature, half-man, half-macaroni, and leads a pasta uprising that threatens all of humanity. It’s up to his spoiled heiress daughter, the angel-haired Emma, to make the ultimate sacrifice and save the world from the impending pastacolypse.

Jason's Famous Homemade Mostaccioli(en)

In the wake of their father's death, two siblings must decide if they will honor his eccentric final wish.

Pasta Mista(de)

Gavin Serve(en)

Gavin Serves

Cover Up(en)

WELCOME TO MY HOME(ko)

Kyo-hwan was not invited to the housewarming of Seung-jo and Soo-kyung today.

Hot Money(en)

With wit, satire, and historical context, Former NATO Supreme Allied Commander, General Wesley Clark and his son Wes Clark Jr. take us on a journey through the financial circulatory system connecting farmers, homeowners, bankers, academics, and business professionals in a tale that explains the knot of economic forces that can lead to collapse and how to untie it.

ButoHouse(en)

ButoHouse is a film about concrete, illumination, perseverance and hope.

Beyond The Spectrum: Maussan's UFO Files(en)

Watch his story unfold as we recount his rise as a journalist covering some of the most controversial UFO events seen across Mexico in history. Jaime Maussan started his career in journalism at some of the highest profile news agencies in Mexico, including 60 minutes and TV Azteca. His ambition and powerful desire to tell stories at a feverish pace led to the creation of his own news reporting agency Tercer Milenio which still has a growing base of over 2 million viewers a week internationally.

300 Spartans: The Real Story(en)

300 Spartans-The Real Story. Putting aside the myths and legends, this documentary takes a detailed look at the Battle of Thermopylae in 480 BC Greece leading to the last stand of the 300 Spartans and Spartan King Leonidas. On the 3rd day of the battle, when Leonidas was being surrounded, he sent most of his troops away and covered their retreat with a last stand because Spartans never retreated.

Leonardo DiCaprio: Most Wanted!(en)

From his juvenile, tormented, heroic roles, which made him a global phenomenon, to his darker mature roles, a portrait of American actor Leonardo DiCaprio, a consummate performer and probably the most successful film star of his generation.

Nanook of the North(en)

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Olympia: Part One – Festival of the Nations(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Olympia: Part Two – Festival of Beauty(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.