Chantal Akerman is only 25 when her acclaimed film 'Jeanne Dielman' is released in 1975. It is a bold film, with which she immediately makes a name for herself and will influence many generations of filmmakers. But Akerman is much more than that. In the years that follow, she makes documentaries, comedies, a musical, installations, etc. Until her death in 2015, she will continue to reinvent herself. The documentary features collaborators and admirers talking about her courage, her audacity and her never-ending search. Interviews with: Claire Atherton, Eric de Kuyper, Jan Decorte, Marilyn Watelet, Isabel Stevens, Laura Mulvey, Anke Brouwers, Céline Brouwez, Lukas Dhont.
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Chantal Akerman is only 25 when her acclaimed film 'Jeanne Dielman' is released in 1975. It is a bold film, with which she immediately makes a name for herself and will influence many generations of filmmakers. But Akerman is much more than that. In the years that follow, she makes documentaries, comedies, a musical, installations, etc. Until her death in 2015, she will continue to reinvent herself. The documentary features collaborators and admirers talking about her courage, her audacity and her never-ending search. Interviews with: Claire Atherton, Eric de Kuyper, Jan Decorte, Marilyn Watelet, Isabel Stevens, Laura Mulvey, Anke Brouwers, Céline Brouwez, Lukas Dhont.
2024-06-28
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Over a 50-year career and more than a hundred movies, filmmaker John Ford (1894-1973) forged the legend of the Far West. By giving a face to the underprivileged, from humble cowboys to persecuted minorities, he revealed like no one else the great social divisions that existed and still exist in the United States. More than four decades after his death, what remains of his legacy and humanistic values in the memory of those who love his work?
Documentary about the Belgian filmmakers Jean-Pierre and Luc Dardenne trying to reveal their 'secret working method'
Elia Kazan represented the American dream. An immigrant who came without anything and who became the Prince of Hollywood and Broadway after World War II. Actor, theater director, filmmaker, writer, he is the founder of Actor’s Studio, a collaborator of Arthur Miller and Tennessee Williams, and a director who discovered Marlon Brando and James Dean.
In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, and left Stockholm to live there. When he died, the house was preserved. A group of very special film buffs, came from all over the world, travel to Fårö in search of the genius and his legacy. (An abridged version of Bergman's Video, 2012.)
Meeting with the director Quentin Dupieux, who agreed to open the doors of one of his sets on the set of his film “DAAAAAALI!”.
Portrait of director Andrey Zvyagintsev against the background of the filming of his film "Loveless".
Film director and screenwriter Seijun Suzuki (1923-2017), who in the sixties was the great innovator of Japanese cinema; and his collaborator, art director and screenwriter Takeo Kimura (1918-2010), recall how they made their great masterpieces about the Yakuza underworld for the Nikkatsu film company.
A walk through the career of French filmmaker André Téchiné, from his own point of view and that of those who worked with him: Catherine Deneuve, Daniel Auteuil, Emmanuelle Béart, Juliette Binoche and Sandrine Kiberlain, among others.
A moving account, in his own words, of the personal life and work of the brilliant Czech filmmaker Miloš Forman (1932-2018): his tragic childhood, his major contribution to the cultural movement known as the Czech New Wave, his exile in Paris, his troubled days in New York, his rise to stardom in Hollywood; a complete existence in the service of cinema.
A documentary about American director David Lynch from the Cinéma, de notre temps series.
A journey through the work of Spanish filmmaker Juan Piquer Simón (1935-2011).
A look at the legendary Czech sound designer and his profession. Editor and documentary filmmaker Adéla Špaljová has her father Ivo Špalj talk about his life, career, and working methods. Over the course of his long life, sound designer Ivo Špalj (*1940) has collaborated on hundreds of films and become a mentor for at least one generation of men and women behind the mixing board. This gentle documentary also shows “Engi” (as he is known to his colleagues) again working with Jan Švankmajer, whose films he has lent their typical, dense, and sophisticated sound mix.
Besieged by cancer and nearing the end, the genius Argentine-Brazilian filmmaker Héctor Babenco (1946-2016) asks Bárbara Paz, his wife, for one last wish: to be the protagonist of his own death.
An account of the life and work of Russian filmmaker Andrey Tarkovsky (1932-86) in his own words: his memories, his vision of art and his reflections on the fate of the artist and the meaning of human existence; through extremely rare audio recordings that allow a complete understanding of his inner life and the mysterious world existing behind his complex cinematic imagery.
Robert Altman's life and career contained multitudes. This father of American independent cinema left an indelible mark, not merely on the evolution of his art form, but also on the western zeitgeist. With its use of rare interviews, representative film clips, archival images, and musings from his family and most recognizable collaborators, Altman is a dynamic and heartfelt mediation on an artist whose expression, passion and appetite knew few bounds.
A portrait of French filmmaker Michel Gondry, creator, for three decades, of an imperfect, astonishing, fascinating, damaged and poetic work.
Unsatisfied with college, a filmmaker leaves everything behind to join two friends on their bike trip across the world.
The pianist Miguel Ángel Lozano embarks on a personal and artistic journey with the purpose of reconstructing the life of his grandmother, Maria Forteza (1910-60), singer and pioneer of Spanish sound films.
At the end of his life, gravely ill, François Truffaut took refuge with his ex-wife Madeleine Morgenstern. She tried to keep him occupied during his long agony. The filmmaker confided in his friend Claude de Givray, with the intention of writing his autobiography. Too weakened, he abandoned the project. The film reveals part of this final story.