
It's December 16, 1972, 50 years ago. The first social cooperative in the world is born in Trieste. It was formed by 28 people: two sociologists, two psychologists, five nurses, a healthcare assistant, two doctors and sixteen private individuals who all have the same residential address: via San Cilino 16, Trieste. They are interned in a psychiatric hospital and therefore have no civil and political rights: they cannot vote, marry or make a will. Imagine founding a cooperative. Thus the Court of Trieste rejected the request to establish the cooperative. It would have been a long march through the institutions.
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0.0The four Afghan refugees who have applied for asylum in Austria strike up the song, “The caravan moves on” again and again. Encouraged by the journalist Lucy Ashton to record their lives on their smartphone cameras as a video diary, the friends film their precarious daily routine between visits to authorities, small jobs, and changing accommodations. Yet even when hope is lost, one certainty remains: the power of friendship.
Observation of the asylum procedure in the Federal Republic of Germany, not limited to depicting an individual case, but rather tracing a basic fate. The film captivates with unpretentious black-and-white images that are emotionally moving and show camp life as an agonizing wait for a decision by bureaucrats.
7.6The story of artist Edith Lake Wilkinson, a painter who was committed to an asylum in 1924 and never heard from again. All her worldly possessions were packed into trunks and shipped to a relative in West Virginia where they sat in an attic for 40 years. Edith's great-niece, Emmy Award winning writer and director Jane Anderson, grew up surrounded by Edith's paintings, thanks to her mother who had gone poking through that dusty attic and rescued Edith's work. The film follows Jane in her decades-long journey to find the answers to the mystery of Edith's buried life, return the work to Provincetown and have Edith's contributions recognized by the larger art world.
0.0Social workers dispel myths about why children are removed from their biological parents, breaking down their overwhelming workload. Lawyers uncover the harsh reality of young children navigating the legal system. Advocacy organizations try to keep children safe and away from predators. An eclectic array of interviews from foster care alumni explore their connections (or lack thereof) with social workers, the fragile bond with each foster home, how trust can fall apart, and how those unable to adapt spent time in group homes. The film concludes with alumni success stories, working to remove the stigma of foster care.
6.0Realizing the urban legend of their youth has actually come true, two filmmakers delve into the mystery surrounding five missing children and the real-life boogeyman linked to their disappearances.
6.3The lives of four Syrian families, resettled in Baltimore and under a deadline to become self-sufficient in eight months.
6.8The Interrupters tells the moving and surprising stories of three Violence Interrupters — former gang members who try to protect their Chicago communities from the violence they once caused.
0.0Sjaak and Clara founded the very first food bank in the Netherlands in 2002. Since handing over their responsibilities at the food bank, they have continued their mission unabated. They still run a soup kitchen and the Social Café Onder de Oranjeboom (Under the Orange Tree), where vulnerable members of society can find a hot meal, support, and a good conversation. For many years, this dedicated couple has been committed to helping people in Rotterdam living in poverty.
8.3A shocking exposé of the deplorable conditions and abuses from the Willowbrook State School for children with intellectual disabilities.
0.0“Where is the human soul? Is it in the heart? In the brain? Or maybe elsewhere?”, wonders an old doctor who has spent his life working at a psychiatric hospital in the Siberian countryside. The place, which was inaccessible for film crews, can be shown thanks to its residents, some of whom spent several decades at the hospital. This discreet and, at the same time, insightful observation of the patients’ daily lives transforms into meditation on the human nature, which is not entirely penetrable.
6.6Capturing the story of WikiLeaks founder Julian Assange with unprecedented access, director Laura Poitras finds herself caught between the motives and contradictions of Assange and his inner circle in a documentary portrait of power, betrayal, truth and sacrifice.
5.8In 2009 the Norwegian government introduced several measures to restrict immigration. One of the measures was to provide unaccompanied asylum seeking children temporary residence permits. They should be returned to their country of origin when they turn 18. In Norway child welfare custody of their children without close caregivers. This does not apply to unaccompanied asylum-seeking children between 15 and 18 years.
0.0In the spring of 1962, members of the Christian Peace Service aid group flew in from Bern, Switzerland and settled in the poorest villages in all of Greece. Led by photographer and social worker Fritz Berger, the group itself had one purpose: the provision of aid and development services to local communities inhabiting the southwest region of Lefkada. What followed were revolutionary advancements that would leave their lives forever changed.
In the mid-1990s, Dieter Dubbert accidentally ends up with the Miskito Indians in Bismuna, Nicaragua. Here he begins to work with drug-addicted and delinquent young people from Germany who would otherwise disappear into homes and prisons.
0.0An artist's sculpture is burnt down, a protester is charged with a criminal case, and a democracy movement is violently attacked. In the United States, three Chinese dissidents fight for democracy against a superpower through art, petition, and grassroots organizing, but not even exile is safe.
10.0The Richardson Olmsted Campus, a former psychiatric center and National Historic Landmark, is seeing new life as it undergoes restoration and adaptation to a modern use.
The story of how an Australian and international community of blacksmiths, welders, artists and volunteers responded to the devastating Black Saturday bush-fires by creating perhaps the nation's most ambitious public artwork and memorial – The Blacksmith's Tree, a three tonne, 9.8-meter tall stainless steel and copper gum tree.
