An overview of the night in which the Argentine Congress voted on the "Draft Law on Withholdings and Creation of the Social Redistribution Fund", also known as "Resolution 125/08". Released on the 10th year anniversary of the rejection of the resolution.
Self
Self
Self
Self
Self
Self (archive footage)
Self
Self (archive footage)
An overview of the night in which the Argentine Congress voted on the "Draft Law on Withholdings and Creation of the Social Redistribution Fund", also known as "Resolution 125/08". Released on the 10th year anniversary of the rejection of the resolution.
2018-07-16
0
The fight, minute by minute
This timely, bold set of one-on-one interviews presents two of the most venerable figures from the American Left—renowned historian Howard Zinn and linguist and philosopher Noam Chomsky—each reflecting upon his own life and political beliefs. At the age of 88, Howard Zinn reflects upon the Civil Rights and anti–Vietnam War movements, political empires, history, art, activism, and his political stance. Setting forth his personal views, Noam Chomsky explains the evolution of his libertarian socialist ideals, his vision for a future postcapitalist society, the Enlightenment, the state and empire, and the future of the planet.
After the Robb Elementary school shooting in Texas, local Uvalde Leader-News journalists are left to report on the fallout – and on one of their staff members. Reporter Kimberly Rubio rises to national prominence as an advocate for gun reform after her ten-year-old daughter, Lexi, is killed in the shooting. Through the journalists’ reporting, we witness the social fabric of this small Texas town unravel as Kimberly and other victims’ families search for accountability from law enforcement and local leaders. The documentary also shines a light on the critical role of community journalism, at a time when local newspapers are folding rapidly across the country.
Forbidden to Wander chronicles the experiences of a 25-year-old Arab American woman traveling on her own in the occupied territories of the West Bank and Gaza Strip during the summer of 2002. The film is a reflection on the complexity of Palestinian existence and the torturously disturbing "ordinariness" of living under constant curfew. The film's title reflects this, as the Arabic words used to describe the imposed curfew "mane' tajawwul" literally translate as "forbidden to wander". The video is also the journey of personal discovery for the filmmaker, the wanderer who falls in love with a Palestinian man in Gaza.
Documentary about the enigmatic and experimental music group "Reynols", his lead singer and leader who was down syndrome and the peculiarity of having a discography published in the most dissimilar corners of the planet.
This documentary offers a glimpse into the 1997 federal election in the Halifax electoral district. Two strong female politicians, Liberal candidate Mary Clancy and NDP party leader Alexa McDonough, are caught in a tight competition in one of the most contested races in the country. Director Meredith Ralston follows the two women around the campaign trail for weeks, getting inside an election that was often described as “nasty.” Both larger than life and hungry to win, in quieter moments Clancy and McDonough reveal the strains and contradictions of their chosen careers. Why Women Run highlights the accomplishments of women in politics and the problems many women face participating in the political process.
Americans are alarmed... What they have witnessed - a group of journalists from Soviet television, having appeared on American soil in the summer of 1982, America has not yet seen. To whom it would seem in our time to surprise with mass processions, demonstrations of many thousands. They are constantly reported in newspapers, their shots are now and then flashed in television news releases, and nevertheless, the events of this summer are something completely new in the political life of the United States...
Professor Valentin Zorin, political observer of the USSR State Television and Radio Broadcasting, talks about Joseph McCarthy, an American politician, a senator from Wisconsin, who held an extremely anti-communist position, who advocated an intensification of the Cold War with the USSR. The name of McCarthy is associated with a reactionary trend in the political life of the United States of the early 1950s, dubbed "McCarthyism" and consisted in the persecution of people only suspected of sympathizing with communism and not committing any crimes.
In the second film, the author tells about the struggle of blacks for the right to feel equal with all US citizens. Commentary of the mayor of Cairo, one of the cities in the American South, about the suppression of the rebels, about the most brutal methods of fighting African American protesters. Jesse Jackson's speech. Jesse Jackson's commentary on the Black Rights Organization. Comments by female residents of Jackson, the capital of Mississippi, on the degree of mental development of whites and blacks. A story about the Ku Klux Klan, about Robert Shelton - the head of the Ku Klux Klan. Speech by American singer and dramatic actor Paul Robson, his commentary. Shots of the Olympics, victories in the competition of black athletes. About reprisals against Negro organizations. The widow of the American writer Ernest Hemingway Mary and the American scientist Henry Winston speak out about support for African Americans and the fight against racism.
The title Good Light, Good Air is oddly paradoxical. Keenly working at the point where his artistic identity and persistent attention on modern Korean history meet, director Im in this film focused on where the history of oppression and struggle intersect between Gwangju and Buenos Aires. In both cities, a great number of people who fought against the dictatorship were slaughtered and disappeared. The people of both societies still live with that trauma. When the testimonies of the victims of the two cities cross over, the film gives us chills as the eerie history of the two is very similar. Through Good Light, Good Air, director Im asks us how we will remember the past from where we stand right now.
The Borneo Case is a unique story filmed over 25 years and tells the epic tale of how the rainforest, home of the last nomads was stripped of its natural resources. It reveals how billions of dollars of illegal profits solicited by the Chief Minister of Sarawak State in Malaysia were money laundered with the assistance of the largest global banks into offshore accounts and property portfolios all over the world. The case was labelled as the largest environmental crime of the century.
People You May Know follows Charles Kriel, specialist advisor to UK Parliament on disinformation, when he discovers Cambridge Analytica collaborating with a software company creating a microtargeting platform for US churches, targeting vulnerable people - the poor, the grieving, the addicted - to radicalise them for far-right politics. With US 2020 elections coming, Kriel gathers a team of whistleblowers and journalists, and journeys across America with his young family, where he discovers a powerful organisation with ties to the heart of the White House. The man who commissioned CA is a member of the most powerful secret political organisation in the United States, with an agenda to rewrite the Constitution according to Christian law. Going undercover, he risks everything to gain access where no outsider has ever set foot.
This documentary charts 20 years of the French national soccer team, Les Bleus, whose ups and downs have mirrored those of French society.
Choosing hope over despair, Berliners are banding together to get their houses back from big investors. [...] This documentary film follows five Berlin citizens of different backgrounds, countries, and diverse stories. They find themselves among almost two thousand similarly dedicated people to fight together for one cause. While their personal motivations differ, they all believe they can convince Berlin that the only way to make housing affordable again is to drive real estate companies out of their city. The stakes are high, the movement is strong. But with almost nothing in their hands, they have to prevail against an overwhelming opposition of the real estate lobby and politicians willing to sell out the city they call home.
What started as a drama about a Russian police plot to steal a billion dollars from a US financier and to murder his faithful tax lawyer Sergei Magnitsky, has become a real life investigation of contradicting versions of the crime.
Documentary about the two big resources in the North Atlantic, fish and oil, and the impact of their exploitation on the environment in various countries on both sides of the Atlantic.
Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment
Tongpan is a 1977 Thai 16 mm black-and-white docudrama that re-creates a seminar that took place in Northeast Thailand in 1975 to discuss the proposed Pa-Mong Dam on the Mekong. Interwoven are sequences depicting a poor farmer, Tongpan, who had lost his land to another dam some years before, and his struggles to make ends meet.
This short satirical film, created entirely from archival footage, is about the British Empire—on which the sun never sets. The majority of the humour and wit is found in the interplay between image and sound: what we see during the formative days of the Empire, and what famous servants had to say about it. Edited by Oscar®-nominated experimental filmmaker Arthur Lipsett (Very Nice, Very Nice).
Except for a few brief evocations of Debord’s “art” during the first ten minutes or so, most of this “antitelevisual” video consists of television clips illustrating the extreme degradation and delirium of the present society. It’s a powerful denunciation, but not so deft and subtle as Debord’s films, perhaps because it was made during the worsening stages of his final illness. Presumably intended as a parting shot at the society he detested, it was completed shortly before his death in November 1994 and shown January 9, 1995, on a French cable channel along with La Société du Spectacle and Réfutation de tous les jugements (whence the video copies that have since circulated).