Based on real stories, using both actors and non-actors, and filmed on location in Dublin, A Week in the Life of Martin Cluxton (1971) is a rare example of Irish social realism. After years in an industrial school, Martin Cluxton (Derek King) returns home to Dublin but finds considerable prejudice and little opportunity. Broadcast on RTÉ, it was directed by Brian MacLochlainn, co-written by Caoimhín Ó Marcaigh and MacLochlainn, with music by jazz great Louis Stewart.
Martin Cluxton
Mr Cluxton
Mrs Boyle
Chrissie
Whacker
1st Christian Brother
2nd Christian Brother
Father on Train
Based on real stories, using both actors and non-actors, and filmed on location in Dublin, A Week in the Life of Martin Cluxton (1971) is a rare example of Irish social realism. After years in an industrial school, Martin Cluxton (Derek King) returns home to Dublin but finds considerable prejudice and little opportunity. Broadcast on RTÉ, it was directed by Brian MacLochlainn, co-written by Caoimhín Ó Marcaigh and MacLochlainn, with music by jazz great Louis Stewart.
1971-12-09
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Young, impulsive Rosetta lives a hard and stressful life as she struggles to support herself and her alcoholic mother. Refusing all charity, she is desperate to maintain a dignified job.
A young immigrant’s life comes crashing down when he gets a distressing phone call from his home country.
When a young couple involved in care proceedings travel across the country to collect a motorbike, their resolve to get their baby back is tested, as is their relationship.
TO THE BONE is classic kitchen sink, British drama with a revenge twist. It focuses on the injustices of the work place and the ritualism of trade work and the dynamic between the old guard and the new apprentices.
The man works his farm. He is caked in mud and dirt and apart from the faint noise of his cattle all is silent. He shovels just as he has done every day since he can remember. As he works he is deep in thought, caught in a cyclical daydream, snapped out of it only by approaching footsteps.
Following the death of her mother, terminally ill Aubrey tracks down her estranged father, Doug, an Irish-folk musician playing in a pub. After revealing the recent death of her mother, she convinces him to take her to scatter the ashes, offering him £200 for his time. After noticing a flyer for a music competition in Aberdeen, Doug spots an opportunity to make some money and agrees, relaying that the ashes be scattered in Cruden Bay, just outside of Aberdeen. As the two travel north to Scotland, Aubrey battles with her illness and Doug's stubborn behaviour, but the pair gradually find themselves becoming closer. This unravels when Aubrey finds the competition flyer, revealing the true reason for being in Aberdeenshire. A fierce argument breaks out and Aubrey storms down to the beach to scatter her mothers ashes alone. Doug follows her and stands looking on as the ashes are poured into the sea.
Padraig, a guilt laden and grief stricken man seeks the help of an eccentric carpenter, John, to help him build a coffin for his already dead and buried wife. As Padraig works with John he begins to discover an ancient hidden world of magic and mythology that has its sinister roots planted deep in the island of Ireland.
Lorna is a young Albanian woman in a marriage of convenience with Claudy, a heroin addict. Just as Lorna is about to be granted Belgian citizenship, Claudy finds the strength to detox; this presents a problem not only for Lorna, but for the criminal who brokered the deal.
When Naomi refuses to be exploited in her oppressive cleaning job, she must convince her colleagues to stand up and demand their right to be treated like a human being, or lose everything.
Heroin addict Mark Renton stumbles through bad ideas and sobriety attempts with his unreliable friends -- Sick Boy, Begbie, Spud and Tommy. He also has an underage girlfriend, Diane, along for the ride. After cleaning up and moving from Edinburgh to London, Mark finds he can't escape the life he left behind when Begbie shows up at his front door on the lam, and a scheming Sick Boy follows.
After an assault on a night out leaves his best friend in hospital, Shaun takes matters into his own hands and sets out to track down the leader of the attack.
MORTAL is a film that tackles the issue of the immense pressure that's placed on young people during the exam season. The film follows Jonathan, a student preparing for his final A Level exams which will decide whether he can pursue his dream of going to university or fail and have to try and pursue a career in writing without a degree. As the weight of this pressure becomes unbearable he turns to drinking to cope although this cause major issues when he meets up with his friends for a few casual drinks.
Angie is a working class woman. After being fired, she decides to set up a recruitment agency of her own, running it from her kitchen with her friend, Rose. Taking advantage of the desperation of immigrants, Angie builds a successful business extremely quickly.
As a homage to Andrea Arnold, accompanied with music by Rockettothesky, we follow an unnamed Girl as she encounters the physical manifestation of the anger, fears and insecurities in her life, through the form of a Masked Man. The Grasshopper symbolises personal strength, independence and the freedom to change.
Maya is a quick-witted young woman who comes over the Mexican border without papers and makes her way to the LA home of her older sister Rosa. Rosa gets Maya a job as a janitor: a non-union janitorial service has the contract, the foul-mouthed supervisor can fire workers on a whim, and the service-workers' union has assigned organizer Sam Shapiro to bring its "justice for janitors" campaign to the building. Sam finds Maya a willing listener, she's also attracted to him. Rosa resists, she has an ailing husband to consider. The workers try for public support; management intimidates workers to divide and conquer. Rosa and Maya as well as workers and management may be set to collide.
Viveca is 31, divorced, and has a son of 6 years. She and her friend Aud have left the hectic everyday life and moved in with bohemians and artists. We follow these two women for five days, as they come in contact with many different people.