It's All Wrong(2024)

It's at the Door(en)

A woman is chased into her apartment by an unknown entity.

地縛少年花子くん -The Musical-(ja)

7105(en)

A young girl living alone in her apartment begins to hear disturbing sounds from her upstairs neighbor, leaving her questioning her own sanity.

Bianca(it)

A boy must face his sister's infection during a zombie apocalypse

Happy Birthday(te)

A motley crew congregates at an upscale hotel for various reasons right after a bill is passed, allowing citizens to carry firearms. A madcap journey reveals everyone’s hidden motives.

The One I Love(en)

Ethan and Sophie are a married couple on the brink of separation when, at the urging of their therapist, they decide to salvage their relationship by escaping to a beautiful vacation house for the weekend.

Mystic River(en)

The lives of three men who were childhood friends are shattered when one of them suffers a family tragedy.

Un Chien Andalou(fr)

Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.

Ellis Dee(en)

During an acid drought, a young woman finds a good deal on LSD. She shares with her friend Willow making Willow have a bad trip.

I Don’t Like Thinking About Death(en)

A man with a predatory nature goes on a tinder date, a sinister plan begins to unravel.

Ella(en)

As surreal as it is nightmarish. Ella's parents get into a nasty argument and leave her in a house with two unknown guests.

No Screens(en)

A man returns home from work, unaware of the uninvited guest upstairs.

When It Catches U(en)

A young man finds himself pursued by a mysterious spiritual mask stalker who employs a haunting song to ensnare his prey. As tension mounts, he must confront the sinister forces threatening his existence in a battle of wits and willpower.

Model House(en)

Five swimsuit models staying together in a secluded house fight to stay alive when intruders break in and hold them captive to extort money from their social media followers.

Pistachio(tr)

A guy becomes entranced by the glow of the television screen as he absent-mindedly indulges in a pack of mixed nuts. Hypnotized by the flickering images, he is lost in a trance-like state, disconnected from the world around him. Then, he encounters with a pistachio.

oneirophrenia(en)

a girl struggles to grasp a sense of reality, as the world around her becomes illusive and dream-like.

I Become The Devil(en)

A coming of age story about a young man trying to make a name for himself as a serial killer in modern society. He believes finding the right victim will give him the infamy he believes he deserves. The young man travels to his local train station to find the right person coming off the train to kill.

Ju-on: The Grudge(ja)

When social worker Rika is sent to check on a traumatized old lady whose family have moved in at the site of the notorious Saeki family murder case, she unwittingly unleashes a cycle of terror that is transmitted via its victims further and further from its original source.

The Last House(en)

Malcolm lost everything to the recession. To pay off his debts he needs to renovate and sell his last house fast but a dreadful secret lies entombed within its walls.

Leda + Swans(en)

“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?