Castro Street(1966)

Erotique(en)

One can determine a line in Tscherkassky’s oeuvre which turns around a game with filmic presentation, with degrees of recognisability — with the only-just and the not-any-more. Just to see desire. An example of this is Erotique. One sees swirling pictures, parts of a woman’s face, red lips, eyes in cyclical fragments of movement. Often it is difficult to tell which part of the body one actually sees (whoever wants to can see/imagine/think sexual organs and sexual acts.) The gaze gets hung up on partial objects, no integral, whole body to think about. No body, whose representation was always one of the problems in cinema.

So Sweet... So Perverse(it)

An industrialist's affair with a troubled woman entangles him in a dangerous situation with her abusive boyfriend. His glamorous life spirals into unexpected peril.

The Secret Six(en)

Bootlegger/cafe owner, Johnny Franks recruits crude working man Scorpio to join his gang, masterminded by crooked criminal defense lawyer Newton. Scorpio eventually takes over Frank's operation, beats a rival gang, becomes wealthy, and dominates the city for several years until a secret group of six masked businessmen have him prosecuted and sent to the electric chair.

Henry(en)

A little boy's love of books and quotes brings out his flair for the dramatic. Laura a single mother decides to start dating , her son' Henry has different ideas... chaos ensues.

Long Live with Dearly Departed(cs)

Wealthy and ill Petr Kornel (Karel Hasler) is not pleased with the carousing lifestyle of his nephew. He stops supporting him financially and demands that he change his name. Out of gratitude Kornel bequeaths a substantial sum of money to his nurse Alice (Adina Mandlová) with the condition that she marries. Petr Suk (Hugo Haas), as the nephew is now named, visits the doctor. In the waiting room his X-ray is mistakenly switched with one of another patient's. On the basis of this he presently learns that he is seriously ill and has only one day of life left to him.

Greencard Warriors(en)

The tragic struggle of an undocumented Latino family in Los Angeles after they have sent their eldest son to war.

Siempre la duda(es)

Epa(sv)

The music festival "Midnight Light Festival" employ 7 girls to chauffeur the festival's artists in their "epa-tractors". During two summernights we get a insight into the 7 young girls' lives, thoughts, culture and dreams in the Northern Swedish inlands. Youth, dreams and engines in Vilhelmina municipality.

Buddies(ja)

Based on a celebrated book by Kuniko Mukoda, this film directed by Yasuo Furuhata tells of a close friendship undone by love.

Michael Mann: Making 'Public Enemies'(en)

Look behind the scenes at the making of Public Enemies (2009)

The Art of Christmas(en)

After her latest gallery exhibition literally goes up in flames, struggling artist Liv James accepts a teaching job at a local elementary school to make ends meet. Through this reluctant career move, she discovers her true self, a new sense of purpose, and a surprising romance.

45RPM(en)

Charlie, an artist seeking a connection between her work and her deceased father's music, teams up with Louie, an obsessive record collector. Together they scour the South in search of the elusive 45 that hails from the heyday of '60s garage rock.

Red Nightmare(en)

A man takes his American freedoms for granted, until he wakes up one morning to find out that the United States Government has been replaced with a Communist system. The basis for this short film, narrated by Jack Webb, is the alleged Soviet re-creation of US communities for the purpose of training infiltrators, spies, and moles.

The Captain(sq)

A misogynistic old man goes to complain about "his rights" after a woman is elected as the leader of his village's cooperative.

Mitte 30(de)

One Stormy Night(de)

A fire burning in the hearth falls in love with a lightning bolt and goes on an adventure to find it.

I due pezzi da 90(it)

Franco and Ciccio are forced to abandon their sausage factory to reach the godfather of Franco: Nico Cavallaro. The two do not know that this is a smuggler of drugs and that you want to serve them to transport the goods.

Aravaan(ta)

Komboodhi is the leader of a tribe that steals from the rich to survive. He befriends Varipuli, unaware of his past, only to learn that his village has been hunting him to offer his life to god.

Kolkata(en)

A portrait of North Kolkata (Calcutta), this film searches the streets for the ebb and flow of humanity and reflects the changing landscape of a city at once medieval and modern. -Mark Toscano. Preserved by the Academy Film Archive in 2014.

The Maltese Cross Movement(en)

The film reflects Dewdney's conviction that the projector, not the camera, is the filmmaker's true medium. The form and content of the film are shown to derive directly from the mechanical operation of the projector - specifically the maltese cross movement's animation of the disk and the cross illustrates graphically (pun intended) the projector's essential parts and movements. It also alludes to a dialectic of continuous-discontinuous movements that pervades the apparatus, from its central mechanical operation to the spectator's perception of the film's images... (His) soundtrack demonstrates that what we hear is also built out of continuous-discontinuous 'sub-sets.' Preserved by the Academy Film Archive in 2009.

Not a Pretty Picture(en)

Mixing narrative and documentary, the film retells a 16 year old girl's experience of a date rape.

Hoop Dreams(en)

Every school day, African-American teenagers William Gates and Arthur Agee travel 90 minutes each way from inner-city Chicago to St. Joseph High School in Westchester, Illinois, a predominately white suburban school well-known for the excellence of its basketball program. Gates and Agee dream of NBA stardom, and with the support of their close-knit families, they battle the social and physical obstacles that stand in their way. This acclaimed documentary was shot over the course of five years.

Prices Unlimited(en)

Two young women, frustrated by war rationing, have a dream illustrating the likely results on prices in America should the measure were prematurely lifted. Preserved by the Academy Film Archive in 2008.

Primary(en)

Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.

A Crime to Fit the Punishment(en)

This fascinating making-of documentary investigates the controversy and political atmosphere surrounding the production of Salt of the Earth, movingly chronicling the filmmakers' defiance of the blacklist. (BAM) Preserved by the Academy Film Archive in 2015.

The Art Director(en)

A film's art director is in charge of the set, from conception to construction to furnishing. This short film walks the viewer through art directors' responsibilities and the demands on their talents. They read a script carefully and design a set to capture the time and place, the social strata, and the mood. They must be scholars of the history of architecture, furnishings, and fashion. They choose the colors on a set in anticipation of the lighting and the mood. Their work also sets styles, from Art Deco in the 20's to 30s modernism. Then it's on to the next project. Preserved by the Academy Film Archive in 2012.

Harlan County U.S.A.(en)

This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastovers refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.

Appointment in Tokyo(en)

Produced by the Army Pictorial Service, Signal Corps, with the cooperation of the Army Air Forces and the United States Navy, and released by Warner Bros. for the War Activities Committee shortly after the surrender of Japan. Follow General Douglas MacArthur and his men from their exile from the Philippines in early 1942, through the signing of the instrument of surrender on the USS Missouri on September 1, 1945. Preserved by the Academy Film Archive in 2013.

God Respects Us When We Work, But Loves Us When We Dance(en)

Les Blank's poetic documentation of 1967's Los Angeles Easter Sunday Love-In. Preserved by the Academy Film Archive in 2002.

Showman(en)

Albert and David Maysles (Gimme Shelter) directed this 53-minute documentary about movie tycoon Joseph E. Levine (1963). Preserved by the Academy Film Archive in 2012.

Soft Fiction(en)

Chick Strand's SOFT FICTION is a personal documentary that brilliantly portrays the survival power of female sensuality. It combines the documentary approach with a sensuous lyrical expressionism. Strand focuses her camera on people talking about their own experience, capturing subtle nuances in facial expressions and gestures that are rarely seen in cinema. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2015.

Hearts and Minds(en)

Many times during his presidency, Lyndon B. Johnson said that ultimate victory in the Vietnam War depended upon the U.S. military winning the "hearts and minds" of the Vietnamese people. Filmmaker Peter Davis uses Johnson's phrase in an ironic context in this anti-war documentary, filmed and released while the Vietnam War was still under way, juxtaposing interviews with military figures like U.S. Army Chief of Staff William C. Westmoreland with shocking scenes of violence and brutality.

On the Pole: Eddie Sachs(en)

The documentary traces Eddie Sachs (one of the most popular drivers in the history of the Indianapolis 500) in a behind-the-scenes look at the race from his perspective, starting from a week before the race through the day after the big event. You can feel the fervor and anticipation build (*pay close attention to the scaffolding that collapses with too many people on it during the race) as Eddie prepares to keep his place, "on the pole." Preserved by the Academy Film Archive in 2010.

Burden of Dreams(en)

The Amazon rain forest, 1979. The crew of Fitzcarraldo (1982), a film directed by German director Werner Herzog, soon finds itself with problems related to casting, tribal struggles and accidents, among many other setbacks; but nothing compared to dragging a huge steamboat up a mountain, while Herzog embraces the path of a certain madness to make his vision come true.

Screen Actors(en)

This short film takes a look at the off-screen personas of screen actors. Preserved by the Academy Film Archive in 2012.

Women in Defense(en)

Short documentary extolling the virtues and necessity for women to participate in America's preparation for war, showing women working in scientific, industrial, and voluntary-services activities. Preserved by the Academy Film Archive in 2008.

The Town(en)

The Town was a short propaganda film produced by the Office of War Information in 1945. It presents an idealized vision of American life, shown in microcosm by Madison, Indiana. It was created primarily for exhibition abroad, to provide international audiences a more well-rounded view of America, and was therefore produced in more than 20 translations. Preserved by the Academy Film Archive in 2012.

Marjoe(en)

Part documentary, part expose, this film follows one-time child evangelist Marjoe Gortner on the "church tent" Revivalist circuit, commenting on the showmanship of Evangelism and "the religion business", prior to the start of "televangelism". Preserved by the Academy Film Archive in 2005.