"It's been 25 years and there is so little I remember. I can not remember the police investigation and I can not remember the trial. I have never talked to my parents about the rape, but it is always there anyway. " Dare Remember is an exceptionally brave documentary film that put words to what has been hushed. About meeting what you prefer to forget. A movie about moving forward.
Herself
Himself
Himself
Herself
"It's been 25 years and there is so little I remember. I can not remember the police investigation and I can not remember the trial. I have never talked to my parents about the rape, but it is always there anyway. " Dare Remember is an exceptionally brave documentary film that put words to what has been hushed. About meeting what you prefer to forget. A movie about moving forward.
2012-03-07
0
Stories from survivors frame this documentary detailing the sex-trafficking trial of Ghislaine Maxwell, a socialite and accomplice of Jeffrey Epstein.
This two-part film examines the plight of the working class. In part one, an elderly factory laborer goes to work in his last days before he is forced to retire. He leaves the factory life he has always known and goes home to his wife. In the second part, a young farm boy goes off to an industrial trade school to prepare for the very work the old man left behind. The old man loses his freedom by forced retirement while the young man loses his freedom by becoming a worker faced with a lifetime of factory work.
In Mexico there is a cult that is rapidly growing- the cult of Saint Death. This female grim reaper, considered a saint by followers but Satanic by the Catholic Church, is worshiped by people whose lives are filled with danger and/or violence- criminals, gang members, transvestites, sick people, drug addicts, and families living in rough neighborhoods. "La Santa Muerte" examines the origins of the cult and takes us on a tour of the altars, jails, and neighborhoods in Mexico where the saint's most devoted followers can be found.
Nan Goldin's slide show “The Ballad of Sexual Dependency” converted, mixed and screened as a film by the artist, portraying the American underground culture, the no wave scene, post-Stonewall gay subculture, among others.
Most people think they know the "McDonald's coffee case," but what they don't know is that corporations have spent millions distorting the case to promote tort reform. HOT COFFEE reveals how big business, aided by the media, brewed a dangerous concoction of manipulation and lies to protect corporate interests. By following four people whose lives were devastated by the attacks on our courts, the film challenges the assumptions Americans hold about "jackpot justice."
In 1975, as the Vietnam War was ending, thousands of orphans and Amerasian children were brought to the United States as part of "Operation Babylift." Daughter from Danang tells the dramatic story of one of these children, Heidi Bub (a.k.a. Mai Thi Hiep), and her Vietnamese mother, Mai Thi Kim, separated at the war's end and reunited 22 years later. Heidi, now living in Tennessee - a married woman with kids - had always dreamt of a joyful reunion. When she ventures to Vietnam to meet her mother, she unknowingly embarks on an emotional pilgrimage that spans decades and distance. Unlike most reunion stories that climax with a cliché happy ending, Daughter from Danang is a real-life drama. Journeying from the Vietnam War to Pulaski, Tennessee and back to Vietnam, Daughter from Danang tensely unfolds as cultural differences and the years of separation take their toll in a riveting film about longing and the personal legacy of war.
An archival documentary about the U.S. military’s response to the political and racial injustices of the late 1960s: take a military base, build a mock inner-city set, cast soldiers to play rioters, burn the place down, and film it all.
The first documentary feature to explore the tragic and bizarre life of the late chess master Bobby Fischer.
In the city of Nijar in Spain, the balsa of Isabel Esteva is a place in the open air where waters are collected to irrigate the land. Safaa Fathy filmed the reflections of the sky on the liquid surface at the pace of one second every half-hour, from morning to evening every day. Time passes and leaves its mark on fixed shots. The voice of Jacques Derrida reads a poem written by Safaa Fathy, translated from the Arabic by Zeinad Zaza and Derrida himself. Between sound and image, interior and exterior, this film invites us to travel in the density of time.
"De tout cœur", editing by Safaa Fathy,2005 – During Jacques Derrida ’s last years, Safaa Fathy filmed the philosopher ’s public lectures. Safaa Fathy put together three of these original lectures in a film for the FIDMarseille festival. “De tout cœur ” speaks of life and death, the Other and friendship. Derrida was unable to accept the invitation to attend the Writers ’Parliament in Strasbourg, so he sent an “open letter to Palestine ”. Facing the camera,he reads a collage of texts, excerpts from books and correspondence. The second fragment shows the statement on cloning made by Derrida, unique in his career, presented at the Kléber bookstore in Strasbourg. Lastly ,on the occasion of a conversation filmed in a Paris University, Jacques Derrida and Jean-Luc Nancy deconstruct together and in public the imagination of the heart. These are three records of living words, three exercises in thinking on sight.
The film is a series of interviews with various well-known film actresses, including Jenny Agutter, Maria Schneider, and Jane Fonda. The title, which is borrowed from a 1958 film with the same name by Marc Allegret, refers to the sense the actresses have of what is expected of them by the film industry.
On the eve of the 60th anniversary of the 1957 Little Rock school desegregation crisis, educational inequality remains among the most urgent civil rights issues of our time. With its school district hanging in the balance following a state takeover in January 2015, Little Rock today presents a microcosm of the inequities and challenges manifesting in classrooms all across America. Through case studies in Little Rock, New York City, and Los Angeles, Teach Us All seeks to bring the critical lessons of history to bear on the current state of U.S. education and investigate: 60 years later, how far have we come-or not come-and how do we catalyze action from here?
This documentary provides a window into the extraordinary life of activist and Nobel Laureate Wangari Maathai, a Kenyan woman who has worked to regain ownership of her country and its fate after years of colonialism. While gentle and thoughtful, Maathai carries a powerful message: the First World holds much of the responsibility for the environmental, economic and social struggles of the developing world.
In the aftermath of the Virginia Tech shooting, Oscar winner Barbara Kopple takes an in depth look at the issue of gun rights and gun control. She interviews both gun and anti-gun advocates in an effort to shed some light on this not-quite black-and-white issue.
“You bet on someone in the beginning of the process and then you wait and see what life does with them.” This is how Czech director Helena Trestikova explains her long-term documentaries. Following on from the European Film Academy Award winning RENE (2008), Trestikova brings us KATKA – 14 years in the life of a drug addict. KATKA is an extraordinarily raw and uncensored character portrait of a troubled young woman living on the edge of human existence, desperately searching for love and salvation. Will she find it in the rehab? Will she find it in the arms of the man she loves? Or in the first cry of her long-desired baby? Tagging along with her through the back streets and squalors of Prague, Trestikova gets deep under the skin of a person most of us would cross the road to avoid, and shows us Katka’s profoundly human face. You might be angry with Katka, or your heart may go out to her. One thing is certain – you will never forget her.
Actress Virginia Madsen collaborates with her mother Elaine Madsen to produce this documentary, which profiles a collection of fascinating woman between 64 and 94 years old. Among those featured in this extraordinary exploration of womanhood are famed model-turned-actress Lauren Hutton, screen and stage legend Rita Moreno and Hollywood pioneer Eartha Kitt.
Canadian director Catherine Annau's debut work is a documentary about the legacy of Pierre Trudeau, the long-running Prime Minister of Canada, who governed during the 1970s. The film focuses particularly on Trudeau's goal of creating a thoroughly bilingual nation. Annau interviews eight people in their mid-30s on both sides of the linguistic divide. One tells of her life growing up in a community of hard-core Quebec separatists, while another, a yuppie from Toronto, recalls believing as a child that people in Montreal got drunk and had sex all day long. Annau has all of the interviewees discuss how Trudeau's policies affected their lives and their perceptions of the other side, in this issue that strikes to the heart of Canada's national identity.
The real story behind the oft-ridiculed 'cat lady' - a cultural stereotype and figure of ridicule for women of a certain age with too many furry companions. Through the intimate portrait of four unique 'cat ladies' we create a sensitive and emotionally honest portrait of women whose lives and self-worth have become intractably linked to cats. It's not the number of cats that defines someone as a 'cat lady', but rather their attachment, or non-attachment, to human beings. They create a world with their cats in which they are accepted and in control - a world where they ultimately have value.