This is a 4-DVD set, featuring the Estonian conductor Paavo Järvi and the chamber orchestra (around 40 members) Die Deutsche Kammerphilharmonie Bremen. The first 3 DVDs feature live performances of all 9 of Beethoven's symphonies, and the 4th DVD is a documentary produced for DW (Deutsche Welle) on this Beethoven project.
This is a 4-DVD set, featuring the Estonian conductor Paavo Järvi and the chamber orchestra (around 40 members) Die Deutsche Kammerphilharmonie Bremen. The first 3 DVDs feature live performances of all 9 of Beethoven's symphonies, and the 4th DVD is a documentary produced for DW (Deutsche Welle) on this Beethoven project.
2010-11-09
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It was Antonio Vivaldi who developed the classic symphony orchestra, added coloration to the strings and wind instruments to the ensemble, originated the concerto for solo instruments, and was considered to be one of the greatest violinists of the 18th century. This biographical program chronicles the life and musical styles of Vivaldi, with on-location footage and lush studio re-creations of original settings showcasing the astonishing variety of Vivaldi’s works. Included are extracts from operas, oratorios, masses and sonatas, and concertos for flute, oboe, and trumpets, as well as such violin concertos as The Four Seasons. Fifteen-year-old prodigy Corey Cerovsek portrays the young Vivaldi, and world-renowned violinist Steven Staryk plays Vivaldi as a grown man.
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Bernstein provides two distinct meanings of the term ambiguity. The first is "doubtful or uncertain" and the second, "capable of being understood in two or more possible senses"
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Phonology is the linguistic study of sounds, or phonemes. Bernstein's application of this term to music results in what he calls "musical phonology".
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Syntax refers to the study of the structural organization of a sentence, or as Bernstein summarizes, "the actual structures that arise from that phonological stuff."
Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.
A ruthless real estate agent discovers a passion for piano and auditions with help from a young virtuoso, but the pressures of his corrupt career threaten to derail his musical aspirations.
A documentary that explores the challenges that a life in music can bring.
Two years prior to the opening scene, the nobleman Florestan has exposed or attempted to expose certain crimes of the nobleman Pizarro. In revenge, Pizarro has secretly imprisoned Florestan in the prison over which Pizarro is governor. The jailer of the prison, Rocco, has a daughter, Marzelline, and a servant (or assistant), Jaquino. Florestan’s wife, Leonore, came to Rocco’s door dressed as a boy seeking employment, and Rocco hired her. On orders, Rocco has been giving Florestan diminishing rations until he is nearly starved to death. Place: A Spanish state prison, a few miles from Seville; Time: Late 18th century.
A musical journey in the footsteps of conductor Michel Brun, an atypical character, an atheist, who nevertheless plays sacred music, and who devotes his life to Johann Sebastian Bach. With the musicians of the Ensemble Baroque de Toulouse.
Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, Jonas Kaufmann plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as ‘Fidelio’) who daringly sets out to rescue him. Set in strong counterpoint are the ingredients of domestic intrigue, determined love and the cruelty of an oppressive regime. The music is transcendent throughout and includes the famous Act I Quartet, the Prisoners’ Chorus and Florestan’s impassioned Act II cry in the darkness and vision of hope. Tobias Kratzer’s new staging brings together the dark reality of the French Revolutionary ‘Terror’ and our own time to illuminate Fidelio’s inspiring message of shared humanity.
01. The Godfather Waltz (N. Rota) 02. Romance Anonyme (Anonyme) 03. Lagune Waltz (J. Strauss) 04. O Mio Babbino Caro (G. Puccini) 05. The Rose (A. McBroom) 06. Italiana (O. Respighi) 07. You Are The Emperor Of My Heart (R. Stolz) 08. Sous Le Ciel De Paris (H. Giraud) 09. Roses From The South (J. Strauss) 10. My Heart Will Go On (J. Horner) 11. Intermezzo Sinfonico (M. Mascagni) 12. Moonlight (Kojo No Tsuki) (R. Taki) 13. The Last Rose (F. von Flotow) 14. Limburg Anthem (H. Thijssen / G. Krekelberg) 15. Concierto De Aranjuez (J. Rodrigo) 16. Swinging Bells Of Limburg (J. Hoes) 17. Nightingale Serenade (E. Toselli) 18. Auld Lang Syne (Traditional) 19. Ode To Maastricht (Y. Duteil) 20. Lullaby (J. Brahms)
The historic Toscanini television concerts with the NBC Symphony Orchestra. This concert, broadcast in two parts, on 26 March and 2 April 1949, from NBC Studio 8H, features the opera "Aida" by Giuseppe Verdi. (Both broadcasts were released as "Vol. 3" in the DVD series.)
The 1987 Glyndebourne production of Ravel's L'enfant et les sortilèges, designed by Maurice Sendak and directed by Frank Corsaro.
At the beginning of 1964, the music world experiences something completely unexpected. Maria Callas returns to the opera stage as the prima donna. Her “Tosca” at the Royal Opera House becomes a sensation. Maria Callas wants to show everyone once again that she deserves the title of “prima donna assoluta.” On the condition that star director Franco Zeffirelli take over the direction, the exceptional singer agrees to sing the role of Tosca. The BBC recorded the 2nd act of the opera for television. It is one of the most dramatic acts in opera history: in order to free the painter Cavaradossi from the hands of torturers, Tosca ends up murdering the police chief Scarpia. The film footage is one of the rare opportunities to see Maria Callas in an opera performance and to experience her highly emotional performance art and vocal abilities...
A woman in her daily life at home. A ballerina practicing her art. Realities mix in a remembrance of an irretrievable time.
The wait is over! After two long years, Maestro André Rieu is performing again in his hometown of Maastricht! We are proud to present André's brand new summer concert - Happy Days are Here Again!