Gerrard Winstanley is the leader of a 17th Century religious group that believes the land should be owned communally. His convictions bring him into conflict with both the state and the church.
Gerrard Winstanley
Tom Haydon
Will Everard
Parson Platt
Mrs. Platt
Capt. Gladman
Henry Bickerstaffe
Colonel Rich
Ranter
Gerrard Winstanley is the leader of a 17th Century religious group that believes the land should be owned communally. His convictions bring him into conflict with both the state and the church.
1975-07-04
7.5
"England is not a Free People, till the Poor that have no Land, have a free allowance to dig and labour the Commons..." Gerrard Winstanley, 1649
Return to Horror Hotel is an anthology feature with 4 segments. One is about giant a bedbugs, one is about a magical charm that turns girls beautiful, one is about a WWII sailor who hasn't aged and one is about a terrorizing severed hand.
In 1980s Italy, Riccardo Schicchi's agency Diva Futura turns free love into porn, making stars of Ilona Staller, Moana Pozzi and others.
It's the end of the century at a corner of the city in a building riddled with crime - Everyone in the building has turned into zombies. After Jenny's boyfriend is killed in a zombie attack, she faces the challenge of surviving in the face of adversity. In order to stay alive, she struggles with Andy to flee danger.
After finding an old nautical phone washed up on the shore, Natalie begins having dreams of the device ringing, followed by the presence of a shrouded woman in black. Natalie's already fragile grip on reality begins to slip.
Coins with Lucifer. Letters from a satanic cult, founded in the spring of 1973 on the Danish island of Anholt. Disturbing objects begin to appear in churches. Among priests, gravediggers, and church servants anxiety begins to spread.
Back from a tour of duty, Kelli struggles to find her place in her family and the rust-belt town she no longer recognizes.
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.
A horror short with no dialogue (Advised to watch with headphones)
The Tooth Fairy is back. 15 years after the events of the first movie, Corey, now grown up but mentally scarred has gone to a class reunion. However, the Tooth Fairy is back, and this time - You better have flossed properly.
A comedy show that highlights the modern girl Lolita, the daughter of a large company. Lolita visits the company and decides to work. Then the life of the company and the lives of the employees turn upside down. What did Lolita do to them?
World traveler and adventurer Gulliver is invited to return to Lilliput, the town he previously saved from the enemy fleet of the neighboring Blefuscu.
Kianoush Ayari’s film captures rare scenes of everyday life on the streets of Tehran in the months following the revolution of 1979.
A short feature film about the last days in the life of the Groningen printer and typographer Hendrik Nicolaas Werkman, who was arrested by the German Sicherheitsdienst in the spring of 1945 and executed. His work is prominently featured in the film, which uses flashbacks to portray Werkman's personal and artistic life.