This is an artificial intelligence (AI)-generated film that envisions the Middlesbrough Collection as a sleeping repository of the past and present. Perks and Stewart used the Collection and displays as source material, asking three groups to imagine the dreams of the Collection through creative writing, meditation, observation exercises and karaoke. The resulting material was inputted into ChatGPT to generate a script and then fed into an AI moving image platform, Pictory AI, which translated it into a sequence of moving images from existing databases.
This is an artificial intelligence (AI)-generated film that envisions the Middlesbrough Collection as a sleeping repository of the past and present. Perks and Stewart used the Collection and displays as source material, asking three groups to imagine the dreams of the Collection through creative writing, meditation, observation exercises and karaoke. The resulting material was inputted into ChatGPT to generate a script and then fed into an AI moving image platform, Pictory AI, which translated it into a sequence of moving images from existing databases.
2024-04-12
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A journey into the world of artificial intelligence, to understand its operating logic and current and future applications. The TV program explains what AI is, its history, its current and future applications. It also illustrates the figure of Pepper, a humanoid robot that is the subject of important research at the University of Palermo. The TV program also talks about future developments of AI, the opportunities and possible social risks that it could entail: an aspect to focus on, both for the need to arrive at a correct algorithm, and to achieve an indispensable regulation of the sector.
Many twentieth century European artists, such as Paul Gauguin or Pablo Picasso, were influenced by art brought to Europe from African and Asian colonies. How to frame these Modernist works today when the idea of the primitive in art is problematic?
Berlin’s Museum Island, the cultural center of the German capital on the Spree river, houses a large number of art pieces from all over the globe, from the Stone Age to the present day. A walk through their great institutions to marvel at their masterpieces.
A.I. guru Ben Goertzel grew up in a hippie community in Oregon during the Vietnam War. Inspired by science fiction, he imagined a perfect rational world that would transcend 1970s’ America. Ben has dedicated his life to developing OpenCog, a software that models the human mind. If Ben’s design works, OpenCog will become a human-like general intelligence. But for OpenCog to work, it needs a body.
There Is Always Something New Happening. So where is our limit? Our artform beatboxing has given so much to the present and has so much more to give in the future. Working in collaboration with Nokia Bell Labs the legendary beatboxer and member of the beatbox community, Reeps One, took a journey of discovery to understand more about the entire art form and how it inspires communities, scientists and engineers.
Exploring the diaspora and how we exist in the Western landscape, we are on this land that has a colonial agenda. At the beginning of the video, I put traditional paintings depicting the “sublime”- which come from the colonist lens, and then I added AI-generated images to re-catalog my experience living in this country. The keywords I put into the system to AI-generate images are words that are relevant to how I grew up, including pop-culture references, key landscapes from where I grew up, and critical political words- the Taiwanese flag in itself is a highly politicized word.
The search for René Descartes’ daughter Francine leads an internet user into the depths of an AI’s mental space. This intelligence generates limitless images from words given by humans, until it starts working by itself. An alternative, fleshless new world, containing all the world's memory, emerges.
Rejecting the billions of alphabetic diktats to liberate the incessant metamorphoses and metaphors of a necessary and true language by re-turning to the locations of past film shoots, while keeping track of modern times.
Professor Jim Al-Khalili looks at how we have created machines that can simulate, augment, and even outperform the human mind - and why we shouldn't let this spook us. He reveals the story of the pursuit of AI, the emergence of machine learning and the recent breakthroughs brought about by artificial neural networks. He shows how AI is not only changing our world but also challenging our very ideas of intelligence and consciousness. Along the way, we'll investigate spam filters, meet a cutting-edge chatbot, look at why a few altered pixels makes a computer think it's looking at a trombone rather than a dog and talk to Demis Hassabis, who heads DeepMind and whose stated mission is to 'solve intelligence, and then use that to solve everything else'. Stephen Hawking remarked 'AI could be the biggest event in the history of our civilisation. Or the worst'. Jim argues that AI is a potent new tool that should enhance our lives, not replace us.
Using visual assemblage as a technique to delve into the artist's own formation of personal narrative, self-possession and the aestheticization of compositional materials, Sodipo extends her long term fascination with images that pull, extend, transform and recontextualise notions of femininity, desire, and danger.
A rural American town suffering economically from factory closures finds an unconventional route to recovery with the help of MASS MoCA.
Set in Berlin and New York's Lower East Side, The Great Yiddish Love stars the self-exiled Marlene Dietrich and her Nazi-endorsed replacement, Zarah Leander. It is a melodrama of love, emigration, and betrayal reassembled from Hollywood, German Ufa and Yiddish films from the 1930s and 40s.
"How Every Film You Watch Tells You To Love The Rich and What To Do About It" explores the representations of wealth in cinema. It looks into how most beloved characters are subtly more well-off than they should be, how criticisms of the system are crushed, how the rich have become the average in the world of the cinema. And it shows how these stories distort the view of the real world, and are used against you by politicians.
Are we prepared for dealing with the prospect that humanity is not the end of evolution? Technocalyps is an intriguing three-part documentary on the notion of transhumanism by Belgian visual artist and filmmaker Frank Theys. The latest findings in genetics, robotics, artificial intelligence, bionics and nanotechnology appear in the media every day, but with no analysis of their common aim: that of exceeding human limitations. The director conducts his enquiry into the scientific, ethical and metaphysical dimensions of technological development.
An indie documentary exploring the art form of hand-drawn animation through a contemporary lens in the digital era. Featuring insights and anecdotes by hand-drawn animation artists from around the world.
A year in the life of Elsa Michaud and Gabriel Gauthier, students of Fine Arts in Paris, lovers in troubled times, overwhelmed by maddening verbal and auditory stimuli, witnesses of a globalized violence more visible than ever in a chaotic digital era, in which the slow execution of simple gestures in a silent performance is an act of resistance.
New York-based tech company Clearview AI is working to identify and compile the faces of every human being on the planet. The firm claims that its database will serve as a force for good, helping to solve crimes and prevent espionage. But what if Clearview AI’s powerful facial recognition software, that could potentially be used for mass surveillance and profiling, fell into the wrong hands? What if it already has?
Dr Hannah Fry and a virtual host present a new way of making television, as the BBC uses artificial intelligence to delve into the treasures of the BBC Archive.