A filmic letter to New York City, the subway, and self.
Self
A filmic letter to New York City, the subway, and self.
2022-12-07
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On New York’s packed subways, violations of personal space are unavoidable—an inevitability that emboldens more predatory behavior. Underground brings these stories into the light.
"Regina José Galindo’s Tierra (2013) explores connections between the exploitation of labor, resources, and human life in Guatemala. Presented at a larger-than-life scale, Galindo stands naked on a parcel of land that is excavated by an encroaching bulldozer. Conjuring imagery of machine-dug mass graves, the work draws attention to the massacre of hundreds of thousands of Indigenous people, mostly Maya Ixil, during the Guatemalan Civil War (1960–96). As the excavator digs around her, the artist stands fixed and unrelenting." - MoMA PS1
A trans Vietnamese woman's deadname being repeated over and over again.
The battle for accessibility in New York City Transit told by those fighting it. Less than a quarter of stations in the city's sprawling subway system are accessible to people with disabilities and those that need elevators. This film takes you on the frontlines of the disability rights movement featuring the perspectives of activists, local and state legislators, transit advocates and MTA officials.
An exploration of the space where femininity and criminality collide. The film collages archival footage clips culled from silent films, original footage and computer-generated imagery with a series of narratives drawn from true crime confessions, early criminological texts, and the filmmaker's own reflections. The result is a cool and piercing meditation on the way the categories of "woman" and "criminal" have been constructed.
Traces the lives of the Hartings, a blind Montreal family of three who make their living singing in the city's subway stations. The Hartings lost their only sighted child Hassan in a tragic drowning accident, and have since turned to the teachings of Russian mystic Grigori Grabovoi, hoping to resurrect their son. Resurrecting Hassan is an exploration of this family's legacy of grief, tragedy and abuse; the film will follow them on their path to redemption.
A short, three minute documentary exploring audio recordings from the year 1894 to 1922, layered over home-footage from the year 1920 to 1985, as an indulgent social-commentary on our collective human experience as well as a testament to the everlasting nature of art.
Inside a computer a space-time is revealed in which image and sound become numbers and motion manifests as rhythm, flow and chaos. This tracking and integration experiment removes the superficial identity of video to detect kinetic disturbances in everyday environment.
A documentary feature film which aims to expand the usually one-sided conversation between students and teachers. During its runtime, raw experiences heard from all sides of the conversation are laid bare during its 77 minute runtime. From all of these interviewees, including a student, a school psychiatrist, and five teachers, the viewer shouldn't expect to be confronted with a narrow perspective but rather a question: "where do I stand?"
A fragment of reality about a less affected part of the third world, and how it got to the moon.
Innocent nature walk leads to a discovery of the morbid nature of humans.
Presence narrates the journey of Thati, a woman determined to overcome her anxiety attacks through surfing. She finds refuge in the waves, where the surfboard becomes her ally and personal therapy.
A Experimental Docu-Drama about the Red Army Faction's formation, and events leading up to their imprisonment and death, from 1970 to 1977.
This documentary celebrates one of Britain’s greatest actors, Dame Judi Dench, and looks back over her remarkable 60-year career.
Because Quebec Sign Language cannot be captured on paper, videography has revealed itself to be the best way to represent this visual language. The first ‘comic strip’ in sign language, the film depicts snatches of conversations between various deaf and hearing protagonists. A visit to a silent world, where the hearing impaired ask us to listen to them.
Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-long road movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.
An experimental short film using only free archival footage.