A journey into the labyrinthine heart of ideology, which shapes and justifies both collective and personal beliefs and practices: with an infectious zeal and voracious appetite for popular culture, Slovenian philosopher and psychoanalyst Slavoj Žižek analyzes several of the most important films in the history of cinema to explain how cinematic narrative helps to reinforce prevailing ethics and political ideas.
The film represents life in a godforsaken Russian village. The only way to reach the mainland is to cross the lake by boat and a postman became the only connection with the outside world. A reserved community has been set up here. Despite the modern technologies and a spaceport nearby the people of the village live the way they would in the Neolithic Era. There is neither government nor social services or jobs. The postman's beloved woman escapes the village life and moves to the city. Postman's outboard engine gets stolen and he can no longer deliver mail. His normal pattern of life is disrupted. The postman makes a decision to leave for the city too but returns before long with no certain reason. The script is based on real characters' stories. People from the village play their own parts in the film. The search for the protagonist lasted for over a year.
In a small village, somewhere in France, German soldiers, killed and thrown into the lake by the Resistance during WWII, come back.
WELFARE shows the nature and complexity of the welfare system in sequences illustrating the staggering diversity of problems that constitute welfare: housing, unemployment, divorce, medical and psychiatric problems, abandoned and abused children, and the elderly. These issues are presented in a context where welfare workers as well as clients struggle to cope with and interpret the laws and regulations that govern their work and life.
A reflective look at the arrival and impact of AIDS in San Francisco and how individuals rose to the occasion during the first years of the crisis.
A hilarious introduction, using as examples some of the best films ever made, to some of Slovenian philosopher and psychoanalyst Slavoj Žižek's most exciting ideas on personal subjectivity, fantasy and reality, desire and sexuality.
Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.
A premonition of a horror film, lurking danger: A house - at night, slightly tilted in the camera's view, eerily lit - surfaces from the pitch black, then sinks back into it again. A young woman begins to move slowly towards the building. She enters it. The film cuts crackle, the sound track grates, suppressed, smothered. Found footage from Hollywood forms the basis for the film. The figure who creeps through the images, who is thrown around by them and who attacks them is Barbara Hershey. Tscherkassky's dramatic frame by frame re-cycling, re-copying and new exposure of the material, folds the images and the rooms into each other. It removes the ground from under the viewer's feet and splits faces, like in a bad dream. From the off, from outer space, foreign bodies penetrate the images and cause the montage to become panic stricken. The outer edges of the film image, the empty perforations and the skeletons of the optical sound track rehearse an invasion...
Evolution as an artist is often times what separates legends from the more mundane. After being heavily influenced by his experience in Jamaica – and his subsequent name change from Snoop Dogg to Snoop Lion – the LBC showman prepares his latest reggae-infused album Reincarnated. As part of the process, VICE followed Snoop to the island nation as he recorded various songs with backing from Diplo, Ariel Reichtshaid and Dre Skull of Major Lazer. Having grown tired of what rap provided him, the documentary reveals the rebirth and inspiration for his latest project.
A documentary highlighting the Soviet Union's legendary and enigmatic hockey training culture and world-dominating team through the eyes of the team's Captain Slava Fetisov, following his shift from hockey star and celebrated national hero to political enemy.
The firemen of a provincial Czechoslovakian town throw a ball in honor of the old chief's retirement. There will be music and dancing, a beauty pageant and a raffle. The whole town will be in attendance. However, the proceedings are dogged by difficulty at every step. Workplace injuries, stolen prizes, a shortage of pretty girls... and fire.
Viewers will get a look at Parker and Stone's thought process as they approach a new episode and the 24/7 grind they subject themselves to each time the show is in production. The documentary also includes in-depth interviews with Parker and Stone about their working partnership and reflections on highlights from their careers.
Michael Moore comes home to the issue he's been examining throughout his career: the disastrous impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world).
While awaiting the next fuel truck at a middle-of-nowhere Arizona rest stop, a traveling young knife salesman is thrust into a high-stakes hostage situation by the arrival of two similarly stranded bank robbers with no qualms about using cruelty—or cold, hard steel—to protect their bloodstained, ill-gotten fortune.
Banksy is a graffiti artist with a global reputation whose work can be seen on walls from post-hurricane New Orleans to the separation barrier on the Palestinian West Bank. Fiercely guarding his anonymity to avoid prosecution, Banksy has so far resisted all attempts to be captured on film. Exit Through the Gift Shop tells the incredible true story of how an eccentric French shop keeper turned documentary maker attempted to locate and befriend Banksy, only to have the artist turn the camera back on its owner.
As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of.
A quiet and inconspicuous man rents an apartment in France where he finds himself drawn into a rabbit hole of dangerous paranoia.
Dangal is an extraordinary true story based on the life of Mahavir Singh and his two daughters, Geeta and Babita Phogat. The film traces the inspirational journey of a father who trains his daughters to become world class wrestlers.
Clue finds six colorful dinner guests gathered at the mansion of their host, Mr. Boddy -- who turns up dead after his secret is exposed: He was blackmailing all of them. With the killer among them, the guests and Boddy's chatty butler must suss out the culprit before the body count rises.
An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon.
In a futuristic world where the polar ice caps have melted and made Earth a liquid planet, a beautiful barmaid rescues a mutant seafarer from a floating island prison. They escape, along with her young charge, Enola, and sail off aboard his ship. But the trio soon becomes the target of a menacing pirate who covets the map to 'Dryland'—which is tattooed on Enola's back.
A tribute to legendary black lesbian feminist poet Audre Lorde, one of the most celebrated icons of feminism's second wave.
An experimental portrait of Fernando Fernán Gómez, one of the most renowned Spanish artists of all time.
Dr. Helen Caldicott, firebrand anti-nuclear campaigner, celebrated author, and Nobel Peace Prize nominee, is too alarmed to retire. Certain that the White House's War on Terror is escalating the global nuclear arms race, she embarks on an explosive crusade across post 9/11 USA, armed with her fifth book, 'The New Nuclear Danger', and a furious determination to rally the American people against Star Wars and the new nuclear weapons labs before it is too late.
Thomas Hirschhorn, one of the few Swiss artists of world renown, often touches on social wounds with his provocative works. In 2013, Hirschhorn built a monument for Italian philosopher and communist Antonio Gramsci in a public housing project in the Bronx. The contentious artist collaborated with neighborhood residents whose everyday life is impacted by poverty, unemployment and crime. Conflicts and misunderstandings are bound to arise as Hirschhorn’s absolute devotion to art is confronted with the resident’s lack of prospects and fatalistic outlooks. The «Gramsci Monument» becomes a summer-long experiment where diverse worlds collide: blacks and whites, the art elite and street kids, party people and poets, politicians and philosophers. A nuanced film about art, politics and passion.
The Amazon plays a vital part in regulating the planet's temperature. Yet, last year, forest destruction in the Brazilian Amazon soared by 85 per cent. Illegal logging and slash-and-burn agriculture are decimating the land. With huge profits to be made, the Amazon is a dangerous place to ask questions. Despite the threat, the Amazonian tribes want the world to hear their message.
A Bit of Scarlet excavates clips from Britain's cinema archives to create a moving and humorous testament to the closeted gay and lesbian images from filmmaking's earliest days.
A biographical documentary following the life of a young Japanese priest and bar-owner.
After Prisoners of the war and On the Heights all is Peace, this film concludes Yervant Gianikian and Angela Ricci Lucchi's trilogy on the first world war. From the emblem of totalitarianism to individual physical suffering, the directors use this representation of man's rampaging violence to draw up an anatomical inventory of the damaged body and examine the consequences of the conflict on children, from 1919 to 1921. From the deconstruction to the artificial reconstruction of the human body, they try to understand how humanity can forget itself and perpetuate these horrors.
An Israeli woman living in Amsterdam investigates why fans of the Ajax soccer team have appropriated the nickname "Superjews" – complete with Star of David hats, Israeli flags and songs like "Hava Nagila." We meet hooligans, an Ajax archivist, former Ajax president Uri Coronel and a Holocaust survivor. Who is the "real" Jew: the non-religious Israeli woman with an aversion to her own country's flag, or the "Jews" who flock to the stadium and dedicate their lives to the team? Superjews is about identity, the use of symbols, and what it means to be or feel Jewish. Filmmaker Nirit Peled takes on the role of narrator and guide in the land of Ajax, against the backdrop of her present-day life in Amsterdam and her past in Israel, a country she is very critical of. Though she is initially turned off by the "Superjew" phenomenon, her viewpoint becomes more nuanced as she learns more about it, and she manages to gain perspective on how she personally relates to the cult of Jews.
Tongue-in-cheek look at the French Riviera, especially in summer when it overflows with tourists. Reviews its history and famous visitors; displays its faux-exotic buildings, its crowded beaches, its trees and monuments; and, pokes fun at the colors women wear and the vagaries of fashion. The film celebrates the use of "Eden" as a place name, suggesting that paradise comes to the coast after all are gone, perhaps only on a remote island beach.
A three part story of the North African immigration to France.
A city awakens. There are sights and sounds we do not experience if we sleep late.
After 40 years of protection, Grey wolves were recently de-listed federally from endangered species act and their fate was handed over to state legislatures. What ensued was a 'push to hunt' in wolf country across the United States. Filmmaker Julia Huffman travels to Minnesota and into wolf country to pursue the deep and intrinsic value of brother wolf and our forgotten promise to him.
An ode to the actor Jeroen Willems, who died suddenly on 3rd December 2012, while on stage.
More than two decades after it left our screens, BBC Two’s iconic and much-loved music documentary series, Rock Family Trees, is back for a one-off special. The iconic music documentary series returns to examine the real story behind the birth of Britpop and how a handful of like-minded musicians, struggling to find an authentic voice, would pave the way for a revolution in British music. It is an intricately connected story of three of the biggest bands of the 1990s – Suede, Elastica and Blur – and how, for a brief moment in the middle of that decade, they changed British music forever, kickstarting a movement that still reverberates to this day.
An effervescent facilitator and mother figure, Multicultural Liaison Officer Rosemary is undoubtedly a force of nature. Isolation in Auburn’s migrant community is a huge obstacle, and cultural norms mean that women are often tied to the house or a limited locale. Rosemary, with her larger-than-life spirit and generosity, works tirelessly to draw the women out of their homes and into society. She hosts a lively African Women’s Dinner Dance and takes them on a trip to the Blue Mountains and the NSW South Coast – introducing them to an Australia they’ve never seen before.
In 1818, Mary Shelley wrote Frankenstein; or, The Modern Prometheus, a powerful and timelessness novel which eternal theme is nothing other than man's quest for the secret of life. Since then, the Creature became a pop culture icon, overshadowing the novel and Doctor Frankenstein himself.
Former Portland director Penny Allen’s (PROPERTY, PAYDIRT) new film is the intimate, turbulent portrait of a French-Algerian-Moroccan family residing in Algeria and adrift following the death of their mother, Zineb, a notorious smuggler of gold and jewels. Filmed over the course of three years, the film finds its own space between documentary and fiction as the family’s story brings to life the complexities of cross-border identities, the influence of political context on individual lives, and the importance of the mother figure in Arab/Islamic cultures