A pandemic, a time of hard lockdown, when contact with other people is severely limited. The most common means of communication are online conversations, which the director uses to talk to people who, like him, are stuck alone in their apartments.
Lonely. It could be you. It could be me. There are millions of us out there. The headlines call this 'The Age of Loneliness'. They say it's a major public health issue. A silent epidemic that's starting to kill us. But we don't want to talk about it. No-one really wants to admit they are lonely. Award-winning film-maker Sue Bourne believes loneliness has to be talked about. It affects so many of us in so many different ways and at so many different stages of our lives. So she went out to find people brave enough to go on camera and talk about their loneliness. The Age of Loneliness has people of all ages in it, from Isobel the 19-year-old student to Olive the feisty 100-year-old, Ben the divorcee, Jaye the 40-year-old singleton, Richard the 72-year-old internet-dating widower, to Martin, Iain and Christine talking about their mental health problems. Everyone talks with such remarkable honesty and bravery that you can't help but be touched by their stories.
Manipulation, coercion, humiliation, aggression. Hidden cameras captured the rough background of the seniors' demonstration events. What really happens on the popular free lunch tours? Practices that give you chills. Lies and deliberate manipulation, the sole purpose of which is to force defenseless old people to buy overpriced goods. Seniors pay exorbitant sums from their meager pensions for often low-quality products. Some of them worry that they will never go to any event again, others can't stand it and go again. What drives them? Curiosity? Loneliness? Or addiction?
Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.
A child who just loved to skate from the age of eight, Poppy Starr Olsen became the number one female bowl skater in Australia at 14 and went on to take out bronze at the XGames at 17 - the ultimate competition in the world of skateboarding. The same year, skateboarding was announced as an official additional sport category at the Tokyo 2020 Olympics. Now faced with the opportunity to represent Australia on the world stage Poppy grapples with the transition from skater to athlete and the pressure of competition mounts in a way it has never done before.
A fist-person story of the director of the documentary, who talks about the loneliness that entails living with an eating disorder and her vision now thar she is entering into adulthood.
The pandemic has many faces. It has affected everyone across the world, but each of us in a different way. A collection of individual fates observed in fine detail. And a filmic world tour that looks down on places of residence from above and yet gets very close to the people.
Miguel returns to his homeland with anticipation, ready to showcase a film he stars in at a local film festival. His heart yearns for the thunderous applause of adoring fans, yet reality may paint a different picture. In this poignant essay, we delve into the nuanced shapes of loneliness, even amidst company.
TWO OR THREE THINGS I KNOW ABOUT EDWARD HOPPER is an immersive experience in 3D, that takes its viewers on a journey into the world of Hopper, sharpening their senses for some aspects of his unique work.
Kapwa, a Filipino term that means "togetherness" or "neighbor", is a recognition of a shared identity; an inner self that is shared with others. WHO WE BECOME is a story of kapwa and follows three Filipino women each coming into their political consciousness and discovering themselves during a pivotal moment in their lives.
The epic story of how people around the world lived through the first year of the coronavirus pandemic, from lockdowns to funerals to protests. Filming across the globe and using extensive personal video and local footage, FRONTLINE documented how people and countries responded to COVID-19 across cultures, races, faiths and privilege.
In 2019, 1.2 million people stepped off a cruise ship into the small, south-east Alaskan town of Ketchikan. The next year, in 2020, zero did. After decades of diligent work building a sleepy fishing, mining, and logging town into one of the most sought after cruise destinations in the world, the COVID-19 pandemic has transformed Ketchikan into an empty shell—lined with restaurants, shops, and attractions for the visitors who no longer come. Now, the town must find a way to survive without its key economy until the day arrives when cruise visitors once again pour into its docks.
Documentary about filmmaker and film lover Stig Björkman during the pandemic year of 2020 when he stay in touch with his friends over his laptop.
Portrait of the birth of a friendship between two men, while one helps the other to die. The acceptance of pain, the sense of humour and the commitment to family and friends, will accompany the virtual chats between Fernando and Eric, who were unable to meet due to the pandemic.
Norway's most popular duo Karpe, invest all their money and time in an immersive show to be performed for only 100 people. What is meant as a gift to the fans and a creative awakening after 20 years as artists, almost costs them their careers and their friendship.
With his industry on lockdown and no end in sight, Toronto chef Luke Donato tries to keep his culinary passion alive during the COVID-19 pandemic - even if it means teaching a group of misfits online.
A father’s heartfelt plea to have lifesaving talks with pre-teens and teens comes after his 12-year-old son’s suicide from COVID-related isolation.