Vovó
Vovô
The Tragedy of an Artist, is an experimental short shot over the course of a week. This film is meant to illustrate who Hero Foltz is as a person and his struggles with self identity
Hungry for sun, light and warmth, a group of teenagers embark on a dream trip to the Balearic Islands.
A recreation of the opening scene from the pilot episode of The Handmaid's Tale, "Offred." Originally directed by Reed Morano, ASC. Original cinematography by Colin Watkinson, ASC, BSC. Original teleplay written by Bruce Miller. Made in Misael Sanchez's "Filmmaking: Visualizing and Creating Moving Images for the Screen" at Sarah Lawrence College.
An eager young fighter with a disapproving family and a boxing coach with a traumatic past, try to overcome their personal issues by letting each other into their lives.
In his Miami studio, built as a solar observatory, a famous painter lives alone, without a wife or children. His only obsession is to paint at dawn. But for some unknown reason, as he prepares to finish his last canvas, that morning the sun does not rise.
Seeing himself as a form unable to experience intimacy, he is given the chance when brought to the household of twin sisters.
A wandering young woman explores the crevices of her apartment, of her corporeal creases, as well as the shadows made up of those things. Through her journey, she comes into contact with fellow vagrancies: a nondescript man of around similar age; a young girl with similar, even familiar, eyes; streets that can only exist during those brief moments of glazing stares. The rain comes and goes, but the A/C never turns off.
First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.
Exploring love's complexities, an experimental film captures a woman's brief yet significant journey, prompting her to break free and embrace newfound liberation
Amidst cityscapes, an experimental short film unravels a woman's exploration of inner pain.
In this short experimental film, three friends are waiting for their train to arrive.
As she keeps watching old home movies isolated in her hotel room, the screen becomes a mirror from which she tries to see herself. Levels of subjectivity, narrative, and reality entwine into a surrealist fever dream of scopophilic cinéma pur. The final layer of meaning is all of us watching the film on the screen-mirror in the theatre.
A human-like Creature, emerging from the ancient depths of the Norwegian forest, ventures towards suburbia. The local inhabitants react in different ways to its unannounced presence.