Starting in seventh grade, artist David La Chapelle was so bullied for being gay that he dropped out of school by ninth grade. He moved to New York City, where being gay was accepted. David La Chapelle is an auteur photographer whose work has exhibited in galleries around the world and graced the pages of Vogue, Vanity Fair and Rolling Stone. In this personal short documentary, we are invited to witness a unique artist at work in his studio, while working with celebrated designer Daphne Guinness.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
14 year-old Janiyah Blackmon wrestles with her new life in New York City as her mom tries to move her family out of the shelter system and into a stable home.
In February 2016, rock 'n' roll trio Thelma & the Sleaze embarked on the world's first “Intra-City Tour”. They played 31 shows in 29 days and raffled off a promotional mini-van in the process, in an unprecedentedly absurd publicity stunt that raised the bar for independent artists everywhere. Exploring the furthest of reaches of Nashville’s music scene, blazing new trails in its wake, the film follows the twists and turns, triumphs and follies of all 29 days as Thelma & the Sleaze bring their raw rock 'n' roll fury through DIY spaces, art galleries, laundromats, screen printing shops, record stores, clothing shops, candy factories, roller rinks and even a McDonald’s.
Twenty-five films from twenty-five European countries by twenty-five European directors.
Against the background of flocks of sheep at pasture, mules walking down unpaved roads, tractors in the fields, and isolated figures in a deserted village, a caption explains that Barbagia is a vast region in Sardinia; Orgosolo, Oliena and Mamoiada are villages of shepherds and the men spend most of the year far away, with their flocks. This is why the houses and the children are entrusted to the women, who cut the wood, work the fields and prepare bread, shepherds’ bread.
In the town of Xoco, the spirit of an old villager awakens in search of its lost home. Along its journey, the ghost discovers that the town still celebrates its most important festivities, but also learns that the construction of a new commercial complex called Mítikah will threaten the existence of both the traditions and the town itself.
Portrait of the last year of the life of famous New York drag queen Consuela Cosmetic.
Many of us experience sexual desires in many different shapes and forms, yet there continues to be a certain stigma about expressing them openly. Adult worker, Andy Lee, and his co-workers share their own insightful and interesting perspectives on the adult industry in a bid to inspire people to open up to each other, and to further shed some light on the frequently misunderstood adult industry.
The main committee is of the opinion that the rating "especially valuable" can be retained. The style of the film is appropriate to the subject of "Visiting Busch" in its concentrated limitation to the authentic living environment. The individual visual motifs are composed with great care. On the one hand, the small world appears endearingly portrayed, on the other hand, the film's allusions to the background of the Wilhelm Busch phenomenon are convincing. Above all, the Committee would like to uphold the rating because the film, made in 1961, sought out the people who still knew Busch and bear witness to them in the film in an impressively simple and not exaggerated manner.
A 60th anniversary retrospective documentary on the influence and context of the 1962 film, To Kill a Mockingbird.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
A filmed record of the 1978 "Alternative Miss World" beauty pageant held in a circus tent on Clapham Common in South London.
Documentary short about an anual football game being helf in Florence, Tuscany in Italy dating back to medieval times.
With his industry on lockdown and no end in sight, Toronto chef Luke Donato tries to keep his culinary passion alive during the COVID-19 pandemic - even if it means teaching a group of misfits online.
A release that features 7 shorts from Italy, Israel, Tunisia, New Zealand, the United States and France, exploring those furtive first steps that men take as they decide to act on their sexuality. The 7 short films are: The First Time [La prima volta] (2012); Kiss Me (2022); Nidhal [نضال] (2022); Sparrow (2016); I Am Mackenzie (2019); The Place Between Us [Il posto fra di noi] (2010); By the End of the Night [Que la nuit s'achève] (2018).
A series of ten shots, three minutes in length, of various locales in Munich.