Flora
Augusto
Camila
2024-01-01
0
It's been a long time since Leila, a costume girl, hasn't seen her father. A number of photos of Mr. Leila taken when he was a child made Leila investigate things from a low point of view. The promise to meet again came and again ended up disappointed. Until one point he found evidence of the presence of the father in his daily life. From a different point of view.
At the beginning of the 70s, Jean Genet is in Tangier, he is in his sixties and he no longer writes. He lives in the El Minza hotel, a palace, where he spends entire days reading, smoking and sleeping (he takes Nembutal, a barbiturate used as a sleeping pill). He only goes out at the beginning of the afternoon to have a coffee with milk in one of the bars of Petit Socco. He sometimes meets the young Moroccan writer Mohamed Choukri there. Their discussion is banal, friendly. Sometimes they talk about literature. Genet no longer writes, but is still inhabited by it.
The film's main theme is obsession. An obsession with love, with art, originality, copying, with success, money and... with oneself. Sooner or later, if we lose our rational upper hand over it and let ourselves be dragged down by it, every obsession leads to destruction. But it is only when being dragged down, in spite of all the cuts and bruises, that we find a unique DELIGHT, if only for a few short moments - and what else is life really about? It is like a drug. What at first seems to be weak and trivial is capable of expanding and growing into a serious problem that can appear to be absolutely incomprehensible and absurd to those who have never experienced anything like it.
Follows the young people of Selma, Alabama's RATCo (Random Acts of Theatre Company) as they journey to New York City to share their story of hope, resilience, and overcoming.
Get ready for a wildly diverse, star-studded trilogy about life in the big city. One of the most-talked about films in years, New York Stories features the creative collaboration of three of America's most popular directors, Martin Scorsese, Francis Coppola, and Woody Allen.
After a long absence an artist returns to her gentrified community where she explores her social position and complicity in the rapid changes.
Hollywood royalty Joan Collins and husband Percy meet Banksy, the most famous living artist in the world. Banksy's Coming for Dinner is a film within a film and questions the very nature of 'reality' at every level.
"Art is more precious than a hot dog" - Francis Picabia's (1879-1953) pamphlet is the title of this color animation of Cartsen Regild's art and the studio recording in black and white.
As the movie quotes "A arte como refúgio" Alexandre Campelo is a visual artist. He has just created an exhibition and, therefore, it is invited for an interview. When asked about his inspiration, he relives the summer of 1998, where his life changed drastically and he met the love of his life. After almost 30 years, Alexandre finds in art the way to overcome all his hurt.
Daniel is a street painter. He just paints straight lines on the streets. Dotted, solid, white or yellow. Until Ruby, a strange wanderer enters his life and shows him the full palette of colors and shapes that he misses in his life.
Maurice is an aging veteran actor who becomes taken with Jessie, the grandniece of his closest friend. When Maurice tries to soften the petulant and provincial young girl with the benefit of his wisdom and London culture, their give-and-take surprises both Maurice and Jessie as they discover what they don't know about themselves.
Photos are no longer enough to nourish the memory of happy days... Poems are powerless to preserve lost love... To return to the place of ecstasy is to return to Eden... With risks and perils...
A talented high school artist who's never played organized sports attempts to win a state championship basketball jacket and prove himself to his runaway father.
A model and a photographer, after hours of trying, strive for the perfect shot but face challenges as their high aesthetic standards get in the way.
Dramatization short on British romantic poet John Keats.
Ahmed (Ahmed T. Ragheb), an Egyptian-American aspiring actor, anxiously awaiting news of his latest film audition, gives in to his superstitions and sets off on a journey across Pittsburgh, trying to force the hands of fate. Lily (Grace Cooper), a photography student, meanwhile, criss-crosses the city unseen on a journey of her own, photographing and recalling scenes from her past.
The story of a young, gay, black, con artist who, posing as the son of Sidney Poitier, cunningly maneuvers his way into the lives of a white, upper-class New York family.