A romantic comedy with a twist.
A romantic comedy with a twist.
2025-03-07
6
'Just one more drink' becomes a spontaneous night out for Fatimah and Leon as they avoid the inevitable conversation that awaits at the end.
An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.
After finding an old nautical phone washed up on the shore, Natalie begins having dreams of the device ringing, followed by the presence of a shrouded woman in black. Natalie's already fragile grip on reality begins to slip.
Sarathy is a brilliant and carefree young man who is unaware that an astrologer has predicted his death at the age of 27. Eventually, he comes to loggerheads with Reddiar over a land deal gone bad.
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.
Finlayson plays an intrepid army cameraman on the battlefield in the world war, and Rowe plays his hapless assistant. Cranking away in no man's land, they take foolish chances and must dodge flying shells, falling down and losing their film repeatedly.
July 1997. The height of summer. England. Oasis reach number one with 'D'you Know What I Mean'. Tony Blair has moved his stuff in to Downing Street. Meanwhile Danny is trying to tell a girl named Pippa that he likes her. On this Friday we follow Danny through miscommunication, gossip, Chinese whispers and a love triangle between Danny, Pippa and his best friend Greg.
The lives of Nick, Avery, Walter, Chief Payne, Kelly Smith, and a few new characters are brought to the forefront a decade after the original 'Clancy' storyline ended.
A young man of society wants to make an expedition to Africa, but his fiancée asks him for help about one of her fathers guests shortly before his planed departure. Her suspects about that guest were serious, this man tries to steal one of her fathers rubin, and she and her fiance are kidnapped and brought to a house, where strange things happen. The whole thing becomes a nightmare under the direction of a mysterious Mr. Satan.
On her regular day at work, Paola starts to feel that she is missing out something exciting.
Filmed April 12, 2003 at a benefit concert held at and for The Anthology Film Archives, the international center for the preservation, study, and exhibition of avant-garde and independent cinema. In addition to screening films for the public, AFA houses a film museum, research library and art gallery. The event, which raised money for the Archives and celebrated the life and work of avant-garde film maker Stan Brakhage, featured Sonic Youth providing an improvised instrumental collaboration with silent Brakhage’s films. The band performed with drummer/percussionist Tim Barnes (Essex Green, Jukeboxer, Silver Jews).
Nono is a young schizophrenic who believes himself destined to stop the global arms race. He has always lived alone with his overwhelming mother, now he meets crazy Ramon.
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.