1973-01-10
8
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
Experts set out to prove that female great white sharks rule the ocean.
A watercolour evocation of a prairie storm coming after a period of severe drought.
A father wants to marry his daughter to a rich man, but she's in love with someone else. She borrows a tramp's wooden leg, pretending that it's hers, and the disgusted suitor rejects her.
When Rebecca Miller returns home to Tennessee two weeks before Christmas to take care of her niece and nephew while their parents are away, the last thing she expected is to reconnect with her childhood best friend, Drew. As she attempts to revive the kids’ Christmas spirit and redeem their faith in Santa, she rediscovers her favorite childhood activity: 12 Days of Christmas–something she always did with Drew. As the kids’ faith in the holiday grows, Rebecca and Drew’s friendship returns, and she starts looking at Drew in a whole new light.
Jim Rockford tries to help his godson, son of Denis Becker, rise out of poverty and homelessness, but soon discovers the young man's problems are far more complicated than he imagined.
When a money mule has a fatal heart attack at a Nevada brothel, the contents of the money vest is hidden by Irene. Her regular customer Johnny is her best bet to be able to retire early.
Documentary footage showing the alligator in several stages of growth, from babyhood to a ripe old age; a film taken at an alligator farm in California. In early 1913 as Thanhouser staff and crews were setting up a facility in Los Angeles, cameraman Carl Louis Gregory was taking documentary footage, from which four “split reel” short subjects were created: A MILLION BIRDS, filmed at California pigeon and ostrich farms; LOS ANGELES THE BEAUTIFUL (two different version with the same title), showing scenic attractions; and SEVEN AGES OF AN ALLIGATOR, filmed at an alligator farm. Released together, HIS UNCLE'S WIVES and SEVEN AGES OF AN ALLIGATOR filled up one 1,000-foot “split reel.” (Fandor)
Documentary about the making of the early Giallo "Forbidden Photos of a Lady Above Suspicion".
A day full of adventures, experienced by three children.