BERG investigates a historical site through an alternate shift between documentary and fictional representation. A soundscape produced from samples from a series of mainstream Spy Movies overlaps a selection of classic shots, inspired by the most repetitive cinematic clichés that are to be found in the espionage genre.
BERG investigates a historical site through an alternate shift between documentary and fictional representation. A soundscape produced from samples from a series of mainstream Spy Movies overlaps a selection of classic shots, inspired by the most repetitive cinematic clichés that are to be found in the espionage genre.
2012-04-16
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0.0Successfully completed your studies - now what? Raffly already has a lucrative job offer from a large German company, but neither an apartment nor a work permit.
7.5Steven Okazaki presents a deeply moving look at the painful legacy of the first -- and hopefully last -- uses of nuclear weapons in war. Featuring interviews with fourteen atomic bomb survivors - many who have never spoken publicly before - and four Americans intimately involved in the bombings, White Light/Black Rain provides a detailed exploration of the bombings and their aftermath.
This short documentary produced by the University of Oregon Multimedia Journalism graduate program explores memories of Portland's Japantown – Nihonmachi – and the thriving Japanese American community in Oregon prior to World War II. The film features Chisao Hata, an artist, teacher and activist, and Jean Matsumoto, who was incarcerated at the Portland Assembly Center and in the Minidoka concentration camp as a child.
0.0In 1961, history was on trial... in a trial that made history. Just 15 years after the end of WWII, the Holocaust had been largely forgotten. That changed with the capture of Adolf Eichmann, a former Nazi officer hiding in Argentina. Through rarely-seen archival footage, The Eichmann Trial documents one of the most shocking trials ever recorded, and the birth of Holocaust awareness and education.
6.8The history of the Warsaw Ghetto (1940-43) as seen from both sides of the wall, its legacy and its memory: new light on a tragic era of division, destruction and mass murder thanks to the testimony of survivors and the discovery of a ten-minute film shot by Polish amateur filmmaker Alfons Ziółkowski in 1941.
6.3Guy Martin joins the two-year restoration of a Spitfire that was buried in a French beach for decades, and tells the Boy's Own-style story of its pilot, Squadron Leader Geoffrey Stephenson
0.0The stories of Eitan, Yigal and Miri show how long the past can cast its shadows. Their Holocaust-surviving parents were abused by the Nazis, then became abusers themselves—their fear and grief transformed into aggression and anger towards their children. For the first time on-screen, children of Holocaust survivors talk openly about the mental and physical suffering they experienced. Stories of abuse contrast with cheerful-looking black-and-white photos of the families. Even the grandchildren appear to be suffering from their parents’ burden of sorrow and pain. The children's attempt to talk about the past, as with Eitan and his ailing mother and Miri with her son, seem futile. The palpable inability to make contact is almost unbearable. Shadows asks the unavoidable questions: how long will the Holocaust continue to exert its evil influence on future generations, and how can the demons of the past be exorcised?
7.2This film tells the story of World War II as experienced by the inhabitants of Baku, the capital of Azerbaijan, at the time a satellite of Moscow. The very rich oil deposits of the region aroused the covetousness of Hitler who needed the oil from Baku to carry out his program of world domination. His entire campaign of 1942-1943 was aimed at seizing them. But the Soviets and the Allies were determined to prevent him from doing so, by all means, including the most radical, even if it meant wiping the city off the map.
5.2Alex Jones exposes the growing militarization of American law enforcement and the growing relationship between the military and police. Witness US training with foreign troops and learning how to control and contain civilian populations. You will see Special Forces helicopter attacks on South Texas towns, concentration camps, broad unconstitutional police actions, search and seizure and more.
4.6Alex Jones exposes the problem-reaction-solution paradigm being used to terrorize the American people into accepting a highly controlled and oppressive society. From children in public schools being trained to turn in their peers and parents, to the Army and National Guard patrolling our nation's highways, Police State: The Takeover reveals the most threatening developments of Police State control
0.0Inspired by the complexity of the entire film-footage captured by Eva Braun, while in the inner most circle of Adolf Hitler and his private world, these observations challenge the viewer's perception of what is fact and to a greater extent what is unperceived. History teaches us the horrors of manipulation, unaccountability and ignorance. Historical moments that mirror all aspects of today’s society and humanity.
0.0The filmmaker's father and uncle, Norm and Stan, are third generation Japanese Americans. They are "all American" guys who love bowling, cards and pinball. Placed in the Amache internment camp as children during World War II, they don't think the experience affected them that much. But in the course of navigating the maze of her father's and uncle's pursuits while simultaneously trying to inquire about their past, the filmmaker is able to find connections between their lives now and the history that was left behind.
6.9The Katyn massacre, carried out by the Soviet NKVD in 1940, was only one of many unspeakable crimes committed by Stalin's ruthless executioners over three decades. The mass murder of thousands of Polish officers was part of a relentless purge, the secrets and details of which have only recently been partially revealed.
6.3A Nazi propaganda film about the lead up to World War II and Germany's success on the Western Front. Utilizes newsreel footage of battles and fell into disfavour with propaganda minister Goebbels because of it's lack of emphasis on Adolf Hitler.
8.0Australian filmmaker Sophia Turkiewicz investigates why her Polish mother abandoned her and uncovers the truth behind her mother's wartime escape from a Siberian gulag, leaving Sophia to confront her own capacity for forgiveness.
4.0Helke Sander interviews multiple German women who were raped in Berlin by Soviet soldiers in May 1945. Most women never spoke of their experience to anyone, due largely to the shame attached to rape in German culture at that time.
7.8"Mein Kampf" presents the raising and fall of the Third Reich, showing mainly the destruction of Poland and the life Hitler, which is told since he was a mediocre student and frustrated aspirant of artist living in slums in Austria and Germany, until his suicide in 1945 after being the responsible for the death of million of people, and the destruction of Europe. All the footage is real and belonged to a secret file of Goebbels, inclusive with many very strong scenes filmed by Goebbels himself.
A documentary produced by the French armed forces which chronicles the way of France’s “1ere armée” in the second world war from the days it first crossed the Rhine in March of 1945, through the liberation of a POW-camp in Swabia, until the forces reached the Danube and the Alps at the end of the war and the day French troops marched in the victory parade in Berlin.