
Motion Control examines the synergy of camera and performer. Shot on 35mm, it explores from the camera's pov, the physical and emotional entrapment of the ageing and glamorous dancer in her private and personal spaces. The film is notable for hypersound foley overlaid with text and electro-opera composed by Billy Cowie and sung by soprano Naomi Itami.


Motion Control examines the synergy of camera and performer. Shot on 35mm, it explores from the camera's pov, the physical and emotional entrapment of the ageing and glamorous dancer in her private and personal spaces. The film is notable for hypersound foley overlaid with text and electro-opera composed by Billy Cowie and sung by soprano Naomi Itami.
2001-01-01
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8.8At the school talent show, Tina, Gene, and Louise sing a song titled "My Butt Has a Fever," much to Mr. Frond’s dismay.
0.0A spirit emerges from icy cold water to explore the beautiful snow covered garden she finds herself trapped within.
6.3At Mr. Rad's Warehouse, the best hip-hop crews in Los Angeles compete for money and respect. But when a suburban crew crashes the party, stealing their dancers — and their moves — two warring friends have to pull together to represent the street.
7.2With one coin to make a wish at the piazza fountain, a peasant girl encounters two competing street performers who'd prefer the coin find its way into their tip jars. The little girl, Tippy, is caught in the middle as a musical duel ensues between the one-man-bands.
0.0A poetic, semi-autobiographical short film of the sun setting over a village, shot from behind the curtains of a small, dimly lit room.
9.8A short film accompanying the deluxe edition of "Eternal Sunshine," marking Ariana Grande’s directorial debut. Peaches, now elderly, revisits Brighter Days Inc. to relive idealized versions of her memories before they are destroyed forever. Inspired by the film "Eternal Sunshine of the Spotless Mind" and a sequel to the "We Can't Be Friends" music video.
10.0With the help of his Fairy Drag Mother, a young barista breaks out of the humdrum of his hipster coffee shop life to find the dress and the man of his dreams. Hopefully his nagging stepmother and savage stepsisters don't get in the way.
0.0Mitzi Gaynor welcomes guests George Hamilton & Phil Harris (The Jungle Book) for a sparkling hour of music, comedy and dance. Songs performed include "Everybody Loves My Baby," "Gentle on My Mind," "Pretty," and "Love Is Blue." Mitzi & George parody classic movies on the late-late show, George playing Cary Grant to Mitzi's Rosalind Russell, Rock Hudson to her Doris Day, and Glenn Ford to her Rita Hayworth.
6.0Mitzi Gaynor opens her second special with a dazzling performance of "Let Go." Additional songs include "Poor Papa," and "What'll I Do." She welcomes guest star Ross Martin (The Wild, Wild, West) for a musical-comedy spoof of Gone with the Wind. Other comedy skits include Mitzi as "The Kid" describing a school recital, and as a Hungarian Gypsy performing "Those Were the Days."
7.8A 12 year old boy with a passion for dance and his brother are rescued from the streets by an old showman who takes them to live with his estranged former dancing partner/brother.
10.0A rain parade of sausages meets camels and kings in the 32 minute experimental syncing of Pharaoh Sanders' "The Creator has a master plan"
7.0This DVD includes upbeat music for movement and active play, plus new activity modes: play, dance, and quiet-time modes; and new discovery cards: real-world animals and objects with sound effects.
10.0Astor leads a normal life with his girlfriend and his job as a publicist, but everything changes when, for no apparent reason, he wakes up unable to stop dancing and singing.
0.0Helen Young sings, and Johnny Long leads his orchestra as they perform a song.
7.1Garfield, Jon and Odie go to Jon's family farm for Christmas, where Garfield finds a present for Grandma.
7.0A shy Greenwich Village book clerk is discovered by a fashion photographer and whisked off to Paris where she becomes a reluctant model.
6.6Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."