The struggle to pass the 1967 Abortion Act and its continued ramifications to the present day. Featuring never before broadcast interviews with women who had backstreet abortions, those in the medical profession on both sides of the debate, and the politicians and campaigners who were at the forefront of the law on illegal abortion being changed.
Self - Narrator (voice)
The struggle to pass the 1967 Abortion Act and its continued ramifications to the present day. Featuring never before broadcast interviews with women who had backstreet abortions, those in the medical profession on both sides of the debate, and the politicians and campaigners who were at the forefront of the law on illegal abortion being changed.
2018-08-29
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With a single abortion clinic remaining in the state of Mississippi, the city of Jackson has become ground zero in the nation's battle over reproductive health-care. Jackson is an intimate portrait of the interwoven lives of three women in this town. Wrought with the racial and religious undertones of the Deep South, the lives of two women are deeply affected by the director of the local pro-life crisis pregnancy center and the movement she represents.
Filmmaker Maxine Trump turns the camera on herself and her close circle of family and friends as she confronts the idea of not having kids. While exploring the cultural pressures and harsh criticism child-free women regularly experience, as well as the personal impact this decision may have on her own relationship, Maxine meets other women reckoning with their choice: Megan, who struggles to get medical permission to undergo elective sterilization, and Victoria, who lives with the backlash of publicly acknowledging that she made a mistake when she had a child.
The Dobbs U.S. Supreme Court decision sparked a national Jewish response. Inspired by the lived experiences of Jewish women, lawsuits are currently being launched by rabbis, Jewish organizations, and interfaith leaders to challenge the overturning of Roe v. Wade.
The film twice states that it doesn't intend a moral injunction, but it clearly does with comments such as "our society... regards sexual intercourse outside marriage as irresponsible and possibly disastrous" and "you can use your knowledge with responsibility and real love or you can use it wantonly and with mere animal appetite". This is clearly marriage education not sex education.
Filmmaker Judith Helfand turns the camera on herself to document her battle with cancer caused by DES, a drug prescribed to her mother during pregnancy. Refusing to confine the tears, rage, laughter and hope to dinner table conversations, Helfand invites us to witness her personal journey from radical hysterectomy patient to vocal opponent of toxic exposure. From her suburban home to the halls of Congress, the intensely private becomes widely public, and an American family is transformed and strengthened.
An exploration of the early public debate surrounding birth control, the media's involvement, and the unstoppable Margaret Sanger, in a style mimicking the films of the period.
This fascinating political look at a little-known chapter in women's history tells the story of "Jane", the Chicago-based women's health group who performed nearly 12,000 safe illegal abortions between 1969 and 1973 with no formal medical training. As Jane members describe finding feminism and clients describe finding Jane, archival footage and recreations mingle to depict how the repression of the early sixties and social movements of the late sixties influenced this unique group. Both vital knowledge and meditation on the process of empowerment, Jane: An Abortion Service showcases the importance of preserving women's knowledge in the face of revisionist history. JANE: AN ABORTION SERVICE was funded by the Independent Television Service (ITVS) with funds provided by the Corporation for Public Broadcasting.
Women are being jailed, physically violated and at risk of dying as a radical movement tightens its grip across America.
50 years ago, assemblyman George Michaels cast a single vote on New York's abortion bill that changed the course of American history but destroyed his political career in the process.
Women have always sought ways to terminate unwanted pregnancies, despite powerful patriarchal structures and systems working against them. This film provides a historical overview of how church, state and the medical establishment have determined policies concerning abortion. From this cross-cultural survey--filmed in Ireland, Japan, Thailand, Peru, Colombia, and Canada--emerges one reality: only a small percentage of the world's women has access to safe, legal operations.
Motherhood: a subject so deeply ingrained in our society, we take it for granted as part of the natural order. It's assumed all women want children, that motherhood is not only a biological imperative but the defining measure of womanhood. Titled after one of the myths it challenges, this film draws upon a heady mix of culture, science, and history–revealing the rich and diverse lives of people who said no to children, and the forces that have marginalized them in society.
In an America where more and more women and trans people are losing legal bodily autonomy, the history of Bill Baird’s long fight for women’s right to abortion is as relevant as ever. Oscar-nominated filmmaker Rebecca Cammisa doesn’t just give us a portrait of Baird, but also creates a historical register of allyship and activism that those fighting to uphold freedom and choice can access, and perhaps emulate.
Anna secretly sneaks out of school with her boyfriend to carry out her decision for an abortion. Bluntly factual and yet with tender sympathy, the camera accompanies Anna's path, approaches and contrasts with images of a nature in which some things seem simpler and some things unfathomable.
A teenage girl undergoes the uncomfortable and intrusive process of acquiring a birth control prescription.
Frankie was recently diagnosed with HPV. After getting a follow-up cervical cancer screening, she tries to find connection as she goes about her day. It turns out not to be so easy.
1980s Derry: Goretti Friel, one of a spirited group of teenage friends, meets Ciarán at her Irish language class, and romance blossoms. When he is arrested and imprisoned by the British army, Goretti is dismayed to find herself pregnant. Left to deal with the crisis alone, she is tormented by the conflicts of her growing belly and the influence of a Catholic upbringing.
A young mother from Arkansas is forced to travel across state lines in search of an urgent and necessary abortion.
From this "inexorable disease", Hervé Guibert did not recover. The miracle he had so much hoped for did not happen. But, before his death in 1991, three years after learning of his HIV-positive status, he engraved in his literary and photographic work "the places of [his] suffering", "the stations of [his] way of the cross". With his thin body and sunken cheeks, the handsome man with curly hair that he was, the one whose clear gaze radiated from the seaside photos, fought a fierce battle against AIDS. A fight of every moment against the decay of the body, observed and commented with a methodical care in his autobiographical novels, in particular "To the Friend Who Did Not Save My Life" (1990) and "The Compassionate Protocol" (1991), and of which he testified on television on the set of "Apostrophes"...
An introduction to the Ketogenic Diet, a special high-fat diet used to treat seizures, as a treatment for childhood epilepsy narrated by Meryl Streep. The video provides a step-by-step preparation of the meals, available options for the diet and discussions with parents and children about their dealings with the diet.