The Revenge of Yukinojo, Part 3: Sword of Revenge(1954)

Chikamatsu Monogatari(ja)

When the wife of a 17th century Kyoto scroll-maker is falsely accused of having an affair with his best employee, the pair flee the city and find themselves falling for one another.

Miyamoto Musashi(ja)

In Part I we see the young would-be swordsman setting out to achieve greatness in war, achieving nothing because fighting on the losing side, & then beginning his long period of wandering & training, with the goal always in mind of his duel with Kojiro. Part II builds toward that great duel on Ganryu Island, with considerable focus on Musashi's planning & forethought as to how to gain an advantage.

The Hidden Blade(ja)

Set in 19th Century Japan a young samurai who finds himself in love with a farm girl leaves his home to begin a new life. He has to take stock of his new life when he is put to the test and ordered to kill a traitor who just happens to be his dearest friend.

Seppuku: The Sun Goes Down(ja)

Kakizaki Yuji’s period film is not like the jidaigeki films we are used to. While it deals with themes of seppuku, duty, and loyalty to one’s masters and the shogun, we see very little in terms of action. Instead, the film focuses on the inner thoughts and struggles of the protagonist—who is ordered to perform a ritual suicide—his wife, and their entire household, all leading up to the final moment.

Gale Winds! Tengu Karama(ja)

The 40th and final "Tengu Kurama" feature starring Kanjuro Arashi.

The Men Who Tread on the Tiger's Tail(ja)

A fugitive lord and his six retainers disguise themselves as monks to bluff their way through a hostile checkpoint.

Rurouni Kenshin: The Beginning(ja)

Before he was a protector, Kenshin was a fearsome assassin known as Battosai. But when he meets gentle Tomoe Yukishiro, a beautiful young woman who carries a huge burden in her heart, his life will change forever.

Benkei(ja)

At the end of the Heian period, Musashibo Benkei, a warrior monk who hated the Heike clan, was humiliated by his fellow monks and left the mountain monastery. Soon, Benkei competes with the Heike warriors on the Gojo Bridge in Kyoto and takes away their swords. One night he tried to stop a young man who had a beautiful sword on his belt and fought him, but he could not win. Knowing that this young man Ushiwakamaru (Minamoto no Yoshitsune) is looking for an opportunity to overthrow the Heike clan, Benkei asks him to let him join him.

小さな橋で(ja)

Falling Camellia(ja)

During the Edo period, a gifted swordsman was exiled from his clan when he questioned the misconduct of his leader. Years after, his dying wife wish was for him to go back to his clan.

Samurai Fury(ja)

Set in war-torn 15th century Kyoto, on the eve of the Onin War, the movie centers on a band of outlaws led by Hyoe, a scoundrel whose lethal sword skills place him at the tip of the spear in a deadly uprising against the corrupt Shogunate and its army, led by former friend-turned-archrival Doken.

Samurai Rebellion(ja)

The mother of a feudal lord's only heir is kidnapped away from her husband by the lord. The husband and his samurai father must decide whether to accept the unjust decision, or risk death to get her back.

47 Ronin(ja)

Kon Ichikawa's retelling of the classic true story of Samurai honor. When a young clan lord is forced to commit seppuku (ritual suicide), his loyal followers (now Ronin, masterless Samurai) dedicate their lives to avenging his death.

Samurai I: Musashi Miyamoto(ja)

Struggling to elevate himself from his low caste in 17th century Japan, Miyamoto trains to become a mighty samurai warrior.

Samurai II: Duel at Ichijoji Temple(ja)

After years on the road establishing his reputation as Japan's greatest fencer, Takezo returns to Kyoto. Otsu waits for him, yet he has come not for her but to challenge the leader of the region's finest school of fencing. To prove his valor and skill, he walks deliberately into ambushes set up by the school's followers. While Otsu waits, Akemi also seeks him, expressing her desires directly. Meanwhile, Takezo is observed by Sasaki Kojiro, a brilliant young fighter, confident he can dethrone Takezo. After leaving Kyoto in triumph, Takezo declares his love for Otsu, but in a way that dishonors her and shames him. Once again, he leaves alone.

Samurai III: Duel at Ganryu Island(ja)

A humble and simple Takezo abandons his life as a knight errant. He's sought as a teacher and vassal by Shogun, Japan's most powerful clan leader. He's also challenged to fight by the supremely confident and skillful Sasaki Kojiro. Takezo agrees to fight Kojiro in a year's time but rejects Shogun's patronage, choosing instead to live on the edge of a village, raising vegetables. He's followed there by Otsu and later by Akemi, both in love with him. The year ends as Takezo assists the villagers against a band of brigands. He seeks Otsu's forgiveness and accepts her love, then sets off across the water to Ganryu Island for his final contest.

The Revenge of Yukinojo, Part 2: Dance of Revenge(ja)

The second part of an entertaining historical drama depicting the eventful story of the revenge of an actor with a strange fate, with a variety of characters and exciting developments.

Gemini(ja)

When his mother's untimely death quickly follows his father's, a doctor begins to believe a killer may be targeting him and his amnesiac wife.

Sandy Cruise(ja)

The news that the fifth Shogun Tsunayoshi was seriously ill caused a fierce struggle for the post of sixth shogun between the Mito faction and the faction of Chief Adviser Yanagisawa Yoshiyasu. Two mysterious love stories develop against the background of a violent conspiracy that arose because of a strange painting in the sand. And then the empty-headed ronin Morio Jushiro will flash his enchanted sword in this unique, thrilling story full of unexpected twists. Adapted from the novel "Sunae Jubaku: Asahishinbunsha" by Seji Hajime.

Snow on The Blades(ja)

At Sakurada Gate in 1860, the shogun’s chief minister and his retinue of bodyguards are ambushed and annihilated. Bearing the responsibility and shame for this failure is Shimura Kingo, master swordsman and chief of the guard. Forbidden to take his own life in atonement, he is instead tasked with hunting down the remaining assassins; however, fate intervenes and now only one is left. Devoted to his late lord and his duty, he relentlessly pursues the sole remaining assassin for the next thirteen years. But times are changing in Japan and the way of the sword has become outlawed. What does this mean for Kingo?