Bars & Tone(2012)

Urute vv(pt)

An intimate glimpse into 3 years of serene moments, compiling video, polaroids and other things that were lying around when editing.

PRESENCE(en)

Presence narrates the journey of Thati, a woman determined to overcome her anxiety attacks through surfing. She finds refuge in the waves, where the surfboard becomes her ally and personal therapy.

Immensity(en)

A look at the evolution of life and finding our purpose.

What We Never Forget For Peace Here Now(en)

What We Never Forget For Peace Here Now is a personal peace memorial produced in the United States, a country that does not have war memorials dedicated to peace. This video explores how we forget and how we remember memories of war. I think about who are my survivors and witnesses of war, and the deep impressions they've given me, becoming a part of me. Drawing inspiration from peace activists young and old, I ask viewers to join me in a practice of peace, here and now.

Like It Is(en)

This documentary on the "youth movement" of the late 1960s focuses on the hippie pot smoking/free love culture in the San Francisco Bay area.

AlieNATION(en)

This short film shot in a small town in Sweden navigates themes of nostalgia through an original monologue, reflecting on gender identity struggle and the pursuit of a new beginning in a foreign land.

Speedy Delivery(en)

A wig, moustache and timeless uniform help transform David Newell into the whimsical Mr. McFeely, an authentic character who always delivers. "Speedy Delivery" follows Newell's global quest to save "The Neighborhood," infused with a deep retrospective look into what made "Mister Rogers' Neighborhood" the longest running children's show in history.

Me and My Victim(en)

Featuring one of the most monstrous personalities to grace the screen, "Me and My Victim" follows the tumultuous romance between its creators, Billy Pedlow and Maurane. In their feature debut, they have created a new genre using a blend of podcast-style audio recordings and visual fragments. "Me and My Victim" is like turning over a rock and witnessing a full ecosystem of bugs scattering in the light. It'll make you cringe, but it'll be hard to look away.

47 Days, Sound-less(en)

47 Days, Sound-less by Vietnamese artist Nguyễn Trinh Thi is a film that explores the relationships between sound and silence, vision, language, colours and their absence. Nguyễn identifies “peripheries”—including natural landscapes used as backdrops, uncredited characters and soundtracks from American and Vietnamese movies—that reveal more-than-human perspectives. Offering new ways of looking and listening, 47 Days, Sound-less invites audiences to reflect on the inextricable relationship between a place and its inhabitants.

Nova the Film(en)

An inspiring 75min DIY documentary film on new art and the young artists behind it. It was all filmed on the heat of live action of the first NOVA Contemporary Culture Festival, July and August 2010 in São Paulo, Brazil.

Cormorant(en)

A 16mm experimental short film loosely following a cormorant as it attempts to dry its wings.

Eautopsie(en)

An enigmatic glimpse of life through precarious vignettes, propelling a narrative through a nebulous and opaque structure that sutures the filmmaker's home movie footage to archival material—from Hollywood narrative films to political selfie videos. A handmade impression of a time suspended between past and present and the ghosts and places occupying it, contemplating the nature and meaning of vision, memory and image making.

Hit Him on the Head with a Hard Heavy Hammer(en)

Hit Him on the Head with a Hard, Heavy Hammer departs from the handwritten memoir of the filmmaker’s father and his experience of displacement during wartime. Referring to the notion Thomas Hardy termed ‘The Self-Unseeing’ in his eponymous 1901 poem, the film returns to childhood and the matters that harden us: upbringing, social status, education, labour, and familial bonds. The memoir weaves into the film as both a contemplation on mortality and an illustration of fading memory, reflecting on how we pen our pasts and how they can be re-told.

Depois dos Gigantes de Ferro(pt)

THÁI BẢO HUỲNH KHANG(vi)

A trans Vietnamese woman's deadname being repeated over and over again.

From Dogma to Dogville: Don't Try This at Home(en)

A documentary with the three cinematographers known for breaking away cinema away from celluloid with the introduction of digital video.

The Great Basin! Or: How I Learned to Stop Worrying and Love the Desert(en)

The Great Basin! Or: How I Learned to Stop Worrying and Love the Desert is a film, book and print project that addresses climate change, the severe drought in the Western United States, gun culture, the military’s use of the basin and range of Nevada for atomic testing, cultural stereotypes, my own personal history, and my experiences in this mostly remote area. In the 15 minute short film I am creating complex collages of my still and motion captures made in Nevada with appropriated short clips from Mutual of Omaha’s Wild Kingdom, recent weather footage, The Lone Ranger, as well as John Wayne’s and other historic films, cartoons, and many other cultural artifacts, in order to speak to the place and its significance.

A Street Full of Splendid Strangers(en)

A series of assorted shots of strangers around Manhattan about the comfort found in being anonymous.

Things That Were There(en)

Experimental video art compiled from video taken on an LG Env3 flip phone circa 2009-2010

WigWigWig(en)

Experimental self portrait