Meu Maior Inimigo Sou Eu(2024)

Christmas Goat(pt)

A Christmas story. The goat is the solution to the problems of a family in Recife, Brazil.

Art(pt)

PASSAGENS(pt)

The film depicts Bruno's encounter with an old flame at the Recife airport. He then recalls the moments spent with Alice during a carnival, and his feelings start to resurface. But could that passion have been just a creation of his mind?

Labuta(pt)

Olinda Só Riso(pt)

A Ladeira dos Urubus(pt)

Wallpaper(pt)

Os Arcos Dourados de Olinda(pt)

Vivencial I(pt)

Short by Jomard Muniz de Britto

Recife no Centenário da Confederação do Equador(pt)

PX Origens(en)

In the neighborhood of Peixinhos, located between the cities of Olinda and Recife, fragments and pieces of memory are contested amid abandonment.

Ave Maria ou Mãe dos Sertanejos(pt)

Rom(vi)

14-year-old Ròm works as bookie lottery runner to earn a living. He lives an unsettling life due to his separation from his parents and always yearns to earn enough money to find them.

Lucky Monster(ko)

Do Maeng-su, a weak and timid citizen is a debtor who owes a lot. He gets a fake divorce to protect his beloved wife from the scary private moneylenders, and immediately, ironically, he wins a large sum of the lottery.

Poulenc's The Human Voice / Bartók's Bluebeard's Castle(en)

Running through Bartók’s disenchanted tale, whose haunting music was initially condemned as unplayable, and the expression of despair in Poulenc’s monologue, the director Krzysztof Warlikowski perceives a shared dramatic thread, a shared feminine consciousness and a shared sense of imprisonment and suffocation: for the woman who penetrates the confines of Bluebeard’s castle and Elle, the woman who clings to a telephone conversation with a man as the only thing worth living for, are condemned to share the same fate. And this man she speaks to, does he really exist? Unless the director has interpreted Cocteau’s words to the letter and the telephone has become a “terrifying weapon that leaves no trace, makes no noise”…