Holocaust survivors, children of survivors, and grandchildren - as well as German freedom fighters - express their shock at the Covid era's fear-mongering and divisive dictates that are reminiscent of the prelude to the Holocaust. This ambitious five-part docu-series is the brainchild of Holocaust survivor and human rights activist Vera Sharav.
Holocaust survivors, children of survivors, and grandchildren - as well as German freedom fighters - express their shock at the Covid era's fear-mongering and divisive dictates that are reminiscent of the prelude to the Holocaust. This ambitious five-part docu-series is the brainchild of Holocaust survivor and human rights activist Vera Sharav.
0
Is History Repeating Itself?
A disturbing collection of 1940s and 1950s United States government-issued propaganda films designed to reassure Americans that the atomic bomb was not a threat to their safety.
The incredible life of Jorge Semprún (1923-2011): son of a republican intellectual; exiled in the early days of the Spanish Civil War; survivor of the Buchenwald concentration camp during World War II; clandestine communist in Spain during Franco's dictatorship; controversial socialist politician; acclaimed writer, screenwriter and filmmaker.
Documentary compiling the testimonies of the last remaining Holocaust survivors living in Britain, all of whom were children at the time, and following them over the course of a year as they embark upon personal and profound journeys.
How the Islamic State has created a powerful propaganda factory that manipulates and twists at its convenience the subjects and icons of the Western popular culture in order to lure into darkness certain young people and recruit them to achieve a dreadful purpose, an industry of fear that overcomes the infamous Nazi machinery and the methods used by both sides during the Cold War.
When the lights dim and the stage is revealed, Meschke channels life through the strings of his puppets, triggering the spiritual connection between the creator and his alter-egos: the charismatic Don Quixote, the loving Penelope, the inquisitive Baptiste, or the mysterious Antigone. THE MAN WHO MADE ANGELS FLY is a poetic story about a master of his craft that has inspired audiences to reflect upon common issues of suffering and the mortal coil. Visionary and un-biographic, imaginary tribute to the puppeteer.
Documentary about Finnish Jews during WWII and their unique position as German allies.
Data—arguably the world’s most valuable asset—is being weaponized to wage cultural and political wars. The dark world of data exploitation is uncovered through the unpredictable, personal journeys of players on different sides of the explosive Cambridge Analytica/Facebook data story.
The new film from Sergei Loznitsa (Maidan, The Event) is a stark yet rich and complex portrait of tourists visiting the grounds of former Nazi extermination camps, and a sometimes sardonic study of the relationship (or the clash) between contemporary culture and the sanctity of the site.
This is a unique film in Disney Production's history. This film is essentially a propaganda film selling Major Alexander de Seversky's theories about the practical uses of long range strategic bombing. Using a combination of animation humorously telling about the development of air warfare, the film switches to the Major illustrating his ideas could win the war for the allies.
World Order is a nearly two-hour documentary film by documentary film director Vladimir Soloviev examining the vast political changes in the world since the fall of the Soviet Union in 1992. The film was first broadcast on Russian television channel Pervy Kanal on December 20.
Nazi propaganda film contrasting Germany in the days before Adolf Hitler became Chancellor with the Germany of "today" and how much better it is.
The Story of Danish/French holocaust-survivor, Arlette Andersen, told from her horrifying point of view. From being a normal teen in Paris to her imprisonment in the infamous concentration camp, Auschwitz, she gives the younger generations a look into, a not so distant past of true horror.
Located nearly 80 kilometres north of Berlin, Germany, the former municipality of Ravensbrück was home to a prison between 1939 and 1945 that became a concentration camp designed specifically for women. It was built by order of Heinreich Himmler, a high dignitary of the Third Reich and head of the SS. Of the more than 130,000 people who were deported there, almost 90,000 never returned. Based on witnesses, international experts and computer-generated images, the document reveals the atrocities committed in Ravensbrück.
A depiction of the last living generation of German participants in Adolf Hitler’s Third Reich.
In a forest in eastern Poland, an archaeologist digs to bring to light the traces of the Sobibor extermination center. Thousands of objects that belonged to the victims are emerging from the ground as fragile witnesses. This research must be completed, because the construction of a new museum-memorial is beginning. How can the Shoah be commemorated on its own site, today and tomorrow, when an era without witnesses is emerging? How does the Shoah continue to work on the history and memory of Poland, of its citizens, within Europe, in a conflicting political context? The film looks at these questions by showing and hearing the voices of archaeologists, historians, architects, journalists, curators, and visitors linked to Sobibor.
On the 29th September 1945, the incomplete rough cut of a brilliant documentary about concentration camps was viewed at the MOI in London. For five months, Sidney Bernstein had led a small team – which included Stewart McAllister, Richard Crossman and Alfred Hitchcock – to complete the film from hours of shocking footage. Unfortunately, this ambitious Allied project to create a feature-length visual report that would damn the Nazi regime and shame the German people into acceptance of Allied occupation had missed its moment. Even in its incomplete form (available since 1984) the film was immensely powerful, generating an awed hush among audiences. But now, complete to six reels, this faithfully restored and definitive version produced by IWM, is being compared with Alain Resnais’ Night and Fog (1955).
In March 1943, twenty-year-old Ovadia Baruch was deported together with his family from Greece to Auschwitz-Birkenau. Upon arrival, his extended family was sent to the gas chambers. Ovadia struggled to survive until his liberation from the Mauthausen concentration camp in May 1945. While in Auschwitz, Ovadia met Aliza Tzarfati, a young Jewish woman from his hometown, and the two developed a loving relationship despite inhuman conditions. This film depicts their remarkable, touching story of love and survival in Auschwitz, a miraculous meeting after the Holocaust and the home they built together in Israel. This film is part of the "Witnesses and Education" project, a joint production of the International School for Holocaust Studies and the Multimedia Center of the Hebrew University of Jerusalem. In this series, survivors recount their life stores - before, during and after the Holocaust. Each title is filmed on location, where the events originally transpired.
The spectacular moon landing in 1969 was also a success of more than 100 technicians and engineers from Germany, some of whom had already revolutionized weapons technology and built rockets in Hitler's service during World War II. The documentary analyzes the entanglements of German NASA employees with the Third Reich.