Tears on Yesterday's Skin(2024)

Wa(te)r(en)

What is a film if not a therapeutic act? Wa(te)r is a poetiс reflection on my 2022–2023 diary entries, poured from one medium to another. I uncovered countless water metaphors intertwined with life and death throughout these entries. I often revisit recurring dreams—one of floods, the other of war—that have haunted me since childhood. Water flows, and everything changes. It ties me to the very beginning, with my mother's hands bathing me, and to the very end, with suicidal despair. All I strive to express emerges from the water, my words engulfing themselves. In these times, water is the most precious resource, reliable conduit to memories, and promise of oblivion. Dedicated to my dear mother and her protective touch.

Library of Dust(en)

In 2004 the Oregon State Hospital, former site of the film One Flew Over the Cuckoo's Nest, revealed the existence of thousands of corroded copper urns, each containing cremated human remains. Photographer David Maisel captured these beautifully unique urns of forgotten souls on film. Exhibiting their photos revealed secrets, influenced political decisions and reunited families. This film will show how art can stimulate social change and will document the ongoing controversy surrounding a proper memorial for these institutionalized casualties.

Olympia: Part One – Festival of the Nations(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Olympia: Part Two – Festival of Beauty(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Berlin: Symphony of a Great City(de)

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

Death Files(en)

A disturbing documentary about true murders and real death.

Reila(nl)

THE MACHINE(he)

Third Shift Coming Home(en)

This audio-visual tone poem uses the language of filmmaking to offer a first-hand evocation of the turbulent psychological effects one can experience due to prolonged lack of sunlight.

Ode to Book People(en)

Booklovers, booksellers, storytellers and writers can easily squeeze into various demos of important issues. This documentary brings this group of people in the limelight, discussing the value of art space in bookshops. The book-loving director Kong King Chu visited independent bookshops in Hong Kong, Singapore and Malaysia for three to four years, tried to understand how a bookshop can become a dynamic, inspiring and heartwarming space, even these booksellers carry different attitude towards life, books and community, as well as management beliefs. These booksellers do not care about the commercial value emphasized by the capitalist society and they are content in their own way by sharing their enthusiasm about books with the others in spite of all difficulties. Thus, they keep trying new methods to sharpen their touch on social issues and become an important starting point for the general public to reflect upon conflicts in our society.

Iceland: Beyond Sigur Rós(en)

A self-funded, non-profit feature documentary exploring and celebrating Iceland’s contemporary independent music scene at the beginning of the 21st century. Featuring music by Ólafur Arnalds, Seabear, DJ Musician, Hafdis Huld, Berndsen, Mugison, Lara Runars, Severed Crotch and others.

Manchester: Beyond Oasis(en)

A self-funded, non-profit feature documentary exploring and celebrating Manchester's contemporary independent music scene at the beginning of the 21st century.

Old Man River(en)

Documentary film version of the stage show in which actress Cynthia Gates Fujikawa explores the story of her father, actor Jerry Fujikawa, who had a long career in films and television, most often as a stereotyped Asian. The daughter, in the course of searching out her late father's history, discovers many things that she had not known, among them that her father had spent time in Manzanar, the internment camp for Japanese-Americans during World War II, that he had had a family prior to hers, and that somewhere out there was a sister she had never known existed.

Jours D'école(en)

A short film set during the span of an entire school week.

Liverpool: Beyond the Beatles(en)

A self-funded, non-profit feature documentary exploring and celebrating Liverpool's contemporary independent music scene at the beginning of the 21st century, featuring interviews with Kevin McManus (Liverpool Vision), David Pichilingi (Liverpool Sound City), Craig Pennington (Bido Lito), Paul Du Noyer (NME and Mojo Magazine), David Lloyd (Seven Streets), Peter Guy (GIT Awards and Liverpool Echo), Mike Deane (Liverpool Music Week) and David McTague (Africa Oye).

Dearly Departed(en)

Hollywood is a hot spot for celebrities, and tour guide Scott Michaels (E!'s "20 Most Horrifying Hollywood Murders," FindADeath.com) knows their, well, haunts. DEARLY DEPARTED is an all-access tour of the "backlots" of L.A. - locations where the most infamous murders, suicides and bizarre crimes involving A-listers have taken place. The Viper Room, the site where "The Black Dahlia" was discovered, and dozens more legendary spots are explored in this funny and equally shocking ride into L.A.'s seedy underground.

Bohemia(en)

When Melbourne’s cultural hub is left devastated post-pandemic, the creative industry, like many others, is ravaged. Set amongst the ashes of the cities arts scene, BOHEMIA is a hybrid of documentary, music video, and next generation concert film that powerfully recounts the story of this fallen angel of Australian culture and asks the looming question: “what now?”. Shadowy underground musician VANTA and debutant director Madeline Royce team up with a decorated collective of young creatives to contend that art in the pandemic need not be a compromise, but an evolution.

The Self-Made Man(en)

Is it ever rational to choose death? On Independence Day at Stern Ranch, 77-year-old solar energy pioneer Bob Stern finds out he’s seriously ill – possibly dying. Meanwhile, an elderly in-law is dying on artificial life support. Bob decides to cheat that fate and take his own life. His family tries to stop him. Bob sets up a video camera. Daughter Susan Stern explores “rational suicide,” the “right-to-die” and the difficult end-of-life choices faced by an aging population.

How We Die(en)

Memento Mori is a morbidly beautiful journey into the world of alternative post mortem arrangements and an illuminating meditation on death, dying and our relationship with our bodies once they are no longer ours.

Love, Josh(en)

chronicles the life of Josh Keogh, a 15-year-old whose family was shattered when his father died of liver cancer only six weeks after being diagnosed. Filmed over the course of a year, the documentary begins only a few months after James Keogh's death and candidly captures the emotions the grieving son hid from his family and friends.