The Shadow of the Cage(2015)
Education is a caged bird. This short film pays homage to experimental cinema, which is characterized by the absence of narrative, lack of focus, paint or scratches on the screen, abrupt cuts and asynchronous sound. With the aim of redefining our way of seeing, exploring new spatial and temporal concepts.
Movie: The Shadow of the Cage
Top 1 Billed Cast
Pássaro
The Shadow of the Cage
HomePage
Overview
Education is a caged bird. This short film pays homage to experimental cinema, which is characterized by the absence of narrative, lack of focus, paint or scratches on the screen, abrupt cuts and asynchronous sound. With the aim of redefining our way of seeing, exploring new spatial and temporal concepts.
Release Date
2015-05-12
Average
0
Rating:
0.0 startsTagline
Genres
Languages:
PortuguêsKeywords
Similar Movies
Window to the Soul(en)
A man comes home and realizes that something else came home with him.
11 Letters Inside(ru)
This is a story about a man who believes that he has two “selves” - external and internal. That is, an organism is a certain conglomerate of cells, each of which is a separate individual. This hybrid creature has a certain common personal “I” that uses the entire organism, and is the organism itself, which has its own will. According to the character, one can communicate with him, which is what he is trying to do. He wants to reach him and comes up with different ways of communication: injecting substances under the skin or intravenously, tattooing texts on the body, swallowing objects. The answer would come in the form of a rash or other physical manifestation that had to be interpreted. As a result, communication is carried out and the second “I” agrees to die.
Social Butterfly(en)
A socially awkward, neurodivergent youth struggles to adapt at a social gathering that quickly takes a turn into the uncanny and surreal.
Pale Red Dot(pt)
It's 1991. A strange triangular-shaped object made of metal and human flesh misteriously appears at the campus of an university. However, after an incident involving the "Scarlet Obelisk" as it was called, chaos begins.
Memoirs of a Strangler of Blondes(pt)
First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.
The Sounds of 7am(en)
This short film follows an intoxicated character's journey through the mystery, beauty and eeriness of his environment.
he said, she said(en)
A short artist film that explores femininity and sexuality. SHE journeys through her life and mind in order to be reborn, and reclaim all that men have taken from her.
Negativ(ru)
A photographer during the Soviet-Afghan war becomes obsessed with a mysterious figure that appears in his images every time the person photographed dies.
Ray's World(en)
A guy named Ray tries to go to sleep and a sasquatch gets into funky business.
Chelicera(en)
A neurodivergent man is stuck in the web of an abusive relationship, unable to free himself from his lovers grasp.
Lost Footage(en)
How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.
Borealis(en)
After the mysterious death of his father, Aaron O'Donnell, a ruthless capitalist, decides to take the reins as the leader of Borealis. However, his brother Andrew sets out to hijack his dictatorship and warn not only the residents of Borealis, but all future visitors of the danger Aaron poses.
Kakofonia Hirukoitza(eu)
Someone wanders through a house while fleeing from a mysterious presence. Their body dissolves on-screen, and their mind is invaded by a strident gray noise.
Vovó(pt)
Magdalena, Walcyr, Maria Alice and Natanael talk about the last weekend they spent with Dona Albertina, their grandmother, in 2010. This reunion is filled with an atmosphere created by the lady, which is mentioned at all times by each of them, sometimes as memories, sometimes as remorse.
Phantasia(xx)
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
Phantom Summer(pt)
Somewhere in the Brazilian seaside, teenagers Lucas and Martin fall in love while investigating the disappearance of a local kid. But their blossoming romance is threatened by sinister forces lurking beneath that idyllic summery landscape.
Lurker(en)
A voyeuristic night photographer discovers that she has become the subject of some thing's lens.
Leda + Swans(en)
“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?