The findings are disturbing. More than half of 12-13 year-old boys and girls visit porn sites every month. With just a few clicks, they can access them via cell phones or computers. Between them, these porn platforms account for more than 5 billion visits per month.
The findings are disturbing. More than half of 12-13 year-old boys and girls visit porn sites every month. With just a few clicks, they can access them via cell phones or computers. Between them, these porn platforms account for more than 5 billion visits per month.
2024-01-09
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This documentary digs into the stories of Indigenous women and families to reclaim their Indian Status through their fight for the elimination of sex-discrimination in the Indian Act. It highlights the impacts of the law on individuals, families and communities. Since the passing of Bill S-3 and its amendments, thousands of Indigenous people are now eligible for Indian Status.
For years, right-wing politicians and pundits have repeatedly criticized the left for playing “the race card” and “the woman card.” This new film turns the tables and takes dead aim at the right’s own longstanding – but rarely discussed – deployment of white-male identity politics in American presidential elections. Ranging from Richard Nixon’s tough-talking, law-and-order campaign in 1968 to Donald Trump’s hyper-macho revival of the same fear-based appeals in 2020, "The Man Card" shows how the right has mobilized dominant ideas about manhood and enacted a deliberate strategy to frame Democrats and liberals as soft, brand the Republican Party as the party of “real men,” and position conservatives as defenders of white male power and authority in the face of transformative demographic change and ongoing struggles for racial, gender, and sexual equality.
Guy Debord's analysis of a consumer society.
We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They do not care. We say we care, but we do nothing, and nothing ever changes. It is normal. Welcome to the post-truth world. How we got to where we are now…
When the immigrants came to America, their cultures entered the "great melting pot." In Michigan's Upper Peninsula Finnish immigrants mixed their musical traditions with many other cultures, creating a sound that was unique to the "Copper Country."
It took his whole life to live and three full years to film Chuck Leavell: The Tree Man. Filmed in four countries with more than 80 interviews from artists with a combined 58 Grammy Awards by the artist included, “Chuck Leavell: The Tree Man,” an Allen Farst film, is the cinematic documentary that shines a light on one of the greatest rock’n roll pianists and keyboardists over the last 40 years. Not just known for his musical influence, Leavell is also one of the biggest names in environmental forestry and was selected the National Tree Farmer of the Year in the United States. -His commitment to the planet and his strong family ties are refreshing reminders to be kind and treat your neighbor with respect. As Leavell puts it, “if you cut a tree down, plant two for the next guy.”
Leah and Purity are rangers in the Kenyan bushland. They roam around Amboseli National Park every day to track down wildlife. The Maasai shepherds also have their villages here. Conflicts can hardly be avoided. The young women are often called to missions to mediate or comfort. The two Maasai women themselves have to fight against discrimination
Emma and Eddie live two lives: one on social media and one in real life. The webcam couple is out to save their marriage by starting their own adult web-studio in Eastern Europe.
An account of Orson Welles' 1938 radio drama broadcast that inadvertently started a mass panic.
A cinematic essay interweaving private archive images and a mixture of reflective, speculative and poetic intertitles that, like “an old movie from the 20th century”, invites us to meditate on what Des Pallières once liked to call “our old homeland”.
Buddhist monk and photographer Matthieu Picard as he returns to the Asian country in the Himalayas where he spent a decade after seven years away, revisiting breathtaking landscapes and experiencing local traditions.
Documents the shifts in contemporary mainstream pornography and its influence on the sexual expectations and experiences of Australian young people.
In interviews, various actors and directors discuss their careers and their involvement in the making of what has come to be known as "cult" films. Included are such well-known genre figures as Russ Meyer, Curtis Harrington, Cameron Mitchell and James Karen.
The Story Of X takes you to the earliest days of adult films when men peddled stag reels and projectors out of the trunks of their cars, then through the movie house years to the arrival of the home video business, and now the Internet. Meet the men behind the camera, such as "King of Sexploitation" Dave Friedman and the preeminent breast man Russ Meyer. Considered pariahs at the time, they're now hailed as pioneers in the fight against censorship. The Story of X visits the 60s when women's rights, not nudity, became the issue and recounts porn's arrival in Hollywood, led by director Bernardo Bertolucci's Last Tango In Paris. In the 70s, several groundbreaking films, including Behind The Green Door featuring Marilyn Chambers and Deep Throat featuring Linda Lovelace, took the genre to a new level.
James Wong and his female assistant visited various kinds of pleasure-houses, including invisible dens, high-tech private dens, smuggling blackpoints and famouse tryst places, both large and small ones, throughout Hong Kong. They also looked back to the Scientific Beauty in Lai Chi Kok Amusement Park, striptease in the Kowloon Walled City and the old stories in fish-ball stalls. There are also interviews of call-girls and grooms.
Radical feminist Andrea Dworkin's expose on the pornography industry.