This movie shows direct testimonies, words and images of the life, cause and fights of indigenous to survive and their incorporation to the EZLN.
This movie shows direct testimonies, words and images of the life, cause and fights of indigenous to survive and their incorporation to the EZLN.
1994-01-01
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Independent documentary created by group of enthusiast from Russia. It covers the topic of Zapatista uprising in Chiapas, Mexico and struggle of Mexican indigenous peoples for justice, liberty and democracy.
April 1994 in the Lacandona Jungle, Chiapas, México. The Zapatista women talk about the living conditions of Mexican indigenous populations and the life of peasant women. They explain the reasons for their struggle and their uprising.
In 1994, the Zapatista National Liberation Army, made up of impoverished Mayan Indians from the state of Chiapas, took over five towns and 500 ranches in southern Mexico. The government deployed its troops and at least 145 people died in the ensuing battle. Filmmaker Nettie Wild travelled to the country's jungle canyons to film the elusive and fragile life of this uprising.
On January 1, 1994, thousands of indigenous people occupied seven towns in the southern Mexican state of Chiapas under the slogan "Ya Basta!" (Enough!) occupied seven towns in the southern Mexican state of Chiapas. For two weeks, the Zapatistas - who named themselves after the revolutionary Emiliano Zapata - fought armed against the government, which had only contempt or violence for them.
"Zapatista" is the definitive look at the uprising in Chiapas. It is the story of a Mayan peasant rebellion armed with sticks and their word against a first world military. It is the story of a global movement that has fought 175,000 federal troops to a stand still and transformed Mexican and international political culture forever.
An unworldly and closed-minded American travels to a small village in exotic Chiapas, Mexico; at the behest of his estranged mother when his half-sister disappears during a local epidemic of kidnappings attributed to the legendary J-ok'el, the weeping woman, who drowned her own babies, centuries ago and whose spirit has returned to claim more children as her own.
A young woman receives a diary as an inheritance from her father, in which he tells her that she must take a trip to Chiapas, a requirement for access to all his possessions.
When her father dies, a young Afro-Mexican woman joins the Revolution, the way he was planning to do, and becomes the leader of a Zapatista battalion.
This documentary shows the fascist might of the Marcos regime and how militarisation and human rights violations were institutionalised in Philippine political life. The film exposes the human rights violations during the Marcos regime, unmasking the dictator's claims that there were no political detainees under martial law. Arrogance of Power (1983, TRT 38 mins.) is a documentary by AsiaVisions (previously named Creative Audio-Visual Specialists or CAVS) made originally in Super 8 migrated to U-matic and digitized for access.
A full-length documentary tracing the history of Britain's premier folk rock group.
Quearborn & Perversion: An Early History of Lesbian & Gay Chicago (2009, 109 min) is a documentary on LGBTQ life in Chicago from 1934 to 1974. Moving from the speakeasys and Henry Gerber’s founding of the Society for Human Rights in the 1930s, to the underground social structure of the 1940s and 1950s, to the dawn of consciousness-raising entities such as the Daughters of Bilitis and Mattachine Midwest in the 1960’s, and concluding with the emergence of the gay liberation movement with the first Pride March and opening of the first community center in the early 1970s.
Brazil has a long tradition of coup d'états. These coups would have not been viable without the support of the big media, particularly TV Globo. Two Brazilian journalists in the UK reveal the manipulative tactics of these organisations.
Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’
A series of 34 short documentary films for ESPN featuring testimony from the only men alive to have scored a goal in a world cup final. In the history of the World Cup only 68 people have scored a goal in the final (including penalty shoot-outs). Of which 34 are alive today.
Max Frisch was the last big Swiss intellectual widely respected as a “voice” in its own right – a character hardly found today. The film retells Frisch’s story as a witness of the unfolding 20th century, wondering if such “voices” are needed at all, or if we could do without them.
In World War II. African-American GIs liberate Germany from Nazi rule while racism prevailed in their own army and home country. Returning home they continue fighting for their own rights in the civil rights movement.
In 1990, the beheaded body of a young woman was found in a Rotterdam canal. The body remained unidentified until 2008, when new DNA techniques revealed that the victim was the American model Melissa Halstead. A joint investigation by the Rotterdam cold case unit and their colleagues in the United Kingdom led to John Sweeney. Sweeney is known to have a tumultuous relationship with Halstead – as evidenced by the many lurid drawings he made during their time together in Amsterdam.