This movie shows direct testimonies, words and images of the life, cause and fights of indigenous to survive and their incorporation to the EZLN.
This movie shows direct testimonies, words and images of the life, cause and fights of indigenous to survive and their incorporation to the EZLN.
1994-01-01
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In 1994, the Zapatista National Liberation Army, made up of impoverished Mayan Indians from the state of Chiapas, took over five towns and 500 ranches in southern Mexico. The government deployed its troops and at least 145 people died in the ensuing battle. Filmmaker Nettie Wild travelled to the country's jungle canyons to film the elusive and fragile life of this uprising.
April 1994 in the Lacandona Jungle, Chiapas, México. The Zapatista women talk about the living conditions of Mexican indigenous populations and the life of peasant women. They explain the reasons for their struggle and their uprising.
Independent documentary created by group of enthusiast from Russia. It covers the topic of Zapatista uprising in Chiapas, Mexico and struggle of Mexican indigenous peoples for justice, liberty and democracy.
"Zapatista" is the definitive look at the uprising in Chiapas. It is the story of a Mayan peasant rebellion armed with sticks and their word against a first world military. It is the story of a global movement that has fought 175,000 federal troops to a stand still and transformed Mexican and international political culture forever.
On January 1, 1994, thousands of indigenous people occupied seven towns in the southern Mexican state of Chiapas under the slogan "Ya Basta!" (Enough!) occupied seven towns in the southern Mexican state of Chiapas. For two weeks, the Zapatistas - who named themselves after the revolutionary Emiliano Zapata - fought armed against the government, which had only contempt or violence for them.
A young woman receives a diary as an inheritance from her father, in which he tells her that she must take a trip to Chiapas, a requirement for access to all his possessions.
An unworldly and closed-minded American travels to a small village in exotic Chiapas, Mexico; at the behest of his estranged mother when his half-sister disappears during a local epidemic of kidnappings attributed to the legendary J-ok'el, the weeping woman, who drowned her own babies, centuries ago and whose spirit has returned to claim more children as her own.
When her father dies, a young Afro-Mexican woman joins the Revolution, the way he was planning to do, and becomes the leader of a Zapatista battalion.
Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.
Since his arrival in France as a child, the traumas of exile, abandonment, and poverty have shaped the identity of Alix Mathurin. As a teenager, rap and the streets led him away from school. Endowed with a strong presence and a sensitive pen, Kery James quickly becomes the voice of a generation of young people from the suburbs who are aware that life and they themselves are deteriorating together. At the same time, he plays with fire within a gang of drug dealers and robbers. The murder of one of his friends prompts him to stop everything, both rap and the path of delinquency. Converted to Islam, he resumes rap as a missionary because he knows that his voice is influential.
Portrait of the "battle phenomenon" in the Hip-Hop scene in France. In recent years, these artistic confrontations have been multiplying across France, encompassing dance, DJing, and even graffiti. However, what has been drawing crowds recently is the "MC Clash."
A more experimental aproach to labor protection films. In the line of Săucan's style, the soundtrack is as important as the image, the threatening music, full of shrillness, composed by Ion Dumitrescu potentiating the visual construction that mixes - in a montage reminiscent of the Soviet avant-garde school of the 1920s - all kinds of shooting techniques and frame combinations.
An overview of the museum's collection and the man responsible for it.
Sviatlana Tsikhanouskaya is the only one running against Lukashenko in the 2020 Belarusian election. When Lukashenko declares a victory of 80% questions regarding the fairness of the election are being raised.