El precio de la fortuna(2019)

Where Justice Hides(es)

Lacho Cuevas is the old thief of the town, exiled years ago because of his crimes. However, due to a series of robberies against the town's merchants, Cuevas is hired by the Sheriff to help catch the mysterious thief "Black Rider".

The green silhouette(es)

Federico and Olivia are editing their first short films, which encountered mistakes during shooting. Both discover that they filmed at the same location and accidentally interfered in each other’s films. Together, they find a way to edit their two shorts into one.

Night Shift(es)

The night shift clerk at a sex hotel, suffering from narcolepsy, is faced with a night when things are unusually busy and housekeeping finds a gun in room 6.

Showroom(es)

Out of work, Diego has only one goal: to return to live in the Capital no matter the cost. After leaving his family in Delta del Tigre, he becomes an obsessive salesman inside a building's showroom: a perfect model that will lead him to experience absurd situations on the verge of madness.

Los Enormes(es)

The Huge are dwarf superheroes who inhabit Huge City, within another dimension. The problem arises when Max (who once was also a Huge) uses the technology of his former companions to enter the world of humans and, under the nickname of The Lord of Evil, become the leader of a criminal gang that kidnaps the Hour Officer (Magalí Moro) to ask for 10,000 kilos of gold as a ransom.

Violencia Cuántica(es)

Stories of the Argentine West(es)

At a tabern in the argentine interior, xenophobia among gauchos is in charge of blurring the line between the law and the trap.

Zombies(es)

While on the run from zombies, a couple begin to have some relationship issues.

Yours(es)

A wandering suit man finds love, but that’s not his true desire. Through a seductive encounter, he begins to reveal his own identity and delusions surrounding him.

La Deuda(es)

Mariposa de Noche(es)

Zombies in the Sugar Cane Field: The Documentary(es)

Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.

Panchos(es)

The Dog Who Wouldn't Be Quiet(es)

Sebastian, a man in his thirties, works a series of temporary jobs and embraces love at every opportunity. He transforms, through a series of short encounters, as the world flirts with possible apocalypse.

Coup de Grâce(es)

A hostage situation gone bad. Jesús, an amateur thief, holds prisoner a group of clients. But nothing is what it seems. Behind the gates of the drugstore the story will unfold in two times. On one side, to the inevitable end: the police will shoot their way inn. And on the other side, to the past, unveiling how Jesús got caught in this situation, where the hostages are not the real victims, but something more sinister. Retracing step by step, reveling the truth, playing with the prejudices and beliefs of the audience on racial hate, social prejudices, and the intolerance. How far are we willing to go to survive?

Rouge Amargo(pt)

An Important Premiere(es)

For many years, Buenos Aires, Argentina, was one of the best places in the world for a film buff; but from the mid-sixties onwards, successive authoritarian governments shaped the will of the spectators, dictating what could be seen and what could not, so that the true cinema lovers, in their desire to watch films, had no choice but to embark on the most extraordinary and strange adventures.

Nadie inquietó más(es)

A peculiar, meticulous, vocationally archeological account of the professional life of the actor, Spanish by birth, Argentinean by adoption, Narciso Ibañez Menta (1912-2004), spiritual disciple of Lon Chaney, the new man of a thousand faces, master of horror, star of Argentinean theater, cinema and television for decades.

Proyecto muerto v6 (6).mp4(es)

The Exact Shape of The Islands(es)

For many, the name Malvinas/Falklands evokes an absurd war between England and Argentina in 1982. For Julieta Vitullo, the protagonist of this film, this tragic history becomes deeply personal 25 years later when she suffers a loss associated with her search to uncover that past, unfolding into a life-affirming struggle for renewal and rebirth. This film tells the story of two trips, one made in 2006 and the other in 2010. In the space between one trip and the next, between past and present, between the public and the private, between what can and cannot be told, the movie reflects on the possibilities of conveying extreme life experiences, presenting landscapes and sounds that suggest subtle contours of that shape, 'The Exact Shape of the Islands.'