A behind the scenes featurette of the behind the scenes featurette included in the Adventure Time Season 1 DVD.
A behind the scenes featurette of the behind the scenes featurette included in the Adventure Time Season 1 DVD.
2012-07-10
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Short subject on how fashion is created-- not by the great couturiers, but on the street.
Parents talk about their gay and lesbian children, and how they came to accept their lifestyle.
After an unsuccessful attempt at establishing himself in the early 1970s music scene, Jamaican-born reggae legend Stranger Cole opens a record store, the first Caribbean business in Toronto's Kensington Market.
This documentary short, produced for West Virginia public TV's "Different Drummer" series, introduces us to Jesco White, a hard-living, tap-dancing Boone County resident whose repeated run-ins with the law have interfered with his dream of becoming as renowned a "mountain dancer" as his late father, D. Ray White. We meet Jesco's three distinct personalities; the gentle and loving Jesse, the violent and dangerous Jesco, and the extremely strange Elvis. We also encounter various members of Jesco's family, all nearly as eccentric as Jesco himself. You will ask, "Are these people for real?" Yes, they are.
The film takes place in the Saharawi refugee camps in Algeria against the historical backdrop of Spanish colonialism and the Moroccan invasion of the Western Sahara. The Saharawi women, who make up 80% of the adult refugee population, provide a powerful voice as they reveal how they came to assume primary responsibility for the survival of the remains of their families and in turn the entire refugee population.
Bogart was interested in this project because it offered a chance to work with his new bride. The studio wasn't convinced, but the result speaks for itself.
Historic look at the Columbia River and its development. This film contains rare footage of Grand Coulee Dam construction, Indian fishing at Celilo Falls and the 1948 Vanport flood.
Through the memories of three Scarborough residents, unhome explores the cultural identity of home and the impact of gentrification
OnBoard is a brilliant chronicle of the rise of Black women on America's boards and the evolution of board diversity from Patricia Roberts Harris in 1971 to the present day, as seen through the eyes of a group of fearless women organized during the Summer of 2020 to create change. Merline Saintil, a former Tech COO and Robin Washington, a former CFO, were well-known in the boardrooms of America. During an ordinary phone call between the two women, something extraordinary happened– the movement to create an organization to expand the opportunity and exposure of Black women who can impact America's boards. Black Women on Boards, the now global organization of 200+ members, was conceived at that moment.
A grandmother, mother, and daughter quarantine together in a Tribeca apartment as they laugh about life over wine.
As the impact of the climate crisis intensifies each year, both Steven Fuller and Yellowstone face an unprecedented threat to their future — one that could forever change one of North America's last great wildernesses.
Some 1960s hackers known as phone phreaks found a way to avoid long-distance charges. Two of those phreaks just happened to be students named Steve Wozniak and Steve Jobs.
Sex. Something that is part of human nature. Everyone does it and strives to have their happily ever after… Right? In a society where intimacy and romance are constantly everywhere, someone breaks from the mould after years of self-discovery. They send a letter to their past self full of their experiences and lessons learned, in the form of a short documentary. A-Okay brings attention to the hyper-sexualized and romanticized society we live in and how it’s expectations, stigmas, and stereotypes can be harmful to individuals on the aromantic and asexual spectrums.
As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.
Through one woman's experience as an adopted person and also as a mother who relinquished her child in 1971, this documentary highlights the many complex issues associated with adoption.
Featuring Interviews with Noel Cunningham, Sean S. Cunningham, Kane Hodder and Todd Farmer. Discussions include writing and pre-production, the influence of Scream's success on the film, early concepts for the film, settling on outer space, plot and setting details, shooting 3-perf film, visual effects, ditched concepts, über Jason, audience reaction, and more.
A documentary of classified military footage released by WikiLeaks showing an attack by the US military in the Iraqi suburb of New Baghdad. This attack left 12 dead including two Reuters staff.
In the void created ad hoc to throw us into desperation, fear, shock, the torment of an infinite present, Arto Lindsay sings with words, silences and small gestures of/with/for/about love, a force that is so violent that nothing will ever be the same again.
A look at the unusual process used in the making of the film Shortbus (2006) featuring interviews, behind the scenes footage and clips from the feature film. Director John Cameron Mitchell starts with the concept of using real sex in a film with a positive message. The cast of unknowns is selected from homemade audition tapes and then a callback audition workshop. More acting workshops are used to develop the characters and script. The project overcomes a number of obstacles and the rest of the film's development is followed up until its premiere at the Cannes Film Festival.
Sir Ian McKellen and Richard Loncraine talking about making the film.