In 2009, Swansea drug agencies reported a 180 percent rise in heroin use, and it's visible on the city's streets. Early one morning we meet a young, homeless couple named Amy and Cornelius in a city centre alley. As heroin-addicted alcoholics, they're smack in the middle of two of South Wales's most harrowing epidemics. An award-winning look at a generation lost to heroin, as told through the tragic love story of Amy and Cornelius.
In 2009, Swansea drug agencies reported a 180 percent rise in heroin use, and it's visible on the city's streets. Early one morning we meet a young, homeless couple named Amy and Cornelius in a city centre alley. As heroin-addicted alcoholics, they're smack in the middle of two of South Wales's most harrowing epidemics. An award-winning look at a generation lost to heroin, as told through the tragic love story of Amy and Cornelius.
2010-10-01
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The life of Donald M. Morgan, one of Hollywood’s most prolific artists, is a unique, rags-to-riches story about a man who’s had a life-changing effect on the people around him, both personally and professionally. By sharing stories of his lengthy career, working with filmmakers like Robert Zemeckis, John Carpenter and Joseph Sargent, Morgan recounts pivotal moments in the art of filmmaking for over four decades, through interviews with fellow greats Owen Roizman (The Exorcist) and Jack N. Green (Unforgiven). But at the heart of the film is an emotional journey along the road to recovery in an industry that is ripe with dysfunction and addiction. Inspiring, heartbreaking, and funny, “Cinematographer” shares the story of one of the film industry's finest human beings.
Alcoholics Anonymous is a community of men and women who share their experience, hope and support with each other so that they can address their common problem and help others to break free from alcohol addiction. The documentary follows the stories of ten people who have been on the verge of alcoholism for almost their entire lives.
Unveiling the harsh reality of substance use in Thunder Bay, Ontario, this universally themed documentary, told through personal narratives and expert insights, exposes a lack of resources while aiming to shatter stigmas and ignite compassion for those grappling with addiction.
McGruff the Crime Dog teaches children that medicines can be poisonous if they are taken by the wrong people or in the wrong amounts. He teaches also how to deal with people who try to make children take illegal drugs.
This documentary intends to contribute to the analysis of the drugs problem, by studying a huge district in a peripheral area of a large city: the Mirafiori South suburb of Turin, a vast ghetto where 15.000 people live in huge 9/10-storey buildings without any social services.
Once again, David Graham Scott examines how some addicts use the plant medicine iboga to detox rapidly—and how, sometimes, the conditions in which they detox put them at risk.
A portrait of musician and artist Peter Doherty as he tries to pursue his musical career while battling his addiction. Torn between the needs of his inner life and the demands of the outside world, Doherty dares to face all the demons to overcome this misunderstood disease.
This documentary on the "youth movement" of the late 1960s focuses on the hippie pot smoking/free love culture in the San Francisco Bay area.
On Valentine's Day, 1993, Caveh Zahedi decided to ingest 5 grams (a very large dose) of hallucinogenic mushrooms. For the first time in his mushroom-taking history, he had an experience of "divine possession," in which he felt that a divine being took possession of his body and spoke through him, in a voice that was not his, and with knowledge that he himself did not possess. He later tried several times to repeat the experience. I WAS POSSESSED BY GOD is the documentary record of one such attempt.
Filmed 2 years before his death, this documentary portrays New Brunswick folk artist Joseph Sleep (1913-1978) in his later life. He was born at sea and worked with and around boats, fish, carnivals, and animals most of his life. While convalescing during an extended period in the Halifax infirmary in 1973, he was encouraged to paint. What began is therapy and a pastime developed into a way of representing a lifetime of images and experience
A documentary on the once promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols. The friendship between respective founders, Anton Newcombe and Courtney Taylor, escalated into bitter rivalry as the Dandy Warhols garnered major international success while the Brian Jonestown Massacre imploded in a haze of drugs.
Étienne Boulay’s story is anything but ordinary. Raised in Montréal-Nord, he went on to play football in the CFL and NFL, with lots of road bumps along the way. Boulay is a genuine and engaging personality who never fails to make an impression wherever he goes.
Henry Rollins narrates Lilly Scourtis Ayers' no-holds-barred profile of volatile Bay Area punk legend Marian Anderson, whose hypnotic beauty, devil-may-care rebellion and shocking sexual exploits onstage launched her to infamy before tragically dying of a heroin overdose at the tender age of 33.
Tim Landers, a prolific songwriter and founding member of the emo/pop-punk band TRANSIT, struggled. He fought battles, often privately, with substance misuse and his own mental health needs. "Don’t Forget To Leave" paints a poignant portrait of Landers, from his early success up until the posthumous release of Weathervane by his band Cold Collective. His story is chronicled through archival footage and interviews with members of A Loss For Words, The Story So Far, Frank Turner, Man Overboard, Transit and Cold Collective, family members and mental health professionals.
In 1998 Marco Pantani, the most flamboyant and popular cyclist of his era, won both the Tour de France and Giro d'Italia, a titanic feat of physical and mental endurance that no rider has repeated since. He was a hero to millions, the saviour of cycling following the doping scandals which threatened to destroy the sport. However, less than six years later, aged just 34, he died alone, in a cheap hotel room, from acute cocaine poisoning. He had been an addict for five years. This is the story of the tragic battles fought by the most important Italian cyclist of his generation; man verses mountain, athlete verses addiction, Marco Pantani verses himself.
Produced in 1967, this black and white film is an inmate's view of Daytop, a drug treatment centre on Staten Island, New York, where addicts learn to get along without drugs. Uncompromising, often brutal group therapy sessions are designed to shake loose the excuses a victim makes for himself. The people and situations shown are authentic; only one actor was employed. The results obtained at Daytop are regarded by some psychiatrists as a breakthrough.
The story of Tasmanian-born actor Errol Flynn whose short & flamboyant life, full of scandals, adventures, loves and excess was largely played out in front of the camera - either making movies or filling the newsreels and gossip magazines. Tragically he was dead from the effects of drugs and alcohol by the time he was only 50 & the myths live on. But there is another side of Flynn that is less well known - his ambitions to be a serious writer and newspaper correspondent, his documentary films and his interest in the Spanish Civil War and Castro's Cuba
The Culture High tears into the very fibre of the modern day marijuana debate to reveal the truth behind the arguments and motives governing both those who support and oppose the existing pot laws.
After being forgotten for 30 years, the filmmaker revisits Scorsese's lost documentary 'American Boy' and it's raconteur subject, Steven Prince.
Documentary following some stoner friends over the course of roughly a day. Featured here is Bill, a guy who got kicked out of the Marines for doing dope steadily for six years (I'm not gonna do it forever--or maybe I will, who knows?) and Barry, a forklift-driving doper who wins the Employee of the Month plaque while stoned (Live for yourself--live today and then worry about tomorrow when it gets here--that's the way I go).