Mais que fait la police au cinéma ?(2023)

A Cara De Perro Zoo – La Pelicula(es)

Documentary about freestyle competition and hip-hop culture in Argentina.

Charles: In His Own Words(en)

A documentary special that provides a rare view into the real Charles behind the headlines… told in his own words.

Wanda Gosciminska – A Textile Worker(pl)

The life of a female weaver is thrown onto the socio-political canvas of pre-war and post-war communist Poland through the use of expressive allegorical and symbolic imagery in this imaginative take on the documentary form.

Dark Eyes(en)

Arguably Russia’s most famous folk song, Dark Eyes has captured hearts around the world for the past 100 years. This portrait explores the song’s somewhat controversial history, its musical versatility and its cultural relevance. Performances by Louis Armstrong, Frank Sinatra, Liberace, a 13-piece orchestra and a Russian folk group make it clear why Dark Eyes has stood the test of time.

The Time It Takes(ab)

Follows a group of young Australians who stutter as they take part in a 10-week performing arts program to create a unique theatre piece, which they’ll perform for family and friends.

My AI Lover(ab)

Follows Yo, Siyuan and Mia, three young women who, using the mobile application Replika, have formed romantic relationships with virtual partners. This short documentary captures the richness of these bonds, from philosophical questions to intimate moments to the real sense of security and companionship afforded by these artificially intelligent lovers.

Via Celestina(pt)

Filmmaker Hare Brasil follows painter, public speaker and street artist Eduardo Marinho as they hit the road aboard Celestina, a worn-down and faulty Volkswagen van, for a trip across Brazil and Uruguay, where Marinho is set to give a lecture at a local University. They cross over 5000 kilometers and stop by numerous cities following an everything goes approach, with Marinho selling his work, talking to people and sharing his thoughts on life, society and everything else.

The Man Card(en)

For years, right-wing politicians and pundits have repeatedly criticized the left for playing “the race card” and “the woman card.” This new film turns the tables and takes dead aim at the right’s own longstanding – but rarely discussed – deployment of white-male identity politics in American presidential elections. Ranging from Richard Nixon’s tough-talking, law-and-order campaign in 1968 to Donald Trump’s hyper-macho revival of the same fear-based appeals in 2020, "The Man Card" shows how the right has mobilized dominant ideas about manhood and enacted a deliberate strategy to frame Democrats and liberals as soft, brand the Republican Party as the party of “real men,” and position conservatives as defenders of white male power and authority in the face of transformative demographic change and ongoing struggles for racial, gender, and sexual equality.

Women, Maasai and rangers - The lionesses of Kenya(fr)

Leah and Purity are rangers in the Kenyan bushland. They roam around Amboseli National Park every day to track down wildlife. The Maasai shepherds also have their villages here. Conflicts can hardly be avoided. The young women are often called to missions to mediate or comfort. The two Maasai women themselves have to fight against discrimination

A la Deriva(es)

Always Online(en)

This Norwegian documentary asks the question if you really can go around without a smartphone and social medias in todays society. The movie follows 16 year old Elida as through a week without her smartphone and no access to her social medias. During the documentary we also get to hear the perspectives of some of her fellow classmates, a teacher, a professor in information- and media science at the University in Bergen, and leader of the local support group for victims of bullying.

Information for/from Outsiders: Chronicles from Kashmir(en)

Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.

A Cam Life(en)

An undaunted look into the cam business from performers and clients to website and studio owners.

(Re)Claiming Indian Status(en)

This documentary digs into the stories of Indigenous women and families to reclaim their Indian Status through their fight for the elimination of sex-discrimination in the Indian Act. It highlights the impacts of the law on individuals, families and communities. Since the passing of Bill S-3 and its amendments, thousands of Indigenous people are now eligible for Indian Status.

Moi, agricultrice(fr)

The Panafrican Festival in Algiers(ar)

Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.

Pactes de silenci(ca)

Due to the increasing privatization of basic public services in Spain, companies such as BB Serveis are accused of misappropriating several million euros of public money intended to finance care for the elderly and other dependent persons.

Objectified(en)

A feature-length documentary about our complex relationship with manufactured objects and, by extension, the people who design them.

Seven Years in May(pt)

One night seven years ago, Rafael came home after work and discovered that people he did not know had come looking for him. He immediately fled, without looking back. From that moment on, his life changed, as if that night had never ended. One evening, around an improvised fire near a factory, he decides to confide his journey to a stranger. Rafael’s intimate account meets the collective testimony of an entire nation oppressed by poverty, police repression and institutional corruption.

All the Women I Know(gl)

From the personal to the political, the experiences of diverse women speak of how masculinized and violent the streets still are nowadays. In three insightful conversations with female friends, collaborators and high school students, the director looks for a discourse about fear that is not fearsome, a discourse on violence that is not violent. Direct cinema, horizontal process, self-criticism and narrative breaks. Mostly, this is a tale of universal sorority.