Old Man/Sick Man/Shout(2023)

Yo convergeré(es)

The Tenderness(sv)

Two days in young Rasmus life. Day one he tells his parents that he has AIDS. Day two when he dies, in the wake of the disease.

As Belas Cores do Nascer do Sol(pt)

Barbara(en)

Previously lost exploitation film which chronicles the sexual journey of a teenager who introduces her own family to the liberated ways of the free love rebellion.

Ang Ipinagbabawal na Prutas ng Paraiso(tl)

An experimental film that explores the minds of a teenage couple experiencing an unintended pregnancy and their struggles with social pressure, discrimination, and abuse.

I Love You Phillip Morris(en)

Steven Russell leads a seemingly average life – an organ player in the local church, happily married to Debbie, and a member of the local police force. That is until he has a severe car accident that leads him to the ultimate epiphany: he’s gay and he’s going to live life to the fullest – even if he has to break the law to do it. Taking on an extravagant lifestyle, Steven turns to cons and fraud to make ends meet and is eventually sent to the State Penitentiary where he meets the love of his life, a sensitive, soft-spoken man named Phillip Morris. His devotion to freeing Phillip from jail and building the perfect life together prompts him to attempt (and often succeed at) one impossible con after another.

Starlight(en)

The line between isolation and creativity begins to blur for a group of teenagers. Some are free, some are not; but all have moments of passion and beauty.

I AM(es)

A short film about life.

Looking through a Glass Darkly(en)

An experimental media installation of three windows exploring fragments of liminality. Three unique re-constructions of experiential instances volumising the cataclysms of thresholds. Experience the absence of definition, the absence of boundaries set and the absence of rationale. A myth is not to be understood, a myth is passed on, like a game of Chinese whispers, it takes its course and ages with time, suiting the demography and tale, it warps and distorts

Butterfly(en)

A short experimental film, exploring the concept that one small change can have a profound impact on a person's life.

1888(kn)

When Demonetization (currency ban) is announced in India, 3 unlikely characters come face to face for a bag of cash. After that a car journey begins and some more characters come into picture. This results in a cat and mouse game with a very unexpected outcome.

Pulvaaliraghu(ta)

The fan's self-sacrificing blades dance in the air, generating a refreshing breeze that wipes away the sweat of others and brings solace on a scorching day.

Expurgo(pt)

A woman finds herself in a distorted reality, walking through a labyrinthine space. Seeking to leave this place, she faces and gives new meaning to her memories so she can move on.

Paranoid Park(en)

A teenage skateboarder becomes suspected of being connected with a security guard who suffered a brutal death in a skate park called "Paranoid Park".

Kottukkaali(ta)

A family decides to visit their clan God to cure their daughter, believed to be possessed but in fact is in love with a man from a different caste. The journey accompanied by her betrothed, unveils tensions between tradition and personal freedom, exposing her silent rebellion.

Revolvers(ar)

footage from different times, places and friends along the way and trying to capture the best moments out of them under the circle of experimental cinema..

Quando Ele Deitou Pela Penúltima Vez(pt)

The First Fallen(pt)

1983 — A young biologist returns home from studies abroad and feels something wrong with his body. This is the start of the AIDS crisis when the first wave of the epidemic hit Brazil. Lives will change, friends will be lost and the future is uncertain.

¿Por qué la gallina cruzó el camino?(es)

Leda + Swans(en)

“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?