Secrets & Deals(2022)

Parchís: the Documentary(es)

The spotlight's on Parchís, a record company-created Spanish boy/girl band that had unprecedented success with Top 10 songs and hit films in the '80s.

CARA-B(ca)

A desktop documentary that focuses on the Golden Record that NASA sent into space in the late 1970s. The piece reflects on issues such as the power of scientific discourse to produce revisions of the world, the evolution of the concept of the archive and the resignification of borders in the rhetoric of space colonialism.

Il était une fois... Vincent, François, Paul et les autres(fr)

Elvis Presley: The Searcher(en)

Two-part documentary about the life of Elvis Presley featuring interviews with his ex-wife Priscilla Presley, guitarist Scotty Moore, childhood friend Red West and musicians Tom Petty, Bruce Springsteen, Emmylou Harris and Robbie Robertson.

Les Pieds dans la mayonnaise : Les Irrévérencieux des années 70(fr)

The Society of the Spectacle(fr)

Guy Debord's analysis of a consumer society.

Forbidden People(ca)

Constitutionally precluded from claiming any right to self-determination, the Catalans stick to their guns. The separatist movement is gaining ground in Catalonia. Notwithstanding the Spanish Constitution (which states that Spain is indivisible, making any referendum thereby unconstitutional), 2.3 million people voted in the November 2014 de facto referendum. The results speak for themselves: 81% of Catalans are in favour of independence. Seizing this historic moment, filmmaker Alexandre Chartrand gives a voice to the civil society figures who have been propelled to centre stage in national politics.

Filhos de João, O Admirável Mundo Novo Baiano(pt)

A panorama of Brazilian popular music from the 60s and 70s through the musical group Novos Baianos. A retrospective of the community lifestyle adopted by its members and the influence inherited from singer João Gilberto.

The Police Tapes(en)

Filmmakers Alan and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44th Precinct of the South Bronx, which had the highest crime rate in New York City at that time.

The Moviegoer(en)

A filmmaker celebrates his inspiration for movies by recreating what it was like for his 9-year old self in 1972 when he journeyed downtown to spend a magical Saturday afternoon at the movies.

Waltz with Bashir(he)

An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

De Gaulle bâtisseur(fr)

Hollywood Rated 'R'(en)

A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.

Tscharniblues II(de)

Bern, 1979: a tower block called Tscharnergut. Together with a few friends (among them famous Swiss actor Stefan Kurt), director Aron Nick's father and uncle shoot the idealistic Super 8 film "Dr Tscharniblues" ("The Tscharni Blues") – a wild, unvarnished self-portrait of their generation. 40 years later, Nick gathers the friends at Tscharnergut and asks what has happened to them and their ideals in the meantime. What have the achieved? What have they lost? Past, present, and future clash and form a journey of personal disappointments, hopes, and a collective search for identity. In "Tscharniblues II," Aron Nick discovers a kind of friendship that can weather anything.

Shooting the Darkness(en)

The testimony of the men who unwittingly became war photographers on the streets of their own towns in Northern Ireland, when violence erupted around them. Instead of photographing weddings and celebrities, as they expected, they produced the images that crudely show the suffering of ordinary people between 1968 and 1998, the worst years of the conflict.

Introduction to the End of an Argument(ar)

This highly kinetic tableaux of uprooted sights and sounds works most earnestly to expose the racial biases concealed in familiar images. Relying on valuable snippets from feature films such as "Exodus", "Lawrence of Arabia", "Black Sunday", "Little Drummer Girl", and network news shows, the filmmakers have constructed an oddly wry narrative, mimicking the history of Mid East politics.

Dr Tscharniblues(de)

Bern, 1979: a tower block called Tscharnergut. A group of friends get together to make a film about their experiences growing up in suburban Switzerland.

The American Dream: Europeans in the New World(de)

The history of Europeans in North America, from the arrival of Columbus in 1492 to the business success of German immigrants such as Heinz, Strauss or Friedrich Trumpf, Donald Trump's grandfather. During the 19th century, thirty million people — Germans, Irish, Scots, Russians, Hungarians, Italians and many others — left the old continent, fleeing poverty, racism or political repression, hoping to make a fortune and realize the American dream.

Ivan and Marta(uk)

Ivan Dziuba - literary critic, public figure, academician of the National Academy of Science of Ukraine - belongs to the "sixties". He fully takes care of all the miscalculations and unfulfilled promises of his generation. Reflects on why the illusions were lost and why so few dreams came true ... Let's see and listen to him with his wife Martha, a Lviv woman who was his guardian angel. Together - all life. Exactly as they are, the right is the definition - the conscience of the nation.

Jesus Christ Saviour(de)

Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’