Women After the War(1946)

Elie Wiesel Goes Home(hu)

A documentary chronicling the adolescent years of Elie Wiesel and the history of his sufferings. Eliezer was fifteen when Fascism brutally altered his life forever. Fifty years later, he returns to Sighetu Marmatiei, the town where he was born, to walk the painful road of remembrance - but is it possible to speak of the unspeakable? Or does Auschwitz lie beyond the capacity of any human language - the place where words and stories run out?

The Half-Life of Genius Physicist Raemer Schreiber(en)

Our two-hour film highlights the life and career of Dr. Schreiber with respect and clarity. Raemer, his wife Marge, and young daughter Paula would move to the high-desert of New Mexico where he and other brilliant minds would change the world forever.

The Last Spy(en)

The riveting biography of 102-year-old CIA spymaster Peter Sichel, who unpacks the obscured roots of conflicts that plague today’s world and the toll espionage took on his personal life.

Betrayed: Surviving an American Concentration Camp(en)

The story of the unjust incarceration of Japanese Americans and the loss of civil rights.

Appointment in Tokyo(en)

Produced by the Army Pictorial Service, Signal Corps, with the cooperation of the Army Air Forces and the United States Navy, and released by Warner Bros. for the War Activities Committee shortly after the surrender of Japan. Follow General Douglas MacArthur and his men from their exile from the Philippines in early 1942, through the signing of the instrument of surrender on the USS Missouri on September 1, 1945. Preserved by the Academy Film Archive in 2013.

The Bloody Hundredth(en)

Meet the real-life airmen who inspired Masters of the Air as they share the harrowing and transformative events of the 100th Bomb Group.

June 1940, the Great Chaos(fr)

From May 10, 1940, France is living one of the worst tragedies of it history. In a few weeks, the country folds, and then collapsed in facing the attack of the Nazi Germany. On June 1940, each day is a tragedy. For the first time, thanks to historic revelations, and to numerous never seen before images and documents and reenacted situations of the time, this film recounts the incredible stories of those men and women trapped in the torment of this great chaos.

Shadows(he)

The stories of Eitan, Yigal and Miri show how long the past can cast its shadows. Their Holocaust-surviving parents were abused by the Nazis, then became abusers themselves—their fear and grief transformed into aggression and anger towards their children. For the first time on-screen, children of Holocaust survivors talk openly about the mental and physical suffering they experienced. Stories of abuse contrast with cheerful-looking black-and-white photos of the families. Even the grandchildren appear to be suffering from their parents’ burden of sorrow and pain. The children's attempt to talk about the past, as with Eitan and his ailing mother and Miri with her son, seem futile. The palpable inability to make contact is almost unbearable. Shadows asks the unavoidable questions: how long will the Holocaust continue to exert its evil influence on future generations, and how can the demons of the past be exorcised?

How the Holocaust Began(en)

Historian James Bulgin reveals the origins of the Holocaust in the German invasion of the Soviet Union, exploring the mass murder, collaboration and experimentation that led to the Final Solution.

Stalin's James Bond(de)

An account of the troubled life of Richard Sorge (1895-1944), a Soviet spy of German origin who played a decisive role in the outcome of World War II.

The Death Train(fr)

In Iasi, Romania, from June 28 to July 6, 1941, nearly 15 000 Jews were murdered in the course of a horrifying pogrom. At the time, the programmed extermination of European Jews had not yet began. After the war, the successive communist governments did all they could to ensure the Iasi pogrom would be forgotten. It was not until November of 2004 that Romania recognized for the first time its direct responsibility in the pogrom. All that remains of this massacre are about a hundred photographs taken as souvenirs by german and romanian soldiers, and a few remaining survivors.

When the War Came to Germany(de)

In February 1945, American troops launched a major offensive intended to bring about the end of the Third Reich. Accompanying them were two dozen cameramen from the U.S. Signal Corps, who documented the downfall of Nazi Germany on 35mm celluloid. A two-part SPIEGEL-TV documentary by Michael Kloft.

Rommel, chef de guerre(fr)

Hélène Berr, une jeune fille dans Paris occupé(fr)

Misa's Fugue(en)

The true story of one boy's journey as a victim of Nazi oppression. While exposed to some of the most horrific events of the Holocaust, Misa was able to endure the atrocities of genocide through his love of art and music.

White Light/Black Rain: The Destruction of Hiroshima and Nagasaki(en)

Steven Okazaki presents a deeply moving look at the painful legacy of the first -- and hopefully last -- uses of nuclear weapons in war. Featuring interviews with fourteen atomic bomb survivors - many who have never spoken publicly before - and four Americans intimately involved in the bombings, White Light/Black Rain provides a detailed exploration of the bombings and their aftermath.

Mains basses sur les savants d'Hitler, le plan secret français(fr)

Hiroshima Bound(en)

A personal documentary that tracks the construction of America's collective memory (or lack of one) of the bombings of Hiroshima and Nagasaki. It follows the obscure histories of specific photos and photographers, both Japanese and American, who visited Nagasaki and Hiroshima in the aftermath of the bombings, counterposing this visual legacy with the stories of survivors, whose practice of speaking to small groups of students offers a modest but powerful counter-history to the official record.

The Man of the Trees(fr)

The life story of Daniel Balimá, a horticulturist with a disability in Burkina Faso.

Women at War(en)

Documentary shows the variety of tasks assumed by British women since the outbreak of war, and thanks America for sending relief bundles to the victims of the London Blitz. Made for an American audience, the film is edited, narrated and written by three women, with no director credited.