The story is afterimage of the genocide that happened in Rwanda almost 30 years ago. We’ve assembled an incredible team of individuals, each with an immense sensitivity to the subject matter, who are helping us bring this story to life both in its literary and visual dimension. This film is an exploration of the search for hope and humanistic values in the face of unimaginable adversity.
The story is afterimage of the genocide that happened in Rwanda almost 30 years ago. We’ve assembled an incredible team of individuals, each with an immense sensitivity to the subject matter, who are helping us bring this story to life both in its literary and visual dimension. This film is an exploration of the search for hope and humanistic values in the face of unimaginable adversity.
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Justin Quayle is a low-level British diplomat who has always gone about his work very quietly, not causing any problems. But after his radical wife Tessa is killed he becomes determined to find out why, thrusting himself into the middle of a very dangerous conspiracy.
Two westerners, a priest and a teacher find themselves in the middle of the Rwandan genocide and face a moral dilemna. Do they place themselves in danger and protect the refugees, or escape the country with their lives? Based on a true story.
The story of Dian Fossey, a scientist who came to Africa to study the vanishing mountain gorillas, and later fought to protect them.
Inspired by true events, this film takes place in Rwanda in the 1990s when more than a million Tutsis were killed in a genocide that went mostly unnoticed by the rest of the world. Hotel owner Paul Rusesabagina houses over a thousand refuges in his hotel in attempt to save their lives.
Two brothers are divided by marriage and fate during the 100 horrifying days of the 1994 Rwandan genocide.
Four women from different backgrounds forge an unbreakable sisterhood while trapped and in hiding during the genocide in Rwanda.
An ex-mercenary turned smuggler. A Mende fisherman. Amid the explosive civil war overtaking 1999 Sierra Leone, these men join for two desperate missions: recovering a rare pink diamond of immense value and rescuing the fisherman's son, conscripted as a child soldier into the brutal rebel forces ripping a swath of torture and bloodshed countrywide.
Following the story of a genocide survivor as well as son of a killer, the film revolves around the meaning of an old coat and its symbolic value for the young boy’s dramatic past. (African Film Festival, New York)
In 1993, Canadian Lieutenant General Roméo Dallaire was sent by the United Nations to Rwanda as commander of the United Nations Assistance Mission for Rwanda (UNAMIR). Its mission, to ensure the ceasefire, is underfunded, excessively bureaucratized and made up of military units which come from dozens of countries and which each have a very different program... These are Lt Gen Dallaire's efforts to stop the madness of the Rwandan Genocide, despite the complete indifference of his superiors.
A teenager is rescued from war-torn Rwanda and brought to the United States. He Struggles to fit in but has little luck till he meets a has been boxing coach. Together they prepare for the fight of their lives...
An orphan of the Rwandan genocide travels from Kigali to the countryside on a quest for justice.
In April 1994, the middle-aged Canadian journalist Bernard Valcourt is making a documentary in Kigali about AIDS. He secretly falls in love for the Tutsi waitress of his hotel Gentille, who is younger than him, in a period of violent racial conflicts. When the genocide of the Tutsis by the Hutus in Rwanda begins, Bernard does not succeed in escaping with Gentille to Canada. When the genocide finishes in July 1994, Bernard returns to the chaotic Kigali seeking out Gentille in the middle of destruction and dead bodies.
We meet ornithologist Anna in 1994 just as genocide is raging in Rwanda, perpetrated by the majority Hutus against the Tutsis. Anna manages to save the daughter of a colleague whose family has been murdered, and she takes her to Poland. But the woman returns to Rwanda to visit the graves of her loved ones. The director originally worked on the movie with her husband Krzysztof Krauze (My Nikifor – Crystal Globe, KVIFF 2005), but after his death in 2014 she eventually finished this challenging picture alone.
Ibuka follows Valentine and Jean-Claude, a new couple, at the very beginning of the civil war and the massacres that swept through Rwanda in 1994. Living in Kigali, the national capital, these young parents make numerous attempts to escape the killings with their newborn. Ibuka is a poetic work filled with tenderness and clarity about a historical tragedy, experienced through the intimacy and formation of a young family forever bonded.
A young Tutsi woman and a young Hutu man fall in love amid chaos; a soldier struggles to foster a greater good while absent from her family; and a priest grapples with his faith in the face of unspeakable horror.
Between 500,000 to 800,000 people belonging to the Tutsi minority ethnic group as well as some moderate Hutu and Twa were killed by armed Hutu militias over the course of 100 days between April 7 and July 15, 1994.
A feature documentary set in Kigali, Rwanda, the epicenter of the genocide that left a million dead two decades earlier. The film follows eccentric retired Dartmouth Professor Emeritus, Andrew Garrod, as he mounts Romeo and Juliet with college students from both Hutu and Tutsi backgrounds. Hopes, expectations, pasts, personalities and cultures collide as opening night approaches.
A powerful documentary about five women whose lives have been irrevocably altered by the Rwandan genocide. With the country left nearly 70% female in the wake of the massacres, "God Sleeps In Rwanda" is a lucid portrait of the much larger change affected by women in the East African country.
Their words had never been heard before. Co-directed by French-Rwandan musician and author Gaël Faye and director Michael Sztanke, this movie records with sensitivity and for the first time the testimonies of Prisca, Marie-Jeanne and Concessa about their lives during the genocide and after. The three Tutsi women tell the camera about their daily lives during the genocide and in the refugee camps of Murambi and Nyarushishi, where they lived a nightmare under the guard of the French soldiers of the Opération Turquoise who, under a UN mandate, where supposed to protect them. While the French army denies any rape accusation, the three women filed complaints with the French justice system in 2004 and 2012. The investigation is now at a standstill.