2002-06-06
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LeGrande, an old trapper, refuses to vacate his favorite hunting grounds when ordered to do so by Sampson and other settlers, and his life is only saved through the intervention of his daughter, Joan. The rascals soon learn to fear the girl's keen wit and daring, and Sampson, already pledged to marry Sanchezza, a Mexican girl, falls in love with Joan.
Sex star gives an explosive behind the scenes view of the people who make sexual fantasies come true on the silver screen. Sex Stars is the first feature documentary made by Lech Kowalski.
Second attempt to create a feature film out of the 200,000-plus feet of film which Soviet film-maker Sergei Eisenstein shot during 1931-32 in Mexico for American socialist author Upton Sinclair, his wife and a small company of investors. The projected film, to be called "Que Viva Mexico", was never completed due to exhaustion of funds and Stalin's demand that Eisenstein return to the USSR (he had been absent since 1929). The first attempt at editing the footage, in the USA, resulted in "Thunder Over Mexico", released in 1934. In 1940, Marie Seton, from the UK, acquired some of the footage from the Sinclairs in an attempt to make a better cutting according to Eisenstein's skeletal outline for the proposed film. This film has apparently been lost.
Jirón is the story of “Jirón de niebla” (Shred of Fog), the last film made by Mexico’s duque of horror, Carlos Enrique Taboada, which, for several reasons, was never shown or premiered. The mistery behind the disappearance of this film will be revealed in a series of interviews with the people who worked on it.
Marilyn Monroe's final project, "Something's Got to Give", has become one of the most talked about unfinished films in history. The story of the film and Marilyn's last days were seemingly lost… until now. Through interviews, never-before-seen footage and an edited reconstruction of "Something's Got to Give", Marilyn Monroe: The Final Days provides a definitive and fascinating look at the last act in the life of the world's most famous and tragic superstar.
In 1975 French Oscar-winning documentary filmmaker Pierre Dominique Gaisseau traveled to Panama to make a film on the indigenous island-dwelling Kuna people. Accompanied by his wife and their daughter, Gaisseau lived with the Kuna for a year, gaining their trust and filming their most intimate ceremonies. He promised to share the resulting film with the community, but that never happened. Fifty years later, the Kunas are still waiting to discover “their” film, now a legend passed down from the elders to the new generation. One day, a hidden copy is found in Paris…While uncovering this fascinating story with humility and warmth, Swiss-Panamanian filmmaker Andrés Peyrot succeeds in capturing a true sense of culture and place. The result is simultaneously a cautionary tale raising questions around how and why documentaries are made and for whom, and a testament to the power of what it means to see yourself on the big screen.
In 2024, the long-thought lost 16mm reels of Tom Petty in Cameron Crowe’s first film, “Heartbreakers Beach Party”, were finally found. The classic ‘80s documentary captures Tom Petty and the band in 1982-1983 as they finish, promote, and tour around the “Long After Dark” album (their final with legendary producer Jimmy Iovine). After its initial airing on MTV in 1983, the film was deemed too experimental and abruptly pulled from the air. In the more than 40 years since, it has become folklore to fans, musicians and within the entertainment industry — even credited with inspiring scenes in Spinal Tap.
Documentary about the lost 1914 film "Sperduti nel buio". Film historian Denis Lotto journeys across Europe following the trail of the lost movie.
One of the pictures to be seen in the machine, for example, was that of a blacksmith shop in which two men were working, one shoeing a horse, the other heating iron at the forge. One would be seen to drive the nail into the shoe of the horse's hoof, to change his position and every movement needed in the work was clearly shown as if the object was in real (life). In fact, the whole routine of the two men's labor and their movements for the day was presented to the view of the observer.
Lost film from 1888, directed by William Friese-Greene.
During the COVID-19 pandemic, two college students set out to make a revolutionary television show. The pilot episode was uncovered and presented alongside exclusive interviews with the cast and crew.
During his adventure in Mexico, Sergei Eisenstein made footage of a Mexican "Death Day" celebration for inclusion in his "Que Viva Mexico!" film project. When the 200,000-plus feet of film he eventually exposed in Mexico was first attempted to be made into a feature film, "Thunder Over Mexico", the producers excluded the Death Day material for subsequent compilation as an independent short subject. Silent with music track and explanatory English intertitles.
A documentary of explorer Richard Halliburton's travels on the Indian sub-continent, featuring a mix of real and staged footage.
Bhat, a member of the Moi tribe in Indo-China, loves Dhi, but her father Khan does not believe Bhat is worthy of his daughter, as he lacks hunting and warrior prowess. The tiger, Kliou, has been attacking Moi villages, taking people and livestock. During a hunt, Khan is severely mauled by the claws of Kliou. Witch doctors claim that Khan can only be saved by Kliou experiencing a similar bloodletting.
Pauline Hathaway is informed on her 18th birthday by the family lawyer that she will inherit half a million dollars, provided that her behavior meets with his approval; otherwise, the money will revert to her aunt. With new clothes Pauline sets out to visit her mother's friend, Mrs. Brewster. Framed en route by a pickpocket, she is sentenced to a reformatory for 30 days. In court, however, she has been seen by Bruce Reynolds, an amateur investigator and nephew of Mrs. Brewster who is convinced of her innocence.
Strong-willed Kathleen O'Hara, believes in equality of sexes, makes a pact with her sweetheart, Jim Donahue, when they become joint owners of a California gold mine. According to the agreement, Donahue will do the housekeeping while Kathleen runs the mine; the first to call for help loses his share of the mine.
A foolish suitor gains favor in a girl's eyes when he pretends to have saved her life. When the truth is known, she rejects him for the real hero.