Origem Demo Vídeo(2022)

When We Were Kings(en)

It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.

Good Stock On The Dimension Floor: An Opera(en)

A collectively made filmic opera in 35 parts. The Black and predominantly queer art collective, an evolving line up of poets and artists from across the world, abstracts and reimagines opera in any traditional conception. Set to hip-hop, blues, noise, R&B and electronica, the piece uses the voice (chanting, singing, screaming; written by poet and activist Dawn Lundy Martin) as its primary tool, verbalising centuries of alienation, vulnerability and protest in the global African diaspora through its disruptive libretto.

White Riot(en)

Exploring how punk influenced politics in late-1970s Britain, when a group of artists united to take on the National Front, armed only with a fanzine and a love of music.

Rap de Saia(pt)

Rap de Saia is a documentary that reports, through the voices and rhymes of the protagonists themselves, part of the historical trajectory of Female Rap in the State of Rio de Janeiro. In addition to its historical trajectory, Rap de Saia brings a collection of themes that leads us to reflect on women in today's society.

Batalhas da Ilha(pt)

MC battles are the basis of Rap and in São Luís, this type of manifestation has been growing organically in different peripheral communities organized by residents and local artists. Even without great incentives, the battles have spread throughout the city and created a network of creative ideas that oxygenate the outskirts.

Bronwen & Yaffa (Moving Towards Tolerance)(en)

This documentary presents two young women from Halifax who are organizing rock concerts to raise money for the group Eastcoast Against Racism. Bronwen and Yaffa believe that the universal language of music will help unite the community. At the same time, they struggle to renew their friendship with Scott, a former Ku Klux Klan member. This moving film is set against a vibrant soundtrack of punk and rap music.

The Uprising(en)

A music documentary that tells the story of resistance against racism in Europe.

Complexes(pt)

The short documentary ‘Complexos‘ features intimate and emotional views on how residents of favelas in Rio de Janeiro use media and arts to raise their voices and act for justice, dignity and respect. ‘Complexos’ is part of a collaborative process between the Finland-based Anti-Racism Media activism Alliance (ARMA Alliance) and the favela-based audiovisual collective Cafuné na Laje.

Black Thoughts(en)

A man that is a stranger, is an incredibly easy man to hate. However, walking in a stranger’s shoes, even for a short while, can transform a perceived adversary into an ally. Power is found in coming to know our neighbor’s hearts. For in the darkness of ignorance, enemies are made and wars are waged, but in the light of understanding, family extends beyond blood lines and legacies of hatred crumble.

Intolerance(it)

A collective cinematic project to promote tolerance and the value of diversity.

1984(pt)

Superpoderosas e o Elemento X(pt)

Ciclo da Reciclagem(pt)

Contos da Morte - A História de Lívia(pt)

Noites em Claro(pt)

A Propos D'Un Crime(fr)

In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”

John Ford: The Man Who Invented America(fr)

Over a 50-year career and more than a hundred movies, filmmaker John Ford (1894-1973) forged the legend of the Far West. By giving a face to the underprivileged, from humble cowboys to persecuted minorities, he revealed like no one else the great social divisions that existed and still exist in the United States. More than four decades after his death, what remains of his legacy and humanistic values in the memory of those who love his work?

The Damned Of The Earth(it)

Upon his death, a young African director, Abramo Malonga, bequeathed his first and last unfinished film to his former teacher, the Italian director Fausto Morelli. Morelli, who after seeing the work, is confronted with a confusing, complex and, in part, incomprehensible work. Helped by the young widow of Abramo Malonga and by the notes left by his deceased friend, and again by his personal memories, the Italian director attempts to reconstruct and complete the film. Fausto's work progresses with difficulty, not only because of the problems the film poses for him, but because of the problems that arise in his daily life. After a long crisis, after which he returns to Pisa with his former party companions and abandons himself to love and his own solitude, Fausto takes up the work of his African friend, closing it with a final invention, in which , with a bold metaphor, has refigured the human condition of our time.

Bem-Vinda a Quixeramobim(pt)

Aimée is a millionaire influencer who has all her family's assets blocked, except for a farm in the countryside of Ceará that she inherited from her grandfather. She leaves for the hinterland in an attempt to sell the property, but ashamed of the new reality, she invents that she will take a "sabbatical period" for a year. Thus, she will have to deal with her new life and sustain the lie on social media.

Anton Ferdinand: Football, Racism and Me(en)

Former professional footballer Anton Ferdinand explores the issue of racial abuse in the game from a personal perspective. Following a sharp rise in reported incidents of racial abuse in football, Anton talks for the first time about his own highly publicised 2011 incident with the former England captain John Terry. Anton wants to understand his own story and find out what needs to be done to address the problem of racism in the game today. He also confronts the online abuse he has experienced since, which has affected his mental health, his career and the lives of his loved ones