When sixteen-year-old Lola is forced to relocate to Casper, Wyoming with her anxious, existentialist mother - she ends up falling for her eccentric grandmother's ranch hand.
Paramedic #2
Adapted from the acclaimed short story by Man Brooker Prize Nominee Sarah Hall. The Agency is a modern and stylish take on middle class female empowerment, amidst the social sub-culture, described collectively as "ladies who lunch". Disillusioned with a decade of domesticity, housewife Hannah Baines (Ania Sowinski), is befriended by an enigmatic older woman Anthea (Lesley Manville,) who introduces a select and seductive inner circle of women. In confidence, Anthea recommends a private and reliable company who "can set up something marvellous" for her. Hannah contemplates the implications of attending her initial consultation, at The Agency.
Christine attends her first and last prom accompanied by Martin Fredericksen
Mick and Kev, teen Irish lads, are at the shore, throwing rocks at empty cans, drinking cider. Mick's the pushy one, engaging Kev in a game of mumbly peg, his hand on top of Kev's, fingers splayed. As Mick moves the knife between their fingers, a train is heard approaching. What's Mick's purpose?
Chun-hyang, the only daughter of an old gisaeng named Wolmae, falls in love with Lee Mong-nyong and promises to marry him. But Lee leaves for Seoul with his father who's an aristocrat, and the new governor, Byeon Hakdo, covets Chun-hyang because she is the most beautiful girl in town. When Chun-hyang rejects his order to serve him at night, Governor Byeon sends her to jail. In the mean time, Lee passes the state exam and becomes a special undercover agent of the king. He comes back to where Chun-hyang lives to save her and punishes Governor Byeon
WHEN YOU ARE LONELY YOU STILL HAVE YOUR TEETH A young man discovers he likes teeth
A drama centered on a rebellious girl who is sent to a Southern beach town for the summer to stay with her father. Through their mutual love of music, the estranged duo learn to reconnect.
A woman discovers the truth about her former lover from the diary that his first wife wrote to their son, Nicholas.
The cinematic kiss is probably one of the most archetypical images to be found in film history. It is usually a reassuring and sometimes climactic element in a movie's storyline. Not in Nicolas Provost's 'Gravity' though: with stroboscopic effects, more than a dozen kissing scenes, most from stereotypical 1950s romantic dramas, are edited together and superimposed. Narrative is subverted as the kissing is isolated from its context entirely; the action slows down and flickers back and forth. Every now and then, shots from different films overlap and match; protagonists merge and diverge again a few seconds later. The sugary and dramatic soundtrack of romantic film music contrasts with the deconstructed images; together, they form a dazzling 6-minute vertigo where love becomes a passionate battle.
A stowaway from Sierra Leone ends up as an asylum seeker in South-Wales
Tom, somewhat lunar, is a cameraman for pornographic films. He is seized with a hallucination while filming the antics of star Emma Foxx: in the lens, he sees her resplendent, sitting in the middle of a deserted beach. Obsessed by this mirage, Tom will do everything to find this moment of grace.
An impoverished girl tries to sell matches on NYE. Shivering with cold and unable to sell her wares, she sits in a sheltered nook. Striking a match to keep warm, she sees things in the flame.
Left to their own devices in the middle of summer, Malo and Zoe try with all their might to attract their mother's elusive attention.
An old man, almost deaf, observing and listening to hospital patients. A 12-year old boy, with a pain-insensitive disorder, feeling like a super hero. A nurse, who lost all sense of smell, treating wounded soldiers during WWII. A mute man about to become a father. And a young lad into a coma surrounded by his owns. Five stories in one film, five characters facing their disabilities.
The day of the cremation of her grand mother, Emilie, a young mixed-race Asian girl, buries herself into her grandmother memories. She discovers the Indochina of Hoa, her romantic encounter with Jacques (a French colon), the birth of Linh (Emilie's mother) and her tragic departure to France in 1956. She relives with Linh the arrival into the camp of Sainte-Livrade, the exploitation of the Indochinese women by the market gardeners of Lot-et-Garonne. Between memories, dance, anger and traditional rituals, Emilie learns to accept this heritage.
When Paul (Chris Petrovski) refuses to leave, Benny's (Mat Vairo) easy night of sex and drugs takes a strange turn in this sixteen minute single take film exploring notions of male-on-male intimacy, sexuality and violence.